To extend my art form of fashion, I have chosen to participate in the annual fashion show run by the school. I have decided to design and make a collection to contribute to this event. I have also chosen the theme of "Identity" to make the collection more interesting and to have a running theme across the whole collection. This is the plan to extend on my current main art form of fashion and textiles. However, to develop on a new art form, I have chosen music and I will create a soundtrack composition to go along with the collection and to be played alongside the collection in the school's fashion show. This will be my first time exhibiting my clothes at the school's annual fashion show so it is a completely new experience for me.
Usually if I make and design an outfit, it is always a one piece such as a dress. In order to extend my fashion and sewing skills more, I am planning on making a collection of two piece sets, so for example a top and a skirt as an outfit. It will be more complex to do as it requires making two distinct pieces rather than one. However, it will be a learning process and hopefully I can learn from any mistakes I make.
I also want my collection to be based on a theme so that I have a common factor running throughout each of the outfits that link to each other. I have chosen to do a theme of 'Identity', it is fluid, something that is constantly changing and I wanted to explore this through fashion. I will attempt to channel this theme through every outfit, so every outfit will be different, however I am also going to make the outfits either black or pink mainly to keep them looking linked in terms of their aesthetic.
I think by participating in the school's annual fashion show, I can exhibit the collection I am making in a larger scale compared to if I was to organise a fashion show event myself.
This will also be a new experience for me as I have modelled before at the school’s fashion show but never actually contributed my work into it but this time I will exhibit my own collection of six outfits and each outfit will consist of two pieces as I have mentioned before; for example a top and a skirt as an outfit.
To further extend my skills, I am also going to make a song to go with the collection which will be played in the fashion show during the showing of my walk. Music is the skill which I will be developing whilst I chose fashion and textiles to be the skill that I wish to extend. I will explain more on the musical aspect further down in this part.
I will design the collection for the school's fashion show first before then moving on to create the musical soundtrack to accompany the collection. The designs of the clothes will help me and influence me in the direction that I want the soundtrack to go in. I am doing it in this order of designing the collection prior to working on the soundtrack as the fashion and textiles aspect is my main chosen art form whilst I am extending on a new art form of music, which I do not have much experience on or knowledge about the subject either. The designs and making the collection, is something in which I have experience and more confidence in, so that will definitely assist me with extending and exploring on the musical side, whilst still learning and extending myself with the fashion and textiles side of this project.
Skills Development (Fashion & Textiles):
During the making process for the collection, I developed various old and new skills. For example, I have never attempted at incorporating an invisible zip in any of my clothes that I have made before. Until on my velvet top design. I sewed the zip once onto the top I made, and I was unsatisfied with the final result, so I unstitched it and went along to a sewing course to get taught the proper method. After going to the course, I was much more confident in sewing invisible zips and regular zips than I was before the course. This aided me a lot as all my garments featured zips so it definitely made a difference.
Another new skill I developed was how to do pleats. For this, I turned to a couple of youtube tutorials and taught myself off them at how to incorporate pleats into a garment. After watching a few videos and doing a couple tester pieces, I managed to successfully add pleats to not just one but two of my outfits, which I was really proud of.
An old skill I developed, was probably working on the sewing machine. I felt with more practice, I became much more confident at using it. I even learnt how to thread the bottom part of the sewing machine, which I did not know how to do before. And I also learnt how to rewind the bobbin through a course I attended.
The last important skill I feel that I have developed is designing. Designing is the part that I struggle with the most. I feel as if though I am better and much more confident at making outfits than I am at producing ideas, so this was a very important skill to work on. I feel that I produced quite original ideas for my collection, through looking at some fashion magazines for inspiration, and experimenting and constantly adapting the designs.
Extending my Art Form (Music):
To extend my art form further, I decided to merge my current art form of fashion, with a new art form that I have not done before; music. The plan was to create a soundtrack for my Fashion Show catwalk, in this way, I could incorporate my designing and sewing skills with musical skills, that I have never looked into or explored.
To produce this soundtrack, I teamed up with a music technician teacher who came to my school, called Mr Luckett, and we worked on producing the soundtrack for a couple of hours. To produce this soundtrack we used a music software which was similar to 'Garage Band', which I have used before, but it was a lot more extensive and there was a lot more tools available on the software we used. This music software was called 'Logic Pro X'.
Firstly, we looked at the outfits I had made as inspiration and also looked at several different songs and artists for inspiration. Such as the song '19' by Paul which incorporated a voice over from a film documentary at the start of the song and the voice got put onto a loop. This was to explore different ways of adding vocals to add more texture into the song.
Then we created a bass line which was percussion going on in the background, which we turned into a loop so it would last for a duration of 3 minutes, roughly like a song. Then we kept adding several different sounds and instruments as loops and quantised these loops so they would be in time with the rest of the music. This was mainly based on experimenting with different sounds and instruments and beats to see how everything would fit together. If the sounds would match, then we would drag it into the song and quantise these. We then repeated experimenting until we were happy with the song as a whole.
I felt that the song was quite repetitive so we decided to add vocals. We used vocal samples that we found through the Internet, mainly focusing on Sami and Flamenco music vocals. This is because my theme for the fashion show was 'Identity', and as I come from a dual heritage, Spain and Finland, we decided to include these two aspects in to develop on the idea of the theme. We used Flamenco vocals for the idea of my Spanish heritage, and this comes in half way. However, the original vocals did not fit in with the soundtrack, so we used a software called 'Melodyne' to move the notes into the correct pitch so it would sound and fit better with what we had already produced. We also did the same for the Sami music, which was for my Finnish side, and this music was quite high pitched so we moved it down an octave.
Overall, I am glad with how the song sounded in the end and I appreciate how much time and effort is required to make a song now. I think that the song compliments the outfits and vice versa, and that they both go hand in hand.
To listen to the final soundtrack, click the play button below!
Practioner I worked with:
Neil Luckett:
Biography:
Neil Luckett is a composer with a Fellowship from the London College of Music and MMus (dist), singer, guitarist with an L.G.S.M. in classical guitar, arranger and producer.
There are a number of albums of his own material.
Some of the artists and companies that he has worked with or for include:
tvfordogs, Phil Dodd, the ROH soloists and Sting, Vanessa Mae, So Solid, Lisa Scott Lee, Idiotboy, Yve Mendes, Laurie Latham, Kealer, Mavericks Film, Aerostorm, Tom Allalone, Haygarth, BBC, First Search, Butterfly Stitch, Dave Cumming (Akilo), Red Drapes, Mr President etc
His music is performed by a growing number of classical musicians and has been played on TV, radio and used in a number of short films. His orchestral pieces have been performed by the DSO and LCCO and the string quartets by the Aditi Quartet and the Elysian quartet.
He performs, both in Britain and abroad, with alternative rock band, tvfordogs and acoustic band Rabbit in the Blood.
He is a composer and musician across a wide range of genres and that is reflected in his varied catalogue. He is currently primarily active in classical composition but he is still working as a session musician, teacher, producer and performer with tvfordogs and Rabbit In The Blood.
Evidence of working with a practioner:
Evidence of progress:
Skills Development Plan:
1st June | Begin to design the collection of the clothing around the chosen theme of "Identity" for the school's fashion show. |
12th June | Begin to research into the different fabrics to use and start to purchase the different fabrics, threads and trimmings needed for the collection. Start on making the first outfit. |
18th June | Attending a course to work on how to sew an invisible zip to incorporate into some of the designs in the collection. After the course, I will finish the first complete outfit and begin on making the second outfit out of six in total. |
22nd June | Email and contact Mr Luckett over arranging for an initial session to work on a soundtrack and explore different ideas behind the soundtrack. |
25th June | Finish making the second outfit and begin and finish making completely the third outfit out of the six. This way, half of the outfits are physically made and all the designs are drawn out before having the first initial meeting with Mr Luckett to start to create the musical soundtrack. |
28th June | First initial meeting with Mr Luckett to start to create the music soundtrack. We looked at different stimulus and remits to influence the soundtrack, alongside focusing on the designs of the clothes and overall theme of "identity". I also looked at two main examples of how music has been used before in this context in a way that I wanted the direction of the soundtrack to move in, and this was the starting point of creating the soundtrack. |
30th June | Started and finished on making the fourth outfit which also was influenced with the initial session with Mr Luckett as looking at the different stimulus (such as looking at cultural references in music) influenced me to slightly change the original design. This is an example of how the music also influenced some of my designs of the collection. |
2nd July | Focusing on cultural references and specific themes (such as that of identity again) so that I could try to reflect it in the music. Also learning more on particular terminology before being able to work on actually producing the soundtrack, this was to have a better understanding on key words that would inevitably pop up and I would need to understand before exploring the computer software and physically being able to start producing music. |
5th July | Started working on the computer software; Logic X Pro. Experimented with how to use the software and learnt how to start to use it and what tools and what the software can offer in terms of making my soundtrack. |
9th July | Started and finished making the fifth complete outfit. |
11th July | Continued on making the soundtrack, by finishing adding the baseline and instruments. |
16th July | After adding the instrumental part in the previous session, I added vocals into the soundtrack so that my cultural side of my own identity and heritage was communicated. |
19th July | Second to last session with Mr Luckett on making the soundtrack. I added more vocals into the soundtrack and cleaned up the soundtrack more and quantised the music. I also changed the pitches of the vocals to fit more with the bass line of the music as a whole. |
21st July | Started and finished the whole of the final sixth outfit. This meant that all the designs of the collection were all physically made ready for the show. |
23rd July | This was the last music session with Mr Luckett, so the focus was on completing and cleaning up the music soundtrack. This session was also used for a review session and getting the music burned onto a CD for use for the fashion show. |
By the 23rd of July, all the pieces; whether music or textile garments, were all finished and ready for the fashion show event.
Feedback from other practioners:
Flora Leo:
Biography:
At 9 years old, Flora was awarded a specialist scholarship to study the piano and violin at Wells Cathedral School before continuing her musical education at the Royal Academy of Music in London where she was offered a full scholarship to study Media and Applied Music (Composition).
As a composer, she regularly conducts, directs and produces her own works in both recording studio and concert hall environments, and although she has a keen interest in music for Film and TV, she also writes and performs classical chamber music and is a prolific pop and musical theatre songwriter.
She is currently writing the book, music and lyrics for 'Triangularity' and 'The Most Beautiful Suicide' which will be performed at the Tristan Bates Theatre in September 2018.
Other original musicals include 'Show & Tell' and 'The Lightning Road'.
She has also worked as producer/arranger for West End star Yanle Zhong (‘Avenue Q’), and as producer/writer/arranger on ‘The Space In Between’ for singer Jonathan Eio.
Her writing and arranging credits include the documentary 'The Way We Are in London', extracts from the TV series 'Simon Schama's History of Britain' and the US film 'The League of Extraordinary Gentlemen.'
In 2018 Flora was the MD for 'The Last Five Years' at the London Theatre with Seagull and Wolf Productions and was nominated for an 'Offy' for Best Musical Director for 'Free Solo' at the Drayton Arms Theatre.
Her musical 'The Lightning Road' will have its first professional production at The Actors' Church in Covent Garden on 26th October.
Feedback from Flora Leo:
Yes, I think the vibrancy of the colours and materials used in the collection are also reflected in the upbeat rhythmic grooves and electro feel of the music track.
2. What do you think went well?
The collection works together as a whole and has a fun retro vibe as well as working in a contemporary setting.
3. What do you think could have gone better?
The collection could potentially be extended to include more casual outfits or perhaps some outfits which explore gender fluidity.
4. What would you rate the outfits out of 5?
4.5
5. What would you rate the song out of 5?
5
6. What do you think of the combination of the song and the outfits overall?
Very appropriate - maybe the world music influences of your dual heritage in the song could have come across in the outfits more.
7. Any further feedback?
A fun and well judged collection.
India Copley:
Biography:
India Copley is currently a textile designer and maker who is working as an art technician in Blackheath High School. She studied at the University of the Arts London at the Chelsea School Art and Design, where she did a BA Hons degree in Textile Design, and received a first class honours degree. She also currently works as a studio assistant at One We Made Earlier Studios. Copley also worked as an interior designer and showroom sales assistant for four years at Places and Spaces Design LTD.
Her approach to working involves an application of questionable surface design onto three-dimensional shapes in a state of playful, multi-disciplinary experimentation. Using drawing as a tool to inspire her pieces, her work unfolds and escalates as colour, pattern and texture meet material- and process-focused forms. She is heavily involved in the making procedure of my pieces, using laborious craftsmanship and step-by-step techniques to create my relating shapes. In her quest to form a relationship with her pieces she uses a very hands-on method to building, mould-making and casting to evolve her work, whilst filling, adding and extruding to perfect a touch-worthy textured finish.
Copley's work often behaves as a collection of pieces that complement and interact with one another in a lively collision of shape, colour and texture. The position of her work within society is that of an installation context, gallery, interiors or display setting. It becomes almost interactional as my ensembles aim to intrigue the viewer, creating questions regarding the properties and qualities of the pieces. What is that? Can I touch it?
Feedback from India Copley:
"I think the variety of different fabrics and textures make this a really exciting collection, alongside the contrasting music. The use of different fabrics works well in representing identity, the soft floral lace and crushed velvet gives a very feminine feel and the shocking pink metallic fabric, combined with the black gives more of a punky look, along with an upbeat track with the vocals which represent a part of your own heritage. I think the garments shapes are cohesive across the collection and work well in complimenting one another, you have done a brilliant job in creating six individual outfits using different patterns and techniques - yet make them all look so intrinsic as a whole collection whilst also creating a track to again tie your ideas into a cohesive piece of work for a show.
I speak from my area of expertise of textiles and I think there is a potential to further progress the textile elements of your work, you could maybe have added in some printed/embroidered areas of fabric to soften the contrast between black and pink - these could have been designs that are representative of individuality. Naturally, black is dominating for for the eye, this contrast in colour could have been slightly softened by using a grey or navy blue so that the black does not overpower your lovely designs too much.
I would rate your collection a 4 out of 5. I think this is a brilliant collection, and a very ambitious one to have taken on by yourself, the pieces are fluid and they looked so striking on the catwalk in the fashion show back in February. You should be very proud of yourself, it's a very skilful and well executed collection. I would rate the music a 4 out of 5 as I think there could be more elements added to make it a more exciting piece but again is very skilful for this being your first track composed and experimenting with a new art form as you mentioned."
Sharing my work with others:
To share my work with others, I went on Instagram and posted a link to the soundtrack I made, along with pictures from the fashion show to get feedback over both parts from a larger range of people.
Along with this, I added a link to swipe up from the Instagram story to my Survey Monkey questionnaire to make it easier to give feedback.
The link to my Survey Monkey questionnaire: https://www.surveymonkey.co.uk/r/6FMKFQF
I added a short description of what the song and collection were about on the second slide on the Instagram story, to give people a background knowledge on what the survey was about.
Aside from these two slides, I added more slides of pictures of the collection I made for the Fashion Show to show more of the clothes individually so people would be able to answer the questions.
Screenshots of my questionnaire:
Feedback I recieved:
I managed to get 89 responses from my friends and Instagram followers, which I was very happy with. I found the responses very helpful to know what worked well and what could have been improved. I also liked how I got to know other people's opinions on what they thought on my collection and soundtrack.
As there was quite a large amount of responses, I will add about 10 screenshots of some of the responses, below to each question.
1. Do you feel the song matches the outfits and vice versa?
Out of the 89 people who replied to my survey, the majority voted that the song matched the outfits and vice versa. Over 80% of the people who completed the survey, voted yes, that the song matched the outfits, but just under 20% did vote no, that they did not think that the outfits and song matched. However reading through the responses to the other questions of those who voted no to the initial question, most either wrote that they preferred the outfits more than the song, or the reverse, or that they liked the both but as individual pieces of work and not as a cohesive.
I am very happy with the responses that I received and took on board the critiques.
2. What do you think went well?
I am very happy with the comments I got about what went well in the project. The vast majority of the comments were about the collection itself rather than the song. It was helpful to know what other people identified as the stronger parts of the project and how people had different views on what went well.
3. What do you think could have been better?
These constructive criticism has helped me to know and identify what the weaker parts of the project were, and in regards to the responses, I think that the song seems to be weaker than the clothes. This is expected as I am a lot more centred at the textiles aspect rather than the musical part.
4. What would you rate the outfits?
On average I got 4.4 stars out of 5 stars, which I am very happy with. Some comments I got over the clothes in the further feedback section, was that some people found the clothes too revealing and short, so that is why they said to have clicked 4 stars. However there will always be creative differences between people and it is impossible that absolutely everyone will love your collection and are satisfied with it. Either way, I am very content with the score overall as the majority of people did vote 5 stars.
5. What would you rate the song?
On average, in this section, I did receive 4 stars out of 5, for the quality of my song. The majority of votes were placed among 3 to 4 stars but there was a minority that voted 5 stars which did push up the average. I am very happy with this score as I have never been very musical and quite a few people did say that they did like the song as it was quite unusual and not what they have heard before. However on the flip side, some people also said that they did not really like the song as they found it a bit "repetitive" and "random".
6. What would you rate the combination of the song and collection as a cohesive?
Overall I did get 4.3 stars out of 5, which is slightly lower than the rating of the collection and higher than the rating of the song. In the further feedback section I did receive a few comments about how some people thought that the song and collection went hand in hand but others did find that the song did not match the "vibe" of the collection. I take these comments on board and if I was to do this project all over again, I now know what I should have changed.
7. Any further feedback?
The response in the further feedback section was a bit varied but the majority was very positive but I have added both views above. Most of the comments talked about the clothes and were compliments. However there were a few comments about the song, some positive and some were constructive criticism. Both sides of the comments were helpful to see what did work well and what could have been improved.
Final Review:
Overall, I think that I have definitely developed my skills in my main art form of fashion and textiles through making a collection of six outfits. I learnt new skills, such as the ones I have mentioned before, on how to sew an invisible zip and how to make two pieces rather than just making one. I definitely do feel more confident with designing by being more exposed to it during the time I was designing the collection in contribution to the schools' annual fashion show and to try and link the outfits to the theme and link the music to it all as whole, which was something I felt I struggled with more prior to the fashion show and this project. I also feel more knowledgeable and have definitely extended my skills of the subject of music. I learnt key terminology such as to quantise, bass line and loops, and what these actually mean and how they are applied to or in a song or soundtrack. I also learnt a lot more on some of the computer programmes themselves that are used when making a soundtrack, and in this case I used Logic Pro X, so I gained more experience using this particular software and how to use it. I also learnt more about other computer softwares that could be used when making a soundtrack such as Sibelius and Garage Band, which I did not use solely when producing the soundtrack in this project but but have used before in music lessons, so I definitely explored a different and new software which I have never used before and was able to compare this new software to previous usage of the softwares which I have used before. I also learnt a bit more on other musical artists such as Paul who I used as inspiration when creating this soundtrack as the purpose of doing so was to explore different ways of adding vocals to add more texture into the song.
For getting involved in the wider arts sector, I decided to attend a short course that lasted over two weekends. This course was aimed for learning more about pattern cutting and was more of an introduction to pattern cutting. Aside from attending this course, I also attended two events in the fashion industry. These gave me more of a taste of going into the fashion industry and more of a feel of the industry. In this section, I will explore and evaluate my experiences when I attended these courses along with the two events.
Pattern Cutting Introduction Two-Saturday Course:
Firstly I attended the two weekend course. This course was held at the Fashion and Textiles Museum, on Saturday 23rd February 2019 and Saturday 2nd March, this course lasted all day from 10:45am till 4:30pm each of the two days. This course was led by the creative pattern maker Michelle Lewis, who is currently developing a sustainable fashion label. She has worked in London as a creative pattern cutter and designer for Zandra Rhodes and Kitty Joseph since the year 2009. She has also freelanced as a pattern cutter for influential London Design houses including Alexander McQueen, Nicole Farhi, Erdem and David Koma. Whilst doing this course and teaching at the Fashion and Textiles Museum part time, she also teaches part time at the London Metropolitan University. And since 2014, she has been working in the fashion industry in Bangkok in Thailand and has explored the textile and fashion traditions all over Thailand. She has returned back to London in January 2016 and since then has been inspired by her experiences and connections in Thailand and has began developing a sustainable and ethical clothing brand, which is mainly based on weaving and using natural dyes.
Before living and working in London, she completed a BA of Creative Arts in the University of Melbourne in 2003 and a Diploma of Fashion at RMIT University in 2006 in Melbourne in Australia. After she completed her studies, she launched her own fashion label called Ok Carnivale, that stocked several Australian specialist boutiques from 2006 till 2009.
She has worked as a pattern maker for London's most renown luxury fashion labels, such as Zandra Rhodes (as I have mentioned above), Alexander McQueen and Nicole Farhi. She has recently been employed internationally to develop patterns for Burberry.
This course would be solely taught by Michelle Lewis but there would also be some helpers depending on numbers at the course. This course was meant to cover the basics and the basic rules of flat pattern cutting specifically. This two day course focused mainly on using fashion blocks to create womenswear garment components including simple sleeves and skirts. This process also included bodice dart manipulations, style lines and how to add fullness through gathers and pleats. We were also taught on how to use a block, identify balance lines, take measurements from the body and how to make basic fitting adjustments, dart manipulation, pivoting and slashing to create style lines and design components such as pleating and gathers, work with seam allowances and sew a toile, pattern terminology and how to use specialist equipment. These demonstrations in the course used size ten fashion blocks to make it all more inclusive by using an "average" size.
To attend this course, there was no need to have pattern cutting experience, which was very good for myself personally as I have not had much experience in making pattern pieces from scratch but I have used store bought pattern pieces before and I have experimented making my own pattern pieces but have not been taught professionally. Learning how to do pattern cutting is a key skill when trying to get in the fashion industry as it is key for someone to know how to sew but to be even more successful, it is key to learn how to do pattern cutting so that you can design your own designs and so it can be commercialised if you have made your own patterns. This is a subject matter in textiles which I wanted to learn more about and I have watched video tutorials on it but I did think that it would be a really good experience to get professional help along with this, so that I could also ask any questions to a professional in person. This course was advertised for beginners wanting to learn the principles as well as anyone who may have dressmaking experience but who now wants to experiment with their own patterns. The participants were also told to bring our own metric tape measure, fabric shears, paper shears, fine steel pins, fine pointed tracing wheel, HB pencils and felt tip pens. We were provided with calico and specialist equipment at the course.
The price of the whole course was £190 but included materials and exhibition entry. On the first day, we focused mainly on simple skirts and basic sewing techniques in the morning, to accommodate all the participants needs and so that Michelle Lewis could look at what skills level everyone was at, to then go from there and make sure that the next steps and activities were appropriate for everyone. There were about ten other people there, more or less, aside from me, and they were all university students but mainly older, so there was no one really my age. They had all done sewing before and we were all basically on the same level but of course there was slight differences between everyones skills naturally. The first few activities of the course that very first morning were again mainly so that Michelle Lewis could figure out everyones capabilities and what to do moving forward. And after these activities where we looked at A-Line skirt patterns and just recapping basic sewing techniques by hand and using the machine, we then moved on two looking more into dart manipulation and how to change the shape of a simple A-Line skirt to more body con and tight fitting or even to just have a different silhouette such as a fit and flare. This was really interesting to see in my opinion because you can have a few simple pattern pieces to form one type of skirt and then add lines for gathering and pleats and it changes the whole skirt. It really shows that by using these techniques, you can change a certain item of clothing to a completely different fit. I will definitely apply these techniques used to the next item of clothing I make. We then focused more on adding more shape usong gathering and pleats specifically and just continuously doing this for a few hours. We did have a break in between the start and lunch time just so that we could have a breather between the "topics". After this short five minute break, we then went straight on to looking at the same thing on gathering and pleats but except that instead of doing it on a skirt, we looked at doing it specifically on a top or bodice part. So it was more on how to give the top the form for a woman to wear and to adjust to all the curves of the body on the top half. This was more complex than the skirt by a lot as if there was a pleat on one side, it would have to be most likely repeated on the other side of the top too so it was a lot more complex to make sure that both sides were even and placed at the correct angles and areas. I did make a mistake at the very beginning where I draw the pleat lines too low down on the pattern piece paper, but as Michelle Lewis corrected, I definitely did learn from my mistakes and I asked her how could I know for next time where to place it. She then gave me some advice that there was a certain amount of centimetres that you had to take away from the top half of the top to almost direct you into where you should draw the pleat lines depending on what the size you were making the top was and depending on the size of the person going to wear your top was. This definitely helped as it was more of a one to one discussion and she helped me to do the correct thing using this technique. After this, there was a half an hour lunch break were we were recommended to stay in the museum and have either our packed lunch (if we had brought any) or buy something from the cafe downstairs, as they advised us that there was probably not enough time to leave and come back in time. So I went to the cafe and sat with a few of the university students and they told me about what courses they were doing which was super interesting to me as I again got to find out more about the universities from a students perspective so it would make me more aware when applying. After this lunch time, we then made our way back upstairs to where we started to learn more about seam allowances, this did not take us very long as everyone was very aware on what they were and how to incorporate them into our clothes and for what purpose. The seam allowance is just a couple of centimetres (about one or two centimetres) that you have to add on to your fabric so that the garment does not end up being too tight fitting because you used up the space to actually sew the panels together. So that is why the seam allowance is so important and all of us knew about it so we moved on from that mini topic really quickly after she gave us a few demonstrations. We then moved swiftly on to how to sew a toile. I had no idea what this was as I have never heard of this terminology before and a toile is basically a draft version of a garment. So essentially it is a practice run of your garment and is usually made from a cheaper fabric so that you can test the fit of a particular garment before cutting into your real fabric which tends to be more expensive. She also taught us that a toile can also be referred to as a muslin, so she just wanted us to be aware of this before moving forward. This was especially tricky and I honestly did find this technique very challenging and even a bit frustrating as it took a really long time to actually make it and then in the industry, the next step would be to see if there were any corrections that needed to be made and sometimes to even redo the toile itself before making the actual garment using your final fabric choice. However I learnt the importance of this and why it is actually used so much in the industry, especially in high couture fashion labels. As a whole, this process of sewing a toile (or muslin) takes a longer process obviously, but it saves the company money in the long run as no expensive fabric has to go to waste when experimenting on the fit and the smaller design flaws. This took up the majority of the afternoon and after doing this, we had a quick and short lesson on some pattern terminology. This was a really nice way of ending the day on a more relaxing note after all the work we had to do during this first day. After this section on learning about the pattern terminology, we were free to leave and the next lesson would be the following week. We learnt words such as armscye, which is the opening in a bodice where the sleeves are attached, so this is basically the word in pattern terminology for an armhole. Another word that stuck out to me and that I learnt that day was; "ease" and the "ease line". There are two different types of ease; the wearing ease and the designer ease. This will affect how tight or loose fitting a garment will end up being. The wearing ease is added to allow garments to move with the body. On the other hand, the designer ease is more about the designers preference on what the style of the garment will be. Certain types of garments such as woven garments, will need wearing ease to allow movement and for the person wearing it to be comfortable to be able to move in it. The easing line is a short and broken line with dots at either end which have an arrow to show which direction to mark the area to be eased. I have never heard of these specific pattern terminology before today so that was another really useful thing that I learnt on this first day of this course. However one thing I would have changed was that we could have maybe had the terminology lesson at the beginning so that we were fully aware of all the words that we were using during that duration of the first day without having to ask, instead of having it at the end. However it was a really nice end to the day and we could always apply these words to the next lesson either way. I left this first day with a lot of new found knowledge and techniques which I will definitely try incorporate in my next design pieces in the future.
The following weekend was a step up in difficulty from this first day, as we had to finish off all the topics that we had to get through in this weekend. We got in the next day of the course, the following Saturday, and we had to get straight on with the work, starting off with using fashion blocks again to create garment components such as simple sleeves with the measurements for a female body. This was fairly simple as we did this the last Saturday when we were making the bodice patterns. This was essentially the same process but even easier as sleeves do not require dart manipulations in the sense that bodices and top parts of the garments do to give the shape and structure, so this was a nice introduction "welcome back" activity. After doing this, we then focused on identifying balance lines. When Michelle Lewis introduced this topic I had no idea what was in store for us as I have never heard these terms. She explained what it was and the process of it, and explained that there were two main types of line balancing that meant two different things but that were both relevant to the fashion industry. The first meaning was essential to the total overall design of the garment. And in this meaning, there are three types of balance; the first being formal or symmetrical balance. And this is when two sides of a design are alike on either side of its vertical centre. And the balance in the use of colour is essential to get the best effect. The next type of balance is informal balance or asymmetrical balance, where the purpose of this is to use space, colour and a variety of shapes and components to produce this overall effect. The last type of balance is radial balance as we learnt, it is when the major parts of the garment design, radiates from the central part of the garment, creating almost a sunburst shape and effect. The next meaning of the line balance is in terms of production in the textiles industry. It is an assembly line made up of several work stations and at each station different processes are done. The key to this going effectively with no work pile ups between station is that the lines must be balanced, so hence why this is also known as the balance lines. So work must get through each workstation at the same time thereabouts to work properly and efficiently.
After learning about this, we then moved to a completely different topic on how to take more complex measurements from the body, and we covered this slightly in the previous weekend. And we also learnt how to make basic fitting adjustments through these measurements. This process is key to make tailor made outfits in the fashion industry, even more so in high couture rather than high fashion, as clothes are expected to be of the best quality in high couture whereas fast fashion is all about the speed that new collections come out at. We received so many tips about taking measurements from the body as this is the first initial step in making a garment, and if this goes wrong, then the rest of the processes needed to be done in order to make the garment will all go wrong. So she gave us lots of important tips and even gave us a handout of the importance of making the correct measurements and tips along with advice. Some of advice was even on how to stand the person who you were tailoring the clothes for, for example, the person being measured should stand up straight on both feet and their feet should be about fifteen centimetres apart from one another, this ensures the body is at its best posture so that in this way it is easier to collect all the measurements. She also gave tips on what the person should wear, for example, it is really important that the person being measured should wear tight, fitted clothes as if they were baggy clothes, this will give you the wrong measurements. However, wearing lingerie is better as it will leave no room for errors when taking the measurements. Then she went on to give tips on the tape measure, such as to keep it level and parallel to the ground at all times that you are making horizontal measurements. She then also said that if you are taking measurements of a person, that you should always stand on the right side of the person. These were among a few more tips that she gave us, which were definitely very useful to learn about. Then the last thing we looked at was more on dart manipulation and more terminology specific to this. We learnt what dart manipulation actually is, which is when you move darts around the pattern block to where ever you want, and this is done for both a better fit of the garment or because of the design and the preference of the designer as well. As this course was more specific to flat pattern making, we learnt about dart manipulation in terms of this specific area. So dart manipulation in flat pattern making basically lets you move a dart from its original area to a new area on the pattern. Moving a dart is designed by choosing a pivot point and shifting the dart to this new area. I learnt that this is useful in order to get a better fit on the garments and it changes the whole look of the garment. We also learnt more about darts themselves which are a feature on woven garments especially to make them fit the body better and are also used on knit patterns too, especially to give the garment made by these materials a form and moveable. There was someone who was not quite sure what a dart was so she asked Michelle Lewis, and we got a brief recap on what it meant, so darts are wedge shapes in a pattern that are used to control the fullness and to shape a garment to the body. She then gave specific examples of where they can be used, such as on the bodice of a garment and the purpose of the darts on a bodice is to shape the fabric around the curves of the bust. And these are mostly commonly positioned on the side of the bodice and also at the waist, but of course it is the designers choice on where to place them in their designs.
After learning and experimenting with pivoting and slashing techniques in pattern making and drawing and positioning darts on our pattern blocks to experiment with these new techniques that we learnt, it came to the end of the two weekend course. This course was so useful in finding out so much more about pattern making and cutting and I found it very helpful learning all the techniques and top tips from an industry expert. I thoroughly enjoyed the course and would have loved if maybe there was an additional day where the participants could use these techniques and maybe even design and make a garment using some of these key techniques under the guidance and expertise of Michelle Lewis in case we needed any help applying the knowledge we learnt at the course. Overall, I really recommend this course and the teacher was amazing.
Comments from practitioner leading the course:
After attending the course, I emailed the course leader; Michelle Lewis, to get a few comments about my work and progress overall in the duration of the two weekend course. I gave her a few points on where I wanted some feedback on specifically such as for example, I asked her for feedback on how well she thought I did on the course looking specifically at learning new skills. After sending her email, she replied a while later and gave me a few comments which I will attach below:
"You were very hard working and work ethic was good especially when tackling new skills."
"Occasionally you had a few gaps in your knowledge of the fashion industry but were quick to ask inquisitively to better your knowledge."
"I was very impressed with your work, you always tried to complete all the tasks to the best of your abilities."
"Well done on completing the course!"
Reflection on the weekend course:
Looking at the course, I learnt so many new techniques, which I have gone in depth on above. I also definitely feel as if I was out of my comfortable zone in this course, which definitely pushed me with the textiles elements in the course along with building my communication skills. Being out of my comfort zone was definitely a good thing, as I pushed myself to my full capabilities at the moment to power through all the activities in the course so that I could learn as much as I could possible do from the course. From this course I gained a lot of knowledge, skills and techniques which I will definitely incorporate in my next designs and work. It was a very useful experience and I am very glad I chose to do this to extend my knowledge on the fashion industry outside of what I already know.
Media and Fashion - Celebrating Diversity Event at City Hall:
Aside from attending this course, I also attended two events in the fashion industry.
The first event was hosted at City Hall for career progression and networking. This event was also to give participants more of an insight in to the industry. The event was titled; "Media and Fashion - Celebrating Diversity." They also held this event last year which was highly successful, which I unfortunately did not attend as it seemed like an incredible opportunity. I was invited to attend this event from one of my contacts that I made through one of the workshops that I did at the V&A Museum. This event was invitational only so I was very fortunate and grateful to have been invited by this contact. The event was organised with the D Foundation, in association with Asbo Magazine and the Mayor's Peer Outreach Team. It has been organised as a follow up seminar to the highly successful event the year before. This event was hosted by Swarzy Macaly who is a radio host at Kiss FM Radio. This seminar ran from 6pm till 8pm on Monday 25th February at City Hall, in the Queen's Walk in London SE1 2AA. The evening started with registration at the reception of city hall, followed by refreshments and networking. This when then followed by a panel of experts sharing their experience in diversity and inclusion in the creative industries. After this, participants like myself were offered the opportunity to meet mentors who will help them create practical career development plans including hints, tips and advice on how to breakthrough in the creative industries.
The screenshots above are of emails exchanged from myself, the organiser of the event and the contact I have who invited me. I made this contact through a workshop course in the V&A and she very kindly emailed me inviting me to attend. After receiving the email, I was very thankful and sent an email in reply thanking for the opportunity and the invitation and that I would be attending. I then emailed the email address that was written in the original email sent to me, to RSVP and confirm my place to attend. On the second image above, that is a screenshot of my email to the event organiser asking to attend and the following screenshot is of the event organiser's response.
I found this event incredibly helpful and an insight into the world of fashion.
When I arrived to City Hall for the event on the day, the first thing we had to do was to get registered by the people at the door and have security checks. After this, we were allowed to enter into the event hall and into the building. We were then ushered into the correct event room. There was a time period from about 6pm (which is when I had arrived) to 6:30pm where the sole purpose was to get everyone on the guest list registered and when you were in the event hall, there was a chance to grab nibbles, snacks and refreshments. There were tables and chairs set out, there was a whole row of tables at the back full of delicacies and refreshments. There was also a table with microphones set up for the panel, and a main staging area where there was a microphone and stand. After the registration had been all done, the event commenced and the first thing that happened was an introduction and a general housekeeping announcement from the host, Swarzy Macaly, who as mentioned before, is the host of Kiss FM. She was a brilliant host and really knew what she was doing, she was so confident and made the event really enjoyable. After her introduction, where she introduced herself and other members of staff working, she also outlined the timings of the event and what the seminar agenda was for that evening. This was then followed by a performance from a lady called Malunga. Malunga is a singer/songwriter and has written her own original songs (two of which she performed yesterday for us) and they were really well performed, sung and written. She also told us that her songs are available to listen on all major streaming sites such as Spotify, Apple Music/iTunes and Soundcloud. This was a really enjoyable performance as she also really got the audience involved in her performance whether it was getting everyone to sing her chorus at some point to even getting people to clicking or clapped to the song. After this performance, there was a panel talk and Q&A session for about half an hour. There were four women on the panel and then Swarzy lead the questions for them. The four panellists were called; Natalie Worgs, Fatima Timbo, Maria and Obwawe. These four women were from different sides of the fashion industry and doing completely different things in the same industry. I thought this was really interesting and really good to see how different the jobs can be in being in the same industry. Natalie Worgs is a fashion facilitator, events organiser, stylist and photographer. It was really refreshing to see that even if you go down the route of fashion and do a very specific degree or course whether in university or as an apprentice (or even down another route to secure a qualification) that this does not mean in any way that you will do the same exact thing for your whole career and that you can always branch into different aspects of the creative industry. She explained about herself a bit more in detail at the beginning, when the host; Swarzy, asked all the panellists to explain a bit more about their careers and what they do now along with how they started off. She explained how she went to university to study a marketing course which did cover editorials and more fashion related content, but that it was more aimed and focused on the marketing and advertising industry. After doing this, she went to secure a job as a freelance visual merchandiser which again was what she did go to university to study so she did know quite a bit about the industry already.This was her first job and from there she went on to work behind the scenes in fashion and used her industry expertise, knowledge and experiences from her work over the years to help and support emerging fashion designers, brands and labels. Currently, she works as a freelance fashion facilitator and consultant, and also has founded both Fvshion Dvting and Girls About Peckham. Fvshion Dvting is more of a blog and movement and a business for her love for styling and photography. Most of this has gone on to their own public instagram site where she posts pictures from when she has styled garments and outfits along with accessories, and also about their purpose. It is mainly focused on the images that she has styled and actually directed along with photographed herself. Her other business venture; Girls About Peckham is also more of a blog initiative, which she has posts all the images on to her instagram on @girlsaboutpeckham and there's a hashtag that she came up with #girlsaboutpeckham. The purpose of this initiative, is about the girls and teenagers and women growing up in Peckham and about their identity, style, power and about the environment. Natalie Worgs styled all the photos again and she takes the photographs and leads the movement campaign. She finds people in Peckham who she thinks has a really unique style or just someone that she believes could work on the campaign, and asks them about it along with telling them more about what type of things they would do if they agreed to work with her. If the people agree to do it, she finds about them as an individual and their background, then she experiments with style and looks with photoshoots and posts it on the site. It was really interesting how she built a platform for herself not just once but twice and how she uses it to empower others who don't have a platform like herself and to make as many people feel like they can express what they think and that their voices are heard. More in the panel, she talked more about social media itself and how it can be a powerful business tool but there is such a harsh light on it by many of the general public and how she wants to change it to be in a more empowering and positive light because she did even say that without social media sites such as instagram, she doesn't believe that she could have built two successful labels without the attention that she received from her followers. The next panellist, was a lady called Fatima Timbo, who is a social media influencer, model and YouTuber, along with working in fashion. She first started off as a finance trainee but then moved to work in the creative industry as she felt that it was her passion and that it was really what she wanted to do with her life. Fatima shared her struggles with achondroplasia, which is a bone growth condition that causes disproportionate dwarfism and how impacted her entry into the creative industry. She said that it was important for the industry to become more acceptance of people who are different and more acceptance on disabilities without judgement. She still feels that some fashion organisations are solely looking for a more white based and non disabled people to work for them, but since her entrance in the creative industry scene, she has been confident in herself and spoke out about these issues so she definitely thinks that the industry has changed in the few years that she has worked in it to become slightly more tolerable to her as a black, disabled woman. She has also taken to online sites such as youtube and instagram to share her story and to try to empower other disabled women in particular, but to anyone who is slightly different to be more confident in yourself and to show that she has become so successful and that everyone else can do what she's done too. Her message was very moving and it was so interesting to hear how her experiences and herself as a person has changed so much over the last couple of years. The next panellist was called Maria, who is also a stylist and designer, however she did say that she wanted to open up a new business venture in the creative industry and open up a new designer label. She has her own small boutique open in central London and wants to expand this label while also opening a new business venture. She explained to us when answering the first question that the host asked, about finding more about what her career has been about and what she has done so far in the industry. She did an internship in fashion in a small boutique and since then has carried on with the boutique and then went on to do an accounting and finance course and then opened up her own label boutique. This was really interesting to see as it showed that to get in the fashion or creative industry, you do not always have to go in a more traditional route and have to go to university, and that you can actually go through an internship or apprenticeship. It showed me that there are more options to get into this industry. The last panellist was another lady called Obwawe, who again was more in the fashion industry rather than media. She explained how she went through the more "traditional" route by going to university and studying a finance course again but with fashion on the side. However she soon realised her passion for fashion during the side course and realised that she wanted to dedicate her career or at least the start of her career in fashion, so she went on to do a mini internship after university to gain some experience and she did admit that she had to do a lot of free jobs at the start to gain the experience that she needed to secure herself a job in a really competitive industry. She then received a counter question from the host Swarzy, to ask her when did she stop doing free jobs and start asking or looking for paid jobs. She then answered that there was a point that she got to where she realised that she did have the passion, the drive and the sufficient amount of experience so then eventually she started to look for proper paid jobs. This lead to what she called the "real start of her career". There were a few more questions asked by the host before opening questions up to the floor and getting audience members to ask the panellists questions. There were only about three questions asked in total because each of the four panellists gave really long answers to each of these questions so it took a while to get through, but it was really interesting to see how each panellist answered and responded to each question differently. The first question was about what their dreams were for the future in terms of their careers in the creative industry. Most of them answered how they want to gain more of a following in their label or boutiques and went on to how they will go about doing so and actually achieving this, to show the audience that if you have a dream, and you really want to achieve it, that it takes a lot of planning, perseverance and commitment to follow through to actually achieve the "dream" that you want for yourself. I thought that this was a really helpful way to look at this and that it was useful to hear this point of view. They did each say their own personal plans moving forward and that they will either work more and do more styling and photoshoots and create more content to upload and post more frequently for example. The next question was about what their proudest moment of their careers were. Fatima who was the model and social media influencer, said that her proudest moment was after attending so many casting calls, that she finally got signed by a modelling agency. She said that it took a lot in her to actually go every time to all these modelling cast calls and to not give up hope on getting a call back to model. She also said that after going viral in a video on holiday, she also said that that experience was also one of her proudest in her career. In the video, she is on holiday in her home town and was dancing next to the pool while her friend filmed her as a joke. She was not going to post this video on to her instagram as she felt that she looked "fat" and was not wearing any makeup so she felt insecure, however she still posted the video and it went viral basically overnight, and she received so many comments about how people were inspired by the video and it showed that people with a growth disability can still be "beautiful" as many people disagree about this in our society. This really was inspirational and I learnt that even the work or content that you think is the worst might be considered the best by your followers. It does not directly link to fashion per se, but it inspired me to also consider designing more inclusive clothes for all women of different heights and body shapes. There is a really big market of targeting clothes to all bodies to be more diverse in fashion in current day, but what is not seen very often is actual diversity. For example, out of all the fashion shows I have attended, there has only been one occasion that I have seen a disabled person walking on the runway. This shows that fashion still can be more diverse with the clothing itself and who labels portray to be their target market. The final question before the end of the Q&A was about what their biggest disappointments were or biggest regrets in the industry. They each went on to answer the question and it was so refreshing to see what they all thought looking back on their mistakes or regrets in the fashion or media industry. The first regret was about starting "too late" but she then went on to say that it is never too late to start on something, whether a new career path or switching jobs or even taking up a new hobby, whatever your age, but she did regret not doing the work experience or internships when she was younger as she felt as if this held her back and made her have to do a lot of free and unpaid jobs to catch up her lack of experience once she got out of university. She strongly encouraged the audience members who wanted to go into this industry or any other industry to get their work experience and internships done before university or apprenticeships as she felt that there is not always the time to do it during your course. Another regret was about not being confident enough during a styling photoshoot, as the panelist explained that she had been an assistant during a styling photoshoot right at the start of her career and she had styled all the outfits in the photoshoot, and when asked when she got back to work the next day who had been in charge of styling, she allowed the head of the photoshoot to take the credit instead of her, and the individual who actually stole her credit about doing the work, actually got promoted significantly in her job. Since then, the panellist admitted that she had regretted it for a long time regretting all the benefits she could have reaped from this promotion and how much she would have loved the work and doing it. But she did admit that she also over time, has gotten over it and took it as a learning curve and that she learnt to be more confident and to always take credit for her work.
After the panel talk and Q&A, there was another performance for the audience. The performance was from a girl who was actually twelve years old and who was really successful in what she was doing. Her performing name was "Diamond" and she had written a couple of songs herself, went to get them produced with a label who had her work through when she uploaded her songs on Soundcloud. Her songs are now also out on iTunes and Spotify to stream. It was unbelievable to see the amount of success this young singer had and everyone was in awe with her songs and also with the fact that she was only twelve. She was.a great performer and she performed two of her own original songs which were really good. After this performance, it was around 7:30pm and it was the time for the breakout session to meet the mentors. One of the two event organisers, Andrew, went around before everyone was allowed to go off to network, to explain who the mentors were and what they were doing in their careers. This was helpful to actually pinpoint who the mentors actually were and for me to see who I was more likely to go to considering there was a finite amount of time to network before the event was over. There were about ten mentors in total and there was about a bit less than two hundred guests so it was quite hard to secure a chance to go network with one of the mentors. However as soon as Andrew had introduced everyone and said that everyone was free to start networking, I went straight to talk to one of the mentors who worked in Asbo Magazine, this was the magazine that was actually sponsoring the event. I went to him to find out more about fashion journalism and to find out more about how the magazine works and to find out more about how he got into fashion. He originally went to university to study finance (much like some of the panellists at the event) and then discovered and went into the fashion industry by "accident" as he said. However he said that he does not regret ever joining the fashion or media industry as he says he absolutely loves his work. I also asked more about fashion journalism as I want to keep my options open for the future so I wanted to know more about what they do and what it was like to work at Asbo Magazine. He gave me lots of advice and tips and he told me to definitely apply for an internship at Asbo Magazine and gave me the contact information. This network opportunity was really helpful as I got an opportunity to perhaps internship this summer with Asbo Magazine and contacts. Then I talked to yet another worker from the same Asbo Magazine, to find out about his work and more about the Magazine from a different perspective. I also received lots of different advice and contact information from this fashion journalist. Again he told me that I should apply for an internship at Asbo Magazine but he did say that it was highly competitive so he gave me some tips on the application process and also encouraged me to start a fashion blog to build a "platform" for myself, especially to get into the fashion industry and fashion journalism. This makes you stand out from the crowd especially in the application process to the Asbo Magazine and even university or apprenticeships. From talking to both these workers from Asbo Magazine, I received so many tips and pieces of advice which I found really helpful and will definitely listen to. The last person I had time to talk to was one of the panellists in fact, who was Natalie Worgs who again was the stylist and photographer, along with other jobs in the fashion industry. I talked to her about the panel and about her work, and she asked more about myself as well. I told her about the fashion show that I made a collection in for a few years in a row and I showed her a few pictures of the clothes. She told me she absolutely loved them and she told me that she especially loved one of the fur jackets I made. She asked me a few questions over the jacket and asked me what price I would sell the jacket for if I made it again for her in a different colour such as hot pink and a bigger size. I was really surprised that she wanted to buy a jacket from her and I was really taken aback so I did not know what to charge but I was super flattered over this. She then gave me her phone number and email address to contact her to arrange over the jacket as she said she was super obsessed. This was absolutely amazing to me as it is such an exciting opportunity and I am really happy that I did approach and talk to her. Without this event, I would not have gotten so big an opportunity at this stage. She also then asked me if I was interested in styling which I said that I was, as I love styling outfits and also again I am not sure what part or aspect of the fashion industry I really want to get into just as of yet, so again as I said before I want to keep my options open. She then asked if I was interested in doing a few bits of work experience from her; doing styling and helping out at photoshoots. I said that I would love to do this and she had already given me her contact information so she just told me to contact her and she would arrange the work experience. I was really pleased with the overall outcome of the event as I received so many tips and pieces of advice from so many industry experts along with being invited to doing work experience and also being asked to apply to do an internship at a fashion magazine. After this networking session, there was a closing speech from the host Swarzy and then a final closing poem/spoken piece from a lady called Mwila. This spoken piece was about diversity and equality which was very fitting as the whole event was about diversity in the fashion and media industry. Most of the event was about fashion so by ending on a speech about diversity really tied the event together. After this closing piece, the event was over and there was another opportunity to network more or to just go straight away. I stayed for a while to talk to some more people, not just to the mentors and panellists, but to also talk to some other participants, and I met a few university art and textiles students and I found out more about the courses they were doing and their thoughts on it in their personal perspectives as students. This was also really helpful for me to see different students thoughts on different art universities and the courses. After this, I did leave the event and by that time it was about 8:30pm. Overall I found the event super useful and gained so much from the event, I would definitely love to come to the next one if they organise it again next year and would definitely recommend to anyone interested in the industry to have come along.
Depop Fashion Styling and Buying Event:
The final event that I attended was also invitational only through the app Depop, this again was very exciting and again I am incredibly grateful to have been invited to the event. This event was held on Sunday 24th of February 2019, from 2pm till 4pm at 317 New Cross Road. The main aim of this event was to join the community leaders of the app Depop and to get selling tips and more advice on how to sell your own handmade clothes on the site and how to be successful and draw attention from it. This event was held in Pandora's Box in London and there was also a styling session where you could bring something you made and they would help you to style it into an outfit as there would be an opportunity to also go thrifting and pick out some clothes to pair up with the look to give you more inspiration on what to pair with the piece of clothing you made, so when it came to taking pictures of the piece you made to sell it, you could show the diversity of what could be worn with it to attract more buyers to actually purchase it.
I was emailed about the opportunity straight from the app Depop team. Along with an image of the poster to advertise their event. It really caught my attention and I wanted to find out more about it so I read through it and thought that it could be an exciting opportunity to attend and find out more about selling clothes on the app, along with meeting two of the most handmade clothing sellers on the app in the area. I then RSVP to confirm my place, along with a plus one so that I could attend with one of my friends. I then received a confirmation email which confirmed my place to attend the event.
On the day, I arrived to the event location, which was really close to Goldsmiths Centre for Contemporary Art along with Goldsmiths, University of London. This was nice to pass through and see the Goldsmiths as it is somewhere where I am exploring the possibility of applying to attend for a fashion course at University level. So it was also nice to pass these places and get a feel of what the facilities hold from what you an see on the outside. When we reached the event, we got registered and ticked in to the guest list that the worker standing at the door was holding and after that we were free to enter the venue. At this point, the event organisers were mostly waiting for everyone to come in who was waiting to get ticked it and to settle down. Whilst we were waiting, we had an opportunity to get some refreshments from the side and to network and talk to some of the other people who attended the event. I talked to a couple of people, some were my age but most were slightly older, and I got to know more about what they sold on the app and how they balanced making and sewing with other commitments such as going to school and having a well balance of everything. I also learned more about what these people sold and had photos shown to me of their "online shop" on Depop. It was very exciting to see how everyone had very different clothes that they made and sold so it was also very interesting talking to them to find out more about their concepts and how they came up with these ideas. After talking for a bit, the event organiser came out on to the floor and announced if she could get everyones attention. She then went on to introduce the two community leaders as they came on to the floor. The community leaders explained themselves and what they did a bit. The first community leader which her handle on Depop is @minisworld, explained how she achieved all the attention she received on the app and how she reached 11,000 followers on her site and how she sold over 500 items on her shop since starting. She said that it did take her quite long to reach such a high number of a following on her clothes on the app, but she gave a strong piece of advice on how she did it. She went on to say how yes it did take long for her to achieve all she received from the app and to be titled a community leader for the app, but she said that it was important never to give up why you started selling your clothes and to always just envision what you want to take away from the experience; either if its gaining a name for yourself and your clothes or just doing it for fun. She said that it is incredibly important to dedicate a certain amount of time and dedication to the app and to customers, whether someone liked a piece of your clothing on your site and you message them first asking if they are interested in that piece of clothing to try get a sale, or if its just taking the time to make and upload all the photos on the site. She also mentioned that customers were the number one reason for your success and the followers, so you always had to make sure to be the loveliest version of yourself on the site to promote yourself and the name of the shop. She said that making sure customers are happy is an extremely important part of the selling. If the customer is not happy with your communication with them or not happy with the quality of the product for example, how it could ruin the chance of that customer shopping again and leaving a good review. Aside from selling her handmade clothes, she has since then bought and sold vintage clothes to her sellers to be that bit more successful. She said that there was a huge market for vintage and recycled clothes in the market in this day and age. Her last point, was about how everyone who wanted to make it big, needed a vision for their store and a unique label about themselves as there are so many people selling on this site, so it is really about why customers and consumers should buy from you instead of the next Depop seller. She said that personally, she focused on having recycled clothing to sell and that she used to recycle materials and fabric to make her garments before she went on to the world of vintage. Her comments and advice were extremely helpful and I definitely took on board what she was saying. The next community leader's handle was @gracecullinane, and she was again very successful on the app, having reached 41,000 followers and nearly 900 clothing pieces sold on the site. She focused particularly on photos and how that can make or break a sale, and also focused on her unique label as the previous community leader mentioned. The first point she went across was about the photos and how if you are ever online shopping, your sale massively depends on the photos you see on the site. She said that in some cases it is also very helpful to also add a video on the clothing when selling to show potential customers how the clothes sit on the body and how they actually look like with movement and when actually wearing it. She said how it was incredibly important on background, lighting and the quality of the photo itself, along with the pose, and condition of the clothing. If the clothing was wrinkled and on a hanger, it would definitely not attract a lot of attention and customers to buy. She said that she always models herself and takes her pictures on her phone which is really good quality. She said how this is not about getting yourself the biggest and best and most expensive camera on the market, but to actually just use even your camera on your phone but to make sure that it is good quality, for example she said that she used an iPhone 8 to take her pictures and that is was fully capable to do so. She said that pictures have to be clear and to always have a clear background so to not distract sellers from the clothes themselves and to also represent yourself in the best light possible and to make it look like you are a clean and organised person, so that they can trust you more on the condition of the clothing itself. She showed us a short clip of behind the scenes of her taking one of her pictures which showed her opening the curtains for natural lighting, decluttering the background, ironing the clothes and then her making different poses so it shows the potential customer how the clothes sit on the body to make them more likely to buy.
After the two community leaders had finished their portion of presenting and talking, they opened the floor to questions. There was a lot of people who asked in terms of their own online shops on this app and one specific question asked how to gain more followers and attention, and to this one of the community leaders responded that it was all about giving the consumer what they wanted, which was attention, a good offer, and good communication; always being friendly etc. And that you could be incredibly successful and have sold a lot of items of clothing, but not have a huge following, which was also just as fine. They did say when you have sent your clothes over through the post to the customer, to maybe even attach a small business card or printed note (something that looks professional, not like you've spent a few seconds scribbling something down) which promoted your shop, and to thank the customer for their purchase and to encourage them to follow your shop on Depop. I asked a question on more about a unique label for your shop, so I asked more about there can only be so many things that entice and encourage buyers to buy more, but there is such an increase of saturation especially on making sure clothes are eco/environmentally friendly and how you can use this label among the sea of other buyers who also label their clothes in this way, and how to stand out from these sellers, just as the first community leader did. The answer I received was from the first community leader as this question was more focused on how she became so successful in her own retrospect. She told me that the label will just push you forward in a direction and market but then it is up to you that your photos, your communication and your clothes stand out from the crowd. She also said that recycling clothes had been something she had been passionate about and spun her little online shop on the app from her passion, and that it will be obvious for customers and other sellers who is actually passionate about what they are selling and who is not. She then went on to say that although there is a large gap in the market which is filling up quickly and is becoming very popular over recycled clothing instead of fast fashion, she said that it was important to also have your own unique selling point as it were on what the products you are selling are. She said yes if you're clothing is recycled or the fabric and materials have been recycled, advertise that as it is a unique label and popular at the moment, but then also maybe find another label such as vintage (of course only if you're selling vintage) or retro for example. I thought that what she said was very helpful and the importance of having a unique selling point for your shop to attract more customers. They also answered questions on Depop itself (the app) and some tricks and tips for getting more out of the app itself.
After the floor was open to questions, and there was a lot of questions asked from participants, here was an opportunity to network more with these two community leaders and to actually meet them and ask them any other questions face to face. It was so lovely to meet them as they were both so nice and so welcoming on answering your questions on how to be successful with your own "business" on the app and how to grow. They also made sure to try include everyone and to talk to as many people as they could which was so nice of them to do so and go round talking to everyone.
After this, there was the styling session, where the two community leaders gave a little tutorial on personal shopping and styling to then use in your shop. They said that there was nothing wrong if you wanted to venture more than selling your own clothes on the app, and also selling other clothes which you don't use anymore or have hand picked to sell on your shop. They both said that they sold their own clothes for a while before hand picking vintage pieces to sell on their site. They gave tips on knowing your customer base and your followers and knowing what to pick out for your store. They said that buying clothes to sell on your shop was an investment in itself because there is no point doing so if no one buys it and you are left with a hole in your wallet. They gave tips on starting out with smaller quantities of purchases and not starting at the more expensive side of clothing to sell, as most people are looking for basics that are cheap. She said that this was always a risk you had to be willing to take a there is no guarantee that the clothing that you hand pick from your shop is going to sell. She said that being proactive with sellers makes it easier to sell the clothes and to always message those who pressed like or save on your outfits to start a conversation with the potential customer. They also said that this gives you an insight of being a buyer as a job in the future, but obviously at a much smaller scale, and that if this part interested you that it could always turn out to be a possible career choice if you are interested in going into the fashion industry but are still unaware on what path to take.
In this styling session, both community leaders had picked out a couple of clothing items from their shop and there was a clothing rail full of clothes to pick out and give advice on what goes best. They gave some tips on styling such as how if you are trying to sell a certain pair of trousers on your site, and you need a full outfit picture and obviously you would need to wear a top half along with the trousers you are selling, but you aren't selling the top, it is important to choose a basic top that goes with the trousers but does not distract the potential customers from the trousers themselves. They said that choosing muted colours to go with the piece of clothing that you are selling is best as the muted colours of the other clothing pieces (which you are wearing in the picture but not selling) will kind of blend and go into the background so potential customers only focused on what you are selling, in this case the trousers. They also gave some more overall styling advice and invited members of the audience to go up and show one piece of clothing from their own shop (which we were instructed to bring) and to get the participant to show them how they would personally style the piece of clothing and then receive advice on how the two community leaders would style the clothing themselves and give the participant more advice. I personally brought a top that was on my Depop that I was selling, and I received advice how as the top was quite loose and oversized fight, how styling it with some tight leggings or leather pants would be the best way to style. They showed me the finished look of how they would have styled it and it looked so good so I definitely took that point that there should always be a contrast between tight and loose aspects in an outfit.
After this styling session, there was an opportunity to ask any final closing questions before the event wrapped up and the host gave a little summary of the day as a whole and thanked us and the community leaders for all attending. After this, we were all free to go.
I definitely did find this experience, very different to anything I've ever gone to do or see but I did think it was definitely very interesting and found the advice very useful. I thought that the styling session was my favourite bit and I do think that I definitely want to explore that area of fashion a bit more in the near future and have already done some research and looking into a Fashion and Styling course that is held by the University of the Arts London in the summer for a week which I am looking into doing. This event gave me more of an insight on selling tips to sell clothes on an app and also different sides of the fashion industry at a smaller scale. I learnt more about the role as a buyer in the industry and more about styling.
However, one thing that could have been better in my opinion, was to have more community leaders present as when it came to meeting them and talking to them individually, as there was only two of them and certainly a lot more participants, it did take quite a while to get through everyone and the event did run over slightly by about 30 minutes.
Overall, I found this event very interesting and would definitely recommend and was definitely worth the visit.
Before I went to these events I researched a bit more on them, and I originally found out about the first event through an email subscription that I have with the Fashion and Textiles Museum about a new course workshop. I then went on to their website; https://www.ftmlondon.org/whats-on/ to check out the course details a bit more. I then wanted to find out a bit more on the course leader and I researched Michelle Lewis to find out more of her role in the textile industry and what area she was specialised in using the website; https://londonsartistquarter.org/artist-hub/users/michelle-lewis/profile and https://uk.linkedin.com/in/michelle-lewis-137a9241. I then found out about the second event through a previous connection in the industry as I have mentioned and to find out more about it I looked more into the magazine that was sponsoring the event; Asbo Magazine on their website; https://www.asbomagazine.com. This gave me more of an insight as to what the magazine is about and what the direction of the event could possibly be and gave me more of an overall idea on the event itself. The final event, I found out through an email from depop (the online selling app) and I then read through their flyer and googled more information of the event using their website; https://www.depop.com/events/.
Exhibition Reviews:
Balenciaga Exhibition Review:
On Saturday the 21st of October 2017, I attended a course at the V&A Museum but before I went to the course, I visited the exhibition displaying the work of Balenciaga.
I learnt a lot about the designer, Cristobal Balenciaga, in the duration of my visit at the exhibit. Balenciaga was one of the most popular fashion designers of the 20th century. His clothes were characterised by their sculptural quality, and his ability to choose such dramatic use of textiles, colour and texture. At the time, his workers and the general public knew of him as The Master, as his work, especially the techniques he used, were unlike anything they had seen before.
It has been about one hundred years after Balenciaga had established his first dressmaking business in northern Spain so far. His legacy lives on and his work still shapes fashion in couture and on the high street today.
The exhibit contained many collections of Balenciaga dating back from the 1950s and 1960s.
The exhibition was spread over two floors, the first floor focused on the earlier work of Balenciaga and the famous clients he tailored for. These were mainly outfits for female clients although male clothes featured too but at a lower quantity.
The top floor exhibited his final works which explored modernism, different shapes and I also spotted a lot of different textures of fabrics used such as sequinned skirts and floral embroidered dresses.
My favourite piece of work he did in his lifetime was probably a navy blue puffer jacket coat which was featured as one of his last works. I liked it so much because it would be something I would even wear today and it would be something I would be able to find in shops today even though it was made a couple of decades ago.
There was also a couple of floral embroidered dresses that I saw which were very modern and chic. On the bottom floor, there was an interesting concept of an outfit which was a dress and a cape but it could also transform into a top part and a dress. Either way, the outfit looked like it was meant to be like that and was fool proof either way.
There was some outfits that I was less keen on such as a dress made completely out of plastic and there was plastic tubes coming out of the dress from all directions making it look very uncomfortable and not aesthetically pleasing either.
There was also a circular shape dress which looked just like a circle on the mannequin, which did not look practical in the slightest and neither very nice looking. It was tulle and very thick layered, Balenciaga really explored texture and ombre colours in this work of art.
The main art forms involved were designing, making and music.
I have seen exhibits similar to this Balenciaga exhibition such as the Undressed Exhibit I went to last year, which was also at the V&A Museum. It was similarly set out across the two floors as well.
The fact that Balenciaga’s work was so original and creative really was unexpected to me as I had never really come across his work before.
Overall, I found the exhibition really good and interesting as I learnt a lot more about the designer and his work. There was nothing bad I took up on in this exhibit and I took a lot away from this exhibit which was helpful to me.
Fashion Together Exhibition:
On the 2nd of December 2017, I went to an exhibit in the Fashion Space Gallery located in Westminster. The aim of this exhibit was to focus on the collaborators in the fashion industry instead of individual designers. There were seven selected duos whose collaborated work was shown on display, these were: Rick Owens and Michele Lamy, Nick Knight and Daphne Guinness, Shaun Leane and Alexander McQueen, Viktor Horsting and Rolf Snoeren, Inez van Lamsweerde and Vinoodh Matadin, Gareth Pugh and Ruth Hogben, and Thom Browne and Stephen Jones.
Apart from these selected duos work, there were also chosen objects which showcased the work from a range of roles within the fashion industry, from photographers and film-makers, to designers and milliners. Some examples of these objects were rolls of film and hat patterns.
There were also notebooks, drawings and hand written notes to show each pair’s creative process and the interactions had between the two during their creative collaboration.
The first thing which was laid out in the exhibit was a big table filled with fashion magazines and fashion books to read and look through. Some of these books acted as archives documenting past fashion shows featuring big brands such as Givenchy. Other books were anecdotes of the designers experience in the fashion industry and others memoirs such as Stephen Jones Souvenirs Book and Viktor&Rolf Fashion Artists.
After this part, there was one big room in total, which contained various examples of work done by these collaborators. My favourite work on display in that room was probably the two suits which were both very unique and one was very colourful.
The art forms involved were designing, sewing and making.
I have seen exhibitions similar to this such as the 1920s exhibit at the Fashion & Textiles Museum, which both had a similar and small exhibition space but both were very interactive because you could touch and feel several things on display.
What I thought was unexpected about this exhibit was the magazine and book space at the front which you could sit down at the table as long as you wanted to and read. With the amount of fashion books available, it acted as a library which was strictly dedicated for fashion. These books were very helpful to give me an insight on behind the scenes of the fashion industry.
What I liked about this exhibit was that it was very interactive which helped me to connect more with the work on display. I also liked the message it was giving off that collaborations take a lot of team work and in the end two heads is better than one and will produce better work than if it was an individual’s work.
What was less good about this exhibition was that it was a really small exhibition space so there was not a lot to see, which a bit disappointing because I was really curious on seeing an exhibit solely focusing on collaborations instead of individual work.
I learnt more about some designers that I have not heard of before such as Shaun Leane who collaborated with Alexander McQueen who I have heard of before. Something I learnt about Shaun Leane was that he is a British jewellery designer and that he has a successful jewellery brand which has helped him win four times the label of the UK Jewellery Designer of the Year award.
I took away that team work pays off and only works with clear communication as shown by several hand written notes on display between the designers.
Overall, I really enjoyed this exhibit and would recommend.
Harper's Bazaar Exhibition Review:
On Saturday the 19th of November 2017, I went to three exhibits at the Fashion and Textiles Museum, including a viewing of the Wallace Sewell exhibit, a fashion photography exhibit and this one.
Personally, this exhibit was my favourite one out of the three as I particularly liked the aesthetics, colour and the layout of the exhibit.
This exhibit was trying to showcase the 150 years anniversary of the magazine and the people behind it.
This exhibit’s aim was to showcase America’s first fashion magazine, Harper’s Bazaar and to show the immense amount of work put behind the magazines and all the jobs of the team behind the iconic magazine. These jobs would be editors, photographers, stylists and writers. And all of them dating back to 1867.
From the very first years of the magazine, it began as a broadsheet which was aimed at the higher class of society who were rich and fashion forward. Since then, Harper’s Bazaar has changed into a magazine which became devoted at looking at women’s lives through fashion and how people could express themselves with what they were wearing.
The first British edition was published in 1929 in October which tried to help promote British talent, including the likes of designers, photographers and artists.
Some of the people displayed and mentioned were the likes of Louise Dahl-Wolfe, Lillian Bassman, Cecil Beaton, Man Ray and many other more.
The main art forms were photography and designing.
I have seen another exhibit like this which was the same one I saw this day, about the fashion photography exhibit. As there was no physical pieces on display, just images. Which is not such a bad thing because normally I would just glance over these images, and not really take notice of them. However in the exhibits it was allowed to get quite close to these images to really examine what was going on in them.
I liked how the exhibit was set up as it was just set up in a white, plain room, and all the images of the magazine photos and images were dotted all around the wall so there could be a particular, strong focus on each individual image.
However I would have liked even more images be available to see as it is not very often you can come across a vintage magazine edition from the 19th Century. And saying this, there could have been even some modern editions of Harper’s Bazaar magazines today dotted around the room so people could have picked one up and flicked through or read through it.
I learnt a lot about this magazines such as a lot of the key facts about the dates and the actual origins of the magazines, which is really fascinating as picking up a copy of a Harper’s Bazaar magazine now, I would never have been able to guess it had such a long history before it.
Overall, I found this exhibit so eye-opening and I really enjoyed visiting it and being able to get up and close with all these vintage editions.
Louise Dahl-Wolfe Exhibition Review:
On Saturday the 19th of October 2017, I paid a visit to the Fashion and Textile Museum and saw an exhibition solely focusing on the work of Louise Dahl-Wolfe.
Louise Dahl-Wolfe was an iconic women fashion photographer and played a key role in the first part of the 20th Century. This exhibit tied in very nicely to the Harper’s Bazaar exhibition as Louise Dahl-Wolfe actually working with the magazine for a large portion of 22 years in her life, as a leading photographer and contributor to the magazine.
Louise contributed over 86 covers for the magazine, 600 coloured photos and 2,000 black and white images. She often photographed in exotic locations and was rarely taking photos inside but instead outside which was a key theme in her line of work. Some of the exotic locations she went to include the likes of Cuba, South America, Spain and Mexico.
She always made sure her work was carefully and precisely planned to the very last detail.
The exhibition itself featured over 100 photographs going through three major decades in history, from the 1930s to the 1950s. And looks at all the fashion couture designers she worked with such as Chanel, Balenciaga and Dior. Also looking at the models she worked with such as Suzy Parker, Lizzie Gibbons and Evelyn Tripp.
Louise Dahl-Wolfe also tried to capture images of key authors at the time, working alongside the likes of Christopher Isherwood and Colette. And Hollywood stars such a Bette Davis and Vivien Leigh.
The main art forms involved were photography and fashion.
The best thing about this exhibit is that there were so many images to see and practically the majority of the whole museum was dedicated just to the work of this influential fashion photographer. You could just spend the whole day looking at her work. My favourite thing about her work was looking at all the fantastic and bizarre locations she went to just to capture a photographer that millions would see later on.
It was so inspiring to see a women in her position with such a high success in her career even though the circumstances in those decades were not the best, and she went so far.
I thought there was nothing I would have immediately changed to this exhibit expect maybe even have more images if that would even be possible as there were already so many there, but I would have liked to see even more of her work as it was so good.
I learnt a lot of this photographer as I never knew of her before this exhibit which talked so much about her life and influences.
I definitely took away that photography is also a main part of the fashion industry because it is all great making the most exquisite dress for example, but without a good photographer, there really is not any justice being paid to the dress and it cannot be shown and presented around the world and at a large rate.
Overall, I really enjoyed this exhibit as it was so interesting to see all the work put together by just one person and would definitely recommend for others to go pay a visit and view her work.
Wallace Sewell Exhibition Review:
On Saturday the 18th of November 2017, I visited the Fashion and Textiles Museum to see the exhibition celebrating the brand, Wallace Sewell, and their 25 year anniversary of being textile designers.
I arrived at the museum and sectioned off on the top floor was the exhibition space for Wallace Sewell. Although there was only a limited amount of space for this particular exhibit, there was a lot compacted into it, with the display of the clothes on the mannequins and the information boxes.
Wallace Sewell is a design studio, which specialize in woven textiles. This brand was founded in 1992 by two textile designers; Harriet Wallace-Jones and Emma Sewell.
They take inspiration mainly from the countryside but also the city, looking at the colours and textures. They are also very influenced by the aesthetic of the Bauhaus era.
Wallace Sewell weave quality fabrics using traditional methods. They like to use a large range of colour and a lot of geometric patterns in their work, and make everything from scarves to cushions. Their most famous piece of work is the fabric pattern which can be found on the seats on public transport in London.
Their work can be found in over 200 shops all over the world, including the Tate and MOMA.
The exhibit I visited particularly focused on the highlights 25 years in the industry had brought to them and what they had achieved and produced.
What I found most inspiring was that this business was founded by graduates of the Royal College of Art, and I had found this so inspiring because they had started such a successful brand at such a young age.
The art forms involved were mainly just that of designing and making.
I have seen exhibits similar this Wallace Sewell exhibit such as the Fashion Through the Ages Exhibit back last year, and it was similar because there was a lot of clothes and information on display and it had the same feel to it.
The fact that there was not a lot of space given for this exhibit was a bit unexpected as I would have thought that a brand such as Wallace Sewell themselves would have had a lot more to show so it was a shame that not a lot of space was available for them to show off their work more.
In general it was a good exhibit as a learnt a lot more about the brand than I started off before the exhibit. However, I would have wanted to see more of their work if only there was more space available for them.
I learnt that there are more than one way of traditional woven crafting, such as using the symmetrical and diagonal weave or tablet weaving.
Overall I enjoyed this exhibit and will definitely look out for their work in shops and on display in the future.
Traditional Portuguese Clothing Exhibition Review:
On the 30th of December 2017, I travelled to Portugal with my family for a day trip and went to the fashion and art museum to see the traditional Portuguese fashion exhibit.
This exhibit went over four floors and all the space was completely dedicated to displaying authentic Portuguese outfits dating back several decades and plenty of information about things such as the origins of the outfits and how different classes would have dressed differently. Unfortunately only the outfit at the entrance was allowed to be photographed but the rest of the exhibit was not allowed to be photographed so I have used pictures from the internet as secondary sources.
The first floor was mainly dedicated for what the lower class people would have worn, these types of people were the likes of peasants and maids.
The second floor was for a slightly higher status than the peasants, and this floor was mainly looking at male fashion. This floor looked at the clothing that farmers, merchants and craftsmen would have worn.
The third and fourth floor were generally what only higher class people at the time would have been able to afford and were mainly very traditional looking dresses. These dresses would usually be either vibrant colours such as reds or darker colours such as greens, navy blue and blacks. These dresses would in some regions usually have celtic patterns embroidered onto them which is because the Northern part of Portugal is a Celtic land.
These traditional dresses for the higher class would not be used daily but mainly for special occasions in Portugal like the Saints’ Feasts or a Folk show.
These dresses would cover most of the body as Portugal was highly religious and devoted Catholics and they believed that these dresses should be very modest. The dresses would have long sleeves and would be very long, always either touching the floor or at least over the knee.
Another example of a type of traditional dress, which was aimed at engaged women, used more expensive fabric and the linen were of very fine quality. The women would also wear a silk scarf to wrap around their head and shoulders to cover them even more which symbolised that they “were waiting until marriage” and were modest.
A more excessive example of a traditional outfit would be for a “Mordoma” which means in Portuguese; the women in charge of all the servants in the house. Now in this case the outfit would not contain long white sleeves like the majority of the dresses but a black embroidered jacket.
My last example was a wedding dress thought to be from a woman with the upmost class and power. These type of dresses would be very rare and tailor made. This wedding dress was handmade with silk and used over 50,000 Swarovski crystals and apparently took about 950 hours to make.
I have seen exhibits similar to this one such as the V&A’s Through the Ages Exhibit which showed fashion and objects from the past such as this exhibit did. However no exhibit that I have been to before, was done to such a big scale like this one.
I like that there was so much information available to read through but I would have liked to be able to take some pictures, especially from the wedding dress which was a fantastic piece of work.
I learnt a lot about the Portuguese culture and about their traditional outfits which I enjoyed as I did not know anything about it before. Overall, it was a really interesting experience.
Fashioned from Nature Exhibition Review:
On Saturday the 1st December 2018, I went to the Victoria & Albert Museum to visit the Fashioned by Nature exhibition that they had on display.
The purpose of the exhibition was to explore the relationship between fashion and nature from all the way back to the year 1600 to the current year. The exhibition showed the inspiration that some pieces of fashion drew from nature and also highlighted the harmful effects on thenatural environment of the ever growing scale of the fashion and clothing industry.
The exhibit was focused on trying to answer to main questions; 1. How can we design a more sustainable fashion industry? 2. What can we learn from the past?
This experience examined how clothing production has changedover time and the challenges faced by everyone in modern day society; to create and buy clothes that are beautiful and responsibly sourced, and to value our clothes more.
At the entrance, there was three pieces of advice on the wall that the producers of the exhibit placed there to encourage viewers to buy more sustainably. The three pieces of advice were; choose carefully: look good.Wear wisely: feel good. Recycle: be generous.
There were 300 objects on display to highlight how dependant the fashion industry is on nature for inspiration, energy and materials. There were some beautiful garments and accessories by Christian Dior, Dries van Noten and Philip Treacy, to show how nature is so powerful and inspirational and how these designers drew inspiration for their own designs and styles.
The designs from Calvin Klein and Stella McCartney showed how modern designers are creating desirable and exciting sustainable fashion.
The exhibition traces 400 years of fashion and questions what can be learnt from principles in fashion of the past. It is a celebration of the creativity and innovation in the fashion industry and asks how the industry can design fashionably whilst respecting, protecting and celebrating the natural world.
There was a lot of information on materials, which I will be summarising what I learnt from the exhibition. The first material which was focused on flax. Linen is made from a plant called flax. This was worn from upper class to lower class from the years 1600 to 1800. This was used because flax fibres are strong and absorb moisture and conduct heat well. It was a very common material although it lacked elasticity so it was not stretchy. This material was used to make underwear, gowns, waistcoats, accessories, lace and linen.
The next material which was the exhibition was focused on was whalebone and cane. Whalebone, otherwise known as baleen, was used to stiffen and shape women’s clothing and also to make accessories. Baleen is cut from the upper jaw of baleen whales. It is strong, light, flexible and pliable when the material is heated.
Moving more on to more contemporary materials used in the1930s, was a material called textured rayon. The fabric imitated leopard fur which was fashionable to wear at that time period. Rayon was manufactured from wood pulp and converted to viscose rayon using a chemical called carbon disulphide.
Once this chemical was released into the environment, it produced air and water pollution and a horrible smell. The factory workers who were exposed to these fumes were in high risk of nerve damage and heartdisease.
There was a necklace on display shown in one of the pictures above, which was very sustainably made and was made of casein. Casein was usually made from dried milk curds reduced to powder, then water was added and hardened in a solution with a chemical called formaldehyde.
There was some beautiful and eccentric head pieces on display made by a hairstylist and make-up artist called Katsuya Kamo. These dramatic headpieces are made from both natural and man-made materials. The designer also collaborated with prestigious fashion houses such as Junya Watanabe and Chanel.
There was a piece from a designer called Diana Scherer who trains the roots of plants to grow in intricate structures, which creates a 3D textile. When the roots are fully grown, she removes them from the soil and cuts off the plant stems. These pieces which she produces are not yet suitable to be worn but the designer hints that more research is being made from her part to create a more sustainable fashion future.
The art forms involved in this exhibit were designing, making, sewing and embroidery.
I have seen various exhibitions at the Victoria & Albert Museum before like this one. It was similar to exhibitions I have seen before in the sense of the set up. The clothes were on display with paragraphs of information either on the walls or on small cards below.
What was unexpected about this exhibition was the pieces themselves which took hours and hours of work from a large team of people. Some of the pieces were so detailed that it was impossible to imagine and believe how someone actually come about to produce and make that garment.
I think what went worked well in the exhibition was that there was such a range of different pieces and garments from such a long period of time, and so many facts and information readily available to read and listen to from even the year 1600.
I think what was less good about the exhibit was the sound track in the background of various wildlife. I think it was a good detail to add bearing in mind that the exhibition was based on nature, but I think itwas turned up a bit too loud in my opinion, which was a bit distracting when trying to read the information located around the exhibit.
Overall, I really enjoyed this exhibition and I took away alot of information and facts, mainly of materials, fabrics and processes in the fashion and clothing industry.
'The Favourite' Costume Exhibition Review:
On Saturday the 2nd of February 2017, I visited the exhibition displaying the costumes and wigs from the historical movie; ‘The Favourite’. This exhibition was located in the Kensington Palace and was an exclusive exhibition to see all the behind the scenes information about the movie and to actually see the costumes and wigs in real life.
Sandy Powell, who is a three time Oscar winning costume designer, created the costumes that I saw on display for the feature film ‘The Favourite’. The wigs that were on display were styled by the film’s hair and make up designer, Nadia Stacey. It was also very fitting how the costumes were on display in Kensington Palace where many of the historical events that inspired the film took place in. The film itself explores the relationships and power struggles of Queen Anne and two of her closest female attendants. The film’s story and plot is mainly told through the clothes, the acting, writing, sound and design. While the costumes take inspiration from 18th century silhouettes, Sandy Powell experimented with colour, fabric and design to create a modern interpretation of courtly fashion.
Powell was even quoted to say; “I knew it was going to be period yet slightly off the wall and there was an element of stylization involved – all the things I love.” Sandy Powell limited the colour palette of the designs of the costumes for the film. It was a new experience for her as she always likes to incorporate a lot of colour in her designs. However, for “The Favourite” film, she eliminated colour completely from the film. Especially in the scenes taken in the palace, she restricted the colours to strictly black and white but with some silvers and greys incorporated. Sandy Powell wanted to focus a lot on the army of courtiers and servants in the film aside from the monarchs as the monarchs are usually the ones who are focused on the most. Powell thought to incorporate a lot of detail into the costumes of the courtiers and the servants as she thought that these people were even a bit more important than the monarchs as they were the ones who made everything run smoothly behind the scenes. They also had access to the Queen and probably even saw things that others could not see. Powell wanted to explore the stories these people could tell us and what insights they could give us today.
One of the costumes I saw at the exhibit, had a bodice made from old jeans bought from charity shops near Slough. In the film, all the kitchen staff’s costumes are made up of all these old jeans. Everything had to be handmade as that was one of the main design briefs that the costume making department were given. The costume department found it quite daunting that everything had to be handmade as there was such little time that they were given to do so. On the other hand, they also found this design brief very exciting because it meant that they were able to invent an entire world and push things in terms of colour and style in their own individual way.
There was a character called Abigail Hill played by Emma Stone, who was written to be of poor origin originally but to have a cousin of a high class, this was the character Lady Sarah Churchill. Abigail was thought of as the more gentle, supportive, contrast to her cousin, Sarah. Abigail was given work as a servant in the Royal Household. The costume made out of old jeans that Abigail wore at the beginning of the film, brings jeans and denim back to their origins as working clothing. Originally denim was a hard wearing fabric worn by working people in the nineteenth century, so it was an intelligent and imaginative fabric to use for the eighteenth century servants.
There was a lot of history involved in the movie and a lot of research made by all the writers and costume designers. There was also a particular focus on Queen Anne and who her favourites were, which is one of the main issues discussed in the movie. Queen Anne did not enjoy the same limelight as the other female monarchs in British history. However, she was an incredibly effective stateswoman who ruled during a very difficult time in British history. Anne had a close personal and was suspected to also have had an intimate relationship with one of her childhood friend, Sarah Churchill who was the Duchess of Marlborough. Their friendship became particularly strained when Sarah’s cousin, Abigail, joined the Royal Household. The cousins had completely different political views, and both used Anne to further their own personal goals by competing for her favour. After an argument, Sarah blackmailed Queen Anne. She accused the monarch of a close, intimate relationship with Abigail. Same sex relationships were incredibly frowned upon at the time, so this was obviously a very serious accusation made at the time. However, the claims were not confirmed so there is no public, official theory to confirm this argument. Although there were letters from Anne revealing passion between the two.
There was another costume for the character; Abigail, for her lady in waiting costume, and like all the letters in waiting in the court, it is a simplified version of the dresses worn by the female courtiers. Sandy Powell decided to make the dress black in the tradition of maids outfits and so that the costume would fit in with the monochrome palette of all the costumes worn in the palace. The outfit was made from embossed and printed black on black African fabric, which was brought from Brixton Market. At monarch, Anne was without social equal and could not maintain normal relationships with those around her. Close relationships with servants were surprisingly common at the time because they were less likely to seek positions at court. While the aristocrats in attendance were closer in experience and status to the Queen, they were always looking to increase their power and influence from their proximity to the monarch. Queen Anne helped Abigail’s rise in society, from servant to Lady, by allowing her secret wedding to Masham. This event actually even took place in the Kensington Palace.
Another spectacular piece made and designed by Sandy Powell was the costume for Queen Anne who was played by Olivia Colman. This costume was the one that was the most closest copy to the actual robes of state that the Queen wore while addressing the Parliament. The shape and silhouette of this costume is based off those courtly portraits but the details are completely made up and stylized.
Queen Anne’s reign is very often forgotten about. These robes serve as a reminder of her role as a stateswoman. Her strong convictions, belief in stability, and the need to steer a path of moderation at a difficult time resulted in a successful reign which saw the creation of the United Kingdom.
Another costume made for the character; Sarah Churchill, who was played by the actress Rachel Weisz, had a very masculine outfit in one of the scenes. The costume designer never thought of the costume as being masculine and the character Lady Sarah is in control and manages to maintain her control for quite a long time. She is a commanding presence and she wears the pants in the same way as Katherine Hepburn did. That was the point of reference for her as a character.
Masculine dress on a woman was not uncommon at the time. Noblewomen wore more masculine clothes for leisure, such as for hunting. This outfit on display had a very strong basis in what people wore at the time. Lady Sarah influenced Anne to further her husband’s political career. People around the monarch were jealous of favourites, not because of a moral judgement on same sex relationships (as those were frowned upon at the time) but because favourites had access and power over the monarch that rivals wanted.
The costume made for the characters; Robert Harley and the Duke of Marlborough who were played by Nicholas Hoult and Mark Gatiss, had extremely extravagant costume. Harley was even described as being a peacock, an utterly over the top flamboyant dandy. His dress is similar to all the other male characters but his dress had over the top ruffles, frills and a lot of extra lace. Everything is a little bigger and more exaggerated than all the other male characters. And since the actor who played Harley was six foot two, with his three inch heels, he towered over everyone else which added to the look.
The politicians as it was indicated in the script, are defined by their colours. The Tories are in blue and the Whigs are in red.
Men at the time wore wigs usually made from horsehair or human hair. Through colour, fabric and the embellishment of clothes they could show off their status and wealth. War with France was controversial. Abigail’s cousin, Robert Harley wanted an end to the war. Sarah’s husband, the Duke of Marlborough, was commander of the English forces. Queen Anne was a political moderate, using her influence to steer the course between two parties. In the early eighteenth century the monarch could not rule without Parliament. Politicians were far more powerful than they ever were before.
The many art forms involved in this exhibition were; designing, sewing, making fashion clothing and obviously all the art forms involved when making a movie such as acting, set design, lighting etc.
I have seen similar exhibitions to this such as the Fashion Together Exhibition in Westminster, in the sense that the clothes were not constricted to glass cases but instead were displayed on mannequins dotted around the room. There was also quite a lot of direct quotes from the costume designer and a lot of descriptions such as those displayed in the Fashion Together exhibit.
However, it was also a very original exhibit and unlike any exhibit I have ever seen, due to the fact that this exhibition displayed clothes actually worn in a movie so it was like a behind the scenes.
Overall I found this exhibit very interesting as I learnt a lot about costume designing and working on a set of a movie, along with a lot of history and research that went into making the movie.
Diana: Fashion Story Exhibition Review:
On the 2nd February 2019, I went to Kensington Gardens to see the Diana: her Fashion Story exhibition. The aim of this exhibit was to focus on Princess Diana’s incredible fashion and her style journey as a whole.
The exhibition was laid across several rooms on the same floor, and in each separate room there was a different type of theme communicated across. For example, in one of the rooms, it was solely dedicated on exhibited the outfits that Diana wore to charity events and there was a video playing on the wall through the projector of Diana attending these charity events. The video focused on the clothes she wore, it showed pictures of her meeting people at these charity events and it also gave quotations of certain pieces of dialogue that was said about or at the event. In that room, there was also a lot of information and images located on the walls and on small stands to show key pieces of information, such as about who designed and made the clothing that Diana wore, the concepts behind the designs and about the charity events themselves. In another room, it was solely focused on her fashion after her divorce with Prince Charles, which was really interesting to see how her style and herself as a person changed for the better after the divorce. Her fashion became more liberal and more tasteful in my opinion. The last two rooms were more focused on physical drawings from designers who designed and made clothing for Diana, along with more garments that she wore in the early stages of being married to Prince Charles.
Diana, Princess of Wales was one of the most famous women of the 20th century. She combined the allure of royalty with the fascination of international celebrity, and the press commented on every detail of her life and style. The Princess crafted her public image carefully and soon learned how to use it to engage and inspire people all over the world with her fashion. The outfits in the exhibit, tracked her evolution as a princess, trend setter, humanitarian and as the women that she was, whose ability to connect with people remains powerful even to this day and age.
A quote that was displayed on the wall from Jasper Conran who is a fashion designer said; “whenever the princess discussed her clothes with me, part of it was always, “What message will I be giving out if I wear this?” For her, that became the real language of clothes.”
The young Lady Diana Spencer was unfamiliar with the world of designer fashion. Her entire wardrobe comprised a single dress, one shirt and one smart pair of shoes. The rest she borrowed from her friends.
Following her engagement to HRH the Prince of Wales, the soon to be started to meet designers she liked, and to assemble a working wardrobe. Her quite public demeanour earned her the nickname ‘Shy Di’, but in private Diana had a much more playful and informal side which charmed many of the designers she recruited to help craft her image. Many became loyal and steadfast friends. As Princess of Wales, her early style choices popularised the romantic fashion movement of the 1980s, with light colours and lacy, flowing fabrics. A former beauty editor of Vogue recalled ‘Diana always knew what she liked’, and she ‘loved anything with frills and ruffles’.
Diana was a proud ambassador for British Fashion around the world. Victor Edelstein was one of London’s top designers during the 1980s. Often inspired by historic fashion the first dress he designed and made for Diana, featured an elaborate Victorian-style bustle. The press dubbed it “Princess-style”. This dress was the product of Victor Edelstein in 1986. It was titled the silk satin evening gown with bustle and was worn by Diana in the Anglo-Spanish Ball in London in 1987.
Another dress on display was one that the Princess wore a sari-inspired dress to the ballet in Rio de Janeiro in 1991. On the same trip to Brazil, Diana deliberately and conspicuously removed her gloves before shaking hands with an AIDS patient. The gesture made international headlines and helped dispel public fear of the disease. This sari-inspired dress was designed by Gina Fratini for Hartnell in 1991. It was titled the white silk chiffon gown trimmed with sequins and beads.
When the Princess posed for an official portrait by Terence Donovan, she needed a dress that stood out next to the Prince of Wale’s ceremonial uniform. Catherine Walker devised a stately yet feminine gown for Diana to wear. This gown was titled the pink satin evening gown with white raw silk collar and cuffs. It was worn by Diana in several occasions; for the official portrait, in 1987 at an official visit to Germany and Turkey, and in 1988 at a formal banquet for the President of India.
Another fashion designer; Roland Klein, commented that; “she was very influential; she put London fashion and London designers in front of the public at large. When she was wearing something that was photographed it had an immediate effect.”
Diana’s patronage could catapult unknown designers to fame, and her glamorous wardrobe raised the profile of British fashion worldwide. The Princess’s close relationships with key fashion designers also helped shape her own image. Each public engagement had its own clothing requirements, both practical and aesthetic. The Princess sometimes commissioned designers to create bespoke garments for specific appearances. Once briefed, they would prepare sketches for her to review. Together they would finalise the look, sometimes sitting on the floor, flicking through fabrics and images. Diana often made notes on the sketches which were on display at the exhibition. She usually suggested changes or commented on particular details she liked.
Diana also became one of the most photographed women in history. From the moment her engagement to the Prince of Wales was announced in February 1981, there was a huge demand for news about her. Her image on the cover of any magazine could increase circulation by 40% and her fashion choices influenced popular tastes.
Diana learned the unwritten rules of royal dressing, selecting appropriate dresses for different events. As she herself explained in 1985, ‘you’d be amazed what one has to worry about, from obvious things like the wind… and you’ve got to put your arm up to get some flowers, so you can’t have something too revealing and you can’t have hems too short.’
Diana’s fashion choices became increasingly sophisticated through the 1980s, as she learned what would work for public engagements and press photographs.
Diana asked Bill Pashley to produce two versions of a suit. For her honeymoon, she favoured the larger one as the extra shoulder room allowed her to take part in country activities, such as shooting. The tweed fabric was in keeping with traditional English country dress. Bill Pashley made this suit in 1981, in which he titled the brown tweed wool day suit, which again was worn on their honeymoon in Balmoral in Scotland.
Traditionally, the Royal family wear tartan and Scottish dress when attending the Highland Games, and Diana adopted the unwritten royal protocol. She added a contemporary 1980s twist to this tradition with contrasting white collars and cuffs. This design saw its influence reflected in the high street at the time. This garment was produced by Caroline Charles in 1982, and was titled the plaid day dress with white Peter Pan collar and braid details, which was worn to the Braermar Gathering in the Highland games in Scotland.
In 1985, Diana became more comfortable with her style and commented that; “sometimes I can be a little outrageous, which is quite nice. Sometimes.” Diana was a modern princess and understood the rules of traditional royal dress, yet often broke with convention, making surprising and sometimes dramatic fashion choices. The press picked up on her experimental style and increasingly shone a spotlight on her. She abandoned the royal protocol of wearing gloves, as she liked to make direct contact when shaking hands. She was also the first royal woman to be photographed wearing trousers for evening events, and often wore black, which was usually only worn for mourning by the Royal Family.
Diana also took inspiration from theatre, opera and ballet. A passionate patron of the arts, she wore many of her most glamorous gowns to performances and gala events. Some of these outfits were on display to see at the exhibition.
Moving on to the next room which was mainly focused on the outfits she wore to charity events, the first thing on display was a big quite on the wall before entering the room, which read; “she (Diana) would never wear a hat to a hospital, because she said you couldn’t cuddle a child with a hat on.” This was said by a milliner called Philip Somerville.
Diana was a working woman from origin, and she attended around 130 public engagements a year, each with different clothing requirements. For overseas tours, her gowns conveyed diplomatic messages, honouring the hosts by incorporating national embellishments on the garments. By contrast, her other outfits could be cheerful and informal. She called them her ‘caring’ clothes, and often wore accessories that children could play with.
Diana’s style was overtly glamorous during the mid 1980s. She adopted glitzy embellishments and wide shoulder pads. The press dubbed her ‘Dynasty Di’, after the hit US TV series that featured extravagant fashion. However, during the late 1980s and 1990s, Diana worked more with the designer Catherine Walker. Walker’s designs favoured streamlined silhouettes that flattered Diana’s tall frame.
David Sassoon commented on Diana as a person and in terms of fashion, saying; “there was a tremendous change from the shy little girl who I had initially dressed to this overly glamorous woman. She was very charismatic as a person, not just because she was a princess. She had this caring quality. She had compassion.”
Prince William suggested his mother could auction her iconic gowns to raise funds for humanitarian causes. Inspired by her son, Diana sold 79 of her most famous dresses in June 1997. The sale was held at Christie’s in New York and raised £3.4 million for AIDS and cancer charities. The press reported on the auction as a symbolic event. Diana was closing a chapter on her royal life and style and focusing on charitable work.
We will never know what Diana’s next chapter was to be. The princess died on the 31st August 1997 following a car accident in Paris. Her legacy as a person and her fashion, still resonates today through the causes she championed and the people whose lives she touched.
The art forms involved were designing, sewing and making.
I have seen exhibitions similar to this such as the Fashion through the Ages exhibition displayed in the V&A, which was set out in a similar layout in the sense that it was fashion separated through sections and ages, such as in the exhibit where the clothes were separated through the years that Diana wore certain outfits.
What I thought was unexpected about this exhibit, was that it was an exhibit about just one person. I have never been to an exhibit where it displays just one person’s outfits and clothing worn. I have seen single designer exhibits but not of someone’s collated wardrobe. This was a fun, new experience to have seen to see a variety of different designers but with a similar style that Diana liked to tie them all together as a collection.
What I liked the most about this exhibit was that it was laid out through the ages, it showed the transition between the very beginning of her fashion journey till the very end of her last years alive.
What I liked less about the exhibit was the fact that it was so incredibly packed and busy so I wish there was less people who went so I could have taken my time to see everything more. However this just goes to show that Diana and her fashion were very popular and well known and it shows the success of the exhibition itself.
I learnt more about Diana herself as a person and her interests and style was, and a lot more about her fashion and what she liked to wear. I liked how this exhibit paid tribute to her and her life.
Overall, I really liked this exhibition and would definitely recommend to everyone as you learn about a fashion icon and about key events in Diana’s life too.
Royal Jewellery Exhibition Review:
On the 2nd February 2019, I went to see the royal jewellery exhibition, located in the Kensington Palace. The aim of this exhibit was to display the exquisite collection of jewels, from tiaras to earrings.
The exhibition was all laid out in one small room as there was not a lot of things on display. As jewellery is also quite small, it also takes up less space. This was a really small exhibition but had a lot of information readily available for viewers to read and to inform the public more about the jewellery collections on display. Most of them were royal gifts, mainly from Queen Victoria and Prince Albert who commissioned many bespoke gifts for each other, from their engagement in 1839 and throughout their 21 year marriage.
Albert was fascinated by jewellery and enjoyed designing beautiful pieces for his wife. Victoria’s diaries reveal her great admiration for her husband’s talents; “Albert has such taste, and arranges everything for me about my jewels.”
Victoria and Albert’s children and grandchildren continued the tradition of giving gifts of jewels to mark significant events.
In the exhibition, there was Princess Louise’s diamond necklace tiara that was hand crafted in 1890. This tiara was a wedding gift to Queen Victoria’s granddaughter Princess Louise from her parents, Bertie and Alexandra, Prince and Princess of Wales. The design was inspired by traditional Russian costume. Family ties between British and Russian Royals meant the style became popular in Europe in the 19th century. Its clever construction means it can also be worn as a necklace.
Another tiara on display in this exhibition, was the Fife Diamond Tiara which was made in 1887. Princess Louise, Queen Victoria’s granddaughter, was given this tiara on her wedding day by her husband, the Duke of Fife. Designed by popular Parisian jeweller Oscar Massin, the pear shaped diamonds are ‘swing-set’ allowing them to move and catch the light when the tiara is worn.
Another set of jewellery on display was Queen Victoria’s emerald necklace, earrings and brooch that was made in 1843. Prince Albert designed this matching set of jewels, called a patrture, for Victoria. The Queen wore the set to a banquet at Trinity College Cambridge to celebrate her husband’s appointment as chancellor. Victoria noted other occasions on which she wore this set including to Prince Alfred’s christening, when she paired them with the lace from her wedding dress.
Prince Albert worked closely with the Queen’s jeweller, Joseph Kitching, to design a tiara that would complement Victoria’s emerald and diamond parer, displayed above. This exquisite piece demonstrates Albert’s creative abilities. The Queen, delighted with the gift, wrote in her diary of her husband’s ‘wonderful taste’.
The main art forms involved were designing and making.
I have seen exhibitions like this before where I have only gone to see accessories such as the Undressed Exhibition at the V&A, where the whole exhibition is based on accessories and counterparts of an outfit but not the outfit itself.
What I thought was different about this exhibition was that this whole exhibition was based solely on royal jewellery gifts from the 19th century, which I have never seen something quite like it. I really liked seeing specific jewellery pieces and finding out more about specific jewellery designers.
What I think could have been improved about the exhibition was the amount of jewellery on display. I think more jewellery could have been displayed as it was quite a limited number. If there was more jewellery, it would have been more enjoyable for the public to get more of an insight of the type of jewellery from the 19th century and more of an insight on exquisite and expensive regal jewellery.
I learnt a lot about the jewellery itself, why it was made, who made it and who wore it. I found this exhibition interesting because it gave me an insight into the 19th century jewellery. Overall, I really enjoyed this experience.
Caroline Broadhead Exhibition Review:
On Saturday the 2nd February 2019, I went to Central Saint Martins University, to see their exhibition that they had on display in their dedicated exhibition hall. The aim of this exhibition was to show off the amazing lifetime of work from Caroline Broadhead. Caroline Broadhead has several disciplines in the arts and specialises in a few different aspects such as in both textiles and fine art.
Caroline Broadhead has produced work from over four decades and has reached across sculpture, installation, performance, textiles and photography yet her work always consists on that haptic contact between body and thing. Her work begun with working in jewellery and then incorporates several different disciplines such as thinking about the body, the object, touch and motion.
Following nearly a decade as programme director of jewellery and textiles and course leader of BA jewellery design, Caroline Broadhead gathers together over a hundred pieces for this retrospective exhibition. In this exhibit, the key was to share and celebrate a career dedicated to thinking, making and teaching through the meaning and power of objects.
The first objects that were on display and that I saw were titled “Seven Ages” and there were seven pieces in this collection. This collection was made in 1986 and each object has a different title aside from the umbrella term naming it unanimously as a collection. The first object was called “cocoon”, the next was called “stretch”, then “uniform”, then “curling up”, then “carrying people”, then “crumple” and then the last object was titled “seam”. This collection was about tracing a life from birth to death in seven parts, this piece referred to the “All the World’s a Stage” speech in Shakespeare’s ‘As You Like it’. Each piece in the collection was made with a different white fabric to indicate the associated activity or stage. It took about over two years to complete this collection and when Caroline Broadhead started out this collection, she started off with a self imposed directive for pieces to be able to be worn, but during this period, she realised that the wearability of these pieces were not an essential element. As they were being made, she was taking measurements from her own body and trying them on, and performance became another way of presenting and exploring them.
Another garment on display was the ‘Twin Shirt’ made in 1984. There were three garments that were unified as a collection; the ‘Wraparound Shirt’, the ‘Shirt with 7 Necks’ and the ‘Twin Shirt’. These were embodied gestures of putting clothes on and taking them off. They followed the form of the body, but when not being worn, they extended and referred to less tangible, multilayered and more complex aspects of a person.
Caroline Broadhead also did a collaboration with Angela Woodhouse to create ‘Censor(ed)’. They both were awarded a Maven Commission to create a dance work which engaged with the themes in Jenny Holzer’s work shown as part of the Tate Gallery’s Artist Rooms. Work such as ‘Purpose’ which followed a yellow and white colour palette, represented documents obtained by Holzer under the Freedom of Information Act, showing censored elements obliterated with black ink. Holzer’s LED piece which was blue and purple, titled ‘Tilt’, had very visual assault of bright, flashing messages, which became a significant element in the experience.
Censor(ed) took its central theme of being able to see or not being able to see and was performed at the Lightbox in Woking. The audience were split on both sides of the performer and framed within black taped rectangles on the floor. Censor(ed) referenced the desire to know what is hidden from view, playing with the notion of secrecy and control. The two artists invoked an image, widely used in the media, where the eyes of an assailant or a victim are blocked out with a black rectangle to protect their identity. The intimacy of the dancer being in close proximity to the audience appeared to make her available, one of us, but with her eyes blocked out the audience were shut out and this was intended to create some discomfort. She was dressed in a formal, black, transparent garment suggesting both authority and vulnerability, and this was compounded by the subtle gestural language that could indicate her to be perpetrator, arbitrator or victim.
In 2006, Caroline Broadhead made another piece titled; “Exchange of Views”. The concept behind this was that windows form frames through which we view the world. The tradition of hanging net curtains at the windows interferes with this two way exchange of looking out and looking in, controlling curiosity and privacy and interrupting the gaze onto the screen of fabric. Where Caroline Broadhead lived and worked in north London, most windows have net curtains. These conform to a certain social convention and are primarily for privacy, but looking through windows at the end of the day when the light is fading and people have turned their lights on inside, you feel compelled to look inside and everything tat was intended to be shielded by the curtains is lit up and in full view. The idea of this piece was to create a spectacle of the very thing that is meant to deny one.
There was a lot of wired, sculptural garments and also a lot of furniture that Broadhead had made on display, but the last piece that I will mention is about a structural sleeve that was on display at the very end of the exhibition room. This piece used one strand of nylon woven round and round to create a very elastic net. After a series of shorter bracelets made in the same way, Broadhead wanted to make the piece as large as the body allowed, so by using the body as a measure, the piece extends to where it cannot go any further stopping at the top of the arm. The intention was for the piece to do two things at once, to have two different characters. Off the body, the bracelet looked unlike a piece of jewellery. On the body, it covered the arm like a second skin, translucent and flexible. Broadhead became increasingly interested in the theatrical and the possible, rather than the practical.
I’ve been to exhibitions similar to this one, such as the Fashion Together exhibit in Oxford Street. It was similar in the sense that everything was open and not enclosed in glass cabinets much like most exhibits.
Again it was something fairly new that I saw as I have never been to see any work made by the particular artist so it was interesting to see her work and how she has dedicated her whole life to the arts, as well as seeing her journey and understanding her thinking behind each piece and collection.
The main art forms involved were making, designing and sewing.
Overall, I enjoyed the exhibit due to the amazing multi disciplinary skills displayed by Broadhead in this exhibition, but I would have liked to see even more items of pieces she has made or even more descriptions and information for the public to get a real sense of each individual piece.
Fashions Finest: Let’s Talk Fashion Business With Sue Mee Maudsley:
On Saturday the 16th of February 2019, I attended a fashion talk at a Fashion Finest’s event, which was held in Tottenham Court Road. The aim of this talk was for a fashion professional, Sue Mee Maudsley, to talk about her work in the fashion industry and to get to know more about the money and business side of the industry.
The talk started at 12 noon and ended at around 1:30pm so it was a very highly intensive talk and I did learn a lot of insider knowledge through attending and found out a lot about the more business side of fashion. Sue Mee Maudsley is an established designer and consultant with over 25 years in the fashion industry. She has designed for many brands which include Burberry, Topshop, Warehouse, Monsoon, John Lewis, Topman, Simply Be and Racing Green.
In the talk the following points were covered:
The structure of the talk was that the host; Gayle Thompson, asked Sue Mee several questions to answer and Sue Mee also had a presentation showing with some key information which also incorporated pictures and quotes on the subject matter. The audience also had several opportunities to ask questions and to know a bit more about the designer’s background and how she got to where she is now.
The first thing the talk focused on was Sue Mee’s career. As I have mentioned she designs and consults brands such as the ones I have listed above. She also designs and consults start up brands with guidance on producing their own collections. As part of her broad range of expertise, Sue has judged twice on the Young Fashion Designer UK competition which showcases design talent across the Midlands and South East England. Alongside judging, designing and consultancy, Sue Mee is a personal shopper and a stylist. Taking in the interest of the client enables her to understand the needs of the consumer and broadens her knowledge of design, production and finished product as a whole.
After learning a bit more about the designer a bit more, the talk plunged straight into the business side of the fashion industry. She started off also talking off how she even got into the designing world, and her background. In her background, she had some textiles in it as her mum was actively involved in the fashion industry as a professional embroiderer. Then she mentioned how she actually got into the industry itself, as one summer she had three internships in three different places. She started off out at a high street shop; River Island, where she designed garments ranging from swim wear and lingerie, to jumpers. After this internship, she went off to intern at a high fashion couture house; Vivienne Westwood. The point that she was trying to get through going to such different fashion aspects, was to see how different high couture worked compared to high street, fast fashion labels. It was also a chance to see for herself which part of the industry she preferred. After these two internships, she went off to work at a small independent shop for fashion, where she found out more about starting your own label. She highly recommended that anyone wanting to get into the industry should get as much work experience and as many internships as possible, as getting a job would be really hard without having this experience. It shows that you are proactive and it really does show that you are hard working which is what big fashion labels or even small fashion labels want to see.
After getting into talking about work experience and internships, Sue Mee then went into talking about her university experience in the fashion courses. So she specialised in knitwear and outerwear and in her degree show, Wallace bought the coat pattern pieces from a coat that Sue Mee had made for the show, and the company commercialised them and sold them nationally. It was a huge success for both Sue Mee and the company Wallace, as it had given Sue Mee an opportunity to shine and succeed right at the beginning of her career and Wallace made a lot of money through her coat design. After this experience, she went straight into work and worked through multiple large scale companies whilst also working as a personal shopper and stylist.
After fully looking at her success and tips on getting work experience, she went on to talking about how to grow your own fashion business. She said that it was crucial to be unique and have a unique selling point as there was a lot of upcoming designers who wanted a consultation with her and had sent her a link on some other already established fashion house’s designs and saying how they wanted to copy the whole collection. This got a lot of gasps and shaking heads from the audience as everyone understood that copying another designers work is completely unethical and wrong as a lot of work and thought goes behind a collection.
She also mentioned that it is highly unlikely that someone becomes an overnight success, you need to produce a collection and have a launch event, but then you have to keep with the work flow, and be on top of the work, coming up with new ideas for a new collection. Timescales and being realistic with money were two things that she particularly focused on, as a large investment is needed before actually being able to start a fashion label. And she did say that a lot of new designers do not actually realise how important and how much this sum actually is worth.
She also said that it was quite difficult to go into the fashion industry as there is so much competition and so many other people who also want the career that you want. She said that when trying to sell your collections, it was extremely difficult to be successful with all the competition out there, so she did say that you should not send an email to the buyer as the buyer would probably be receiving about 300 emails a week from tons of other designers, so it is key to stand out from the crowd and the sea of emails. Therefore she did recommend to send in a package or a letter about your collection so that the buyers could actually see for themselves the quality and designs of your collection and then would be more inclined to buy your collection.
After this she did go on to her last point on talking about fast fashion. She completely disagreed with fast fashion and said that it was completely unstable for both the designers and for the safety of the environment. She went on to say that in fast fashion, designers are expected to realise new collections every week whereas before it was every season. She said that it was completely unrealistic and that it was key that in modern day life in the fashion industry, to go sustainable as that is a key selling point that most, if not all, successful fashion labels incorporate into their designs.
After this, the audience had a chance to ask questions before the event ended. I asked a bit more on work experience at 16 in the fashion industry, which she went on to say that you might ask 50 designing labels and only get an offer for one, so she did say that it was important to keep being persistent and keep going even if it did seem that no one wanted to work with you. She said that she asked almost about 100 places before she got offered those three internships that summer.
Overall, I really enjoyed this talk and found it very interesting and helpful as it offered a clearer insight of the business side of this creative fashion industry.
Fashion Show Reviews:
Fashions Finest: AW/19 Catwalk Shows:
On Saturday 16th February 2019, I went to see Fashions Finest’s Autumn Winter catwalk shows. Fashions Finest is a platform for UK and international emerging designers and is even described as one of the most ‘sought after and popular shows’ during London Fashion Week since 2010. In a time of economic uncertainty and in one of the most competitive industries, Fashions Finest remains committed to its mission to provide a platform with a holistic approach to its designers. This show was held at the Congress Centre located at Tottenham Court Road.
The schedule for these shows were that at 2pm there were six designers who each presented their show one after the other. The six designers were as follows:
It was really nice to have a mix of nationalities being represented and having diversity in a time where the UK is leaving the EU, and a division between nations is being placed. Each designer had about ten minutes allocated each were the models would walk on to the stage for everyone to look at the garments made by each particular designer. After each walk and collection had had its limelight on stage, the designers would come out to the stage and take their bow and congratulations from the audience. There was a lot of diversity with the models, usually in stereotypical terms, the models are mostly of fair and pale skin and are very tall and slender. However in this show, there was models of that stereotype and also models of colour who were very slender, but there was also a range of heights in models, difference in races and there was even a disabled model with a prosthetic leg. The diversity in both models and designer’s backgrounds and diversity in the designs/collections themselves was very impressionable and was one of the aspects that particularly struck out and made the environment more inclusive and enjoyable.
After that show ended at around 3:30pm, there was an hour break to go to the stalls located right outside the catwalk room, and there was a chance to see different designers in person and to network, along with the opportunity to make purchases. At 4:30pm there was another catwalk show, this time with eight designers showing their collections. The designers are as follows:
As there was again such diversity in the models and designers themselves, the environment was very inclusive and enjoyable. The designers also could choose whatever theme they wanted in their designs and collections. This in term made the show more enjoyable as there was such a variety in clothing and no two pieces of items were the same. The designer which I particularly liked the designs of had to be Tuncer Tonun. Their designs were incredible, and incorporated fabric manipulations, screen printed fabrics and many more difficult processes. This was the one that stood out to me the most. I have never seen anything quite like their designs. However, the designs which I found the least good was probably L’Essayeur who had the same designs repeated in all of their clothes. All the clothes were suits and were identical. This catwalk was the anomaly out of the rest as it was the only one with identical designs, and designs that have already been done before.
However overall I really enjoyed the experience as I have never seen a catwalk show with so many different catwalks and designers. I also really liked the diversity in the show.
What I thought could have been improved was the quantity of stalls during the break between shows as I do think that there could have been a few more stalls and even more space for people to navigate their way around them.
I would go again as it was a very inspiring event to see so many designers doing what they are passionate about, and it was very enjoyable as a whole.
Canary Wharf Autumn Fashion Show Review:
I went to the Autumn Fashion Show in Canary Wharf on Sunday the 1st of October 2017. There was a main stage where the models walked wearing several different brands at different points.
The main point of this fashion show is advertise the shops located in Canary Wharf and their new season of clothes. They also give 20% off those selected shops to drum up even more attention.
I went to the afternoon show as these catwalks go over the period of three days- a Friday and the weekend, and at different times- morning, afternoon and evening.
The whole catwalk went on for about a good 20 minutes including the musicians, which is probably the longest catwalk I have seen before. Starting off the catwalk was Gap with models wearing the autumnal range available at Gap. This was followed by several other brands such as Levis and Monsoon.
There was also live music before the event had started. These musicians included Ember, Jade, Reigns and Andre SaxMan Brown. I had the chance of seeing Ember live, who were a trio of skilled musicians, one played the violin and the other two were cellists. However I also looked into the other musicians such as Jade who is a solo performer who plays the guitar and sings. I got the chance to look at some videos of her performing and although it was not the type of music I would personally listen to, she was really talented. Reigns is also a solo performer and her style is more RnB from the sound of it. And finally Andre is a singer and plays the saxophone and has been booked out playing jazz at parties and looks incredibly successful.
The main art forms involved were music, drawing and designing, and sewing. But also filmmaking was used for the short clips shown to introduce the catwalks as there was no host.
I have seen a Canary Wharf Fashion Show before about last year and other fashion shows before such as the London Fashion Week Festival which was very similar to this one.
The similarities between this particular fashion show and the London fashion week festival catwalks was that this stage was smaller for a smaller audience and it was all standing as it is completely free so people can pop in to see it and leave whenever they want to.
The thing that always surprises me about the fashion show hosted in Canary Wharf is that it is all free to watch. So you can enjoy a while of free music and a well organised catwalk.
The walks themselves were very good and well-organised, but they were very complicated and involved a lot of people and everyone was in sync which proved that it was very well rehearsed by the models. On some of the walks for different brands there was some dancing which was also pulled of very well.
There was not anything that was majorly bad but if I had to change anything, it would probably be some details that were very small such as the fact that all the audience have to stand up for the whole show. So some of the audience at the very back could not see very clearly, this could be changed by adding some chairs for the front couple of rows so at least the people at the front could sit down and are more comfortable and the people at the back could have a clear view of the whole show.
I learnt that a good fashion show can be pulled off with a lot of rehearsals and practice shown by the models themselves as they were all in sync and in time.
Overall, I thought that it was a very enjoyable experience and I would come again to enjoy the catwalks, discounts and music.
Canary Wharf Winter Fashion Show Review:
On Saturday the 25th of October 2017, I went to Canary Wharf to watch their annual winter fashion show.
The first thing that happened at this fashion show was the musicians performing and in this case it was three jazz musicians playing together. Their performance was very uplifting and upbeat, which in turn attracted a huge crowd to watch the show. These musicians played several combined remixes for the introduction of the show and continued to play through the first walk which was advertising Gap clothes.
In the Gap walk, the upbeat jazz music really matched the walk as all the models were dancing on the stage. This dance was really well choreographed and there was a lot of movement going on which attracted even more people to come join and watch the show.
Afterwards, there was several more walks, which included brands such as Ted Baker, Hobbs, Levis and a couple more. Most of these brand walks, included dancing just like in the Gap walk, but all of the dances were very different in their own unique way. However there was still a few brands which chose to go with the standard walk instead of dancing.
The main art forms involved in this show were dancing, sewing and making, and also film making as there was short clips shown while the walks went on to advertise the brand even more.
The Canary Wharf Autumn Fashion Show was very similar to this show as all the staging looked the same and there was still the same layout of the order of the show, so the musicians went first and then all the walks came after that.
However what was unexpected in this show was that the musicians stayed on stage for one of the walks and performed at the same which I have not seen been done before. This worked well though as both performances were very complimentary to each other.
The finale of the fashion show was 1920s themed which is the exact theme which I was thinking and planning on using for my own take of a fashion show, which will take place later on.
What I enjoyed most of the show was both the dancing and the music which were very upbeat and full of energy which reflected onto the audiences moods. However, I thought that the voice over in this case did not work well as it took the attention away from the clothes themselves, which was the whole purpose of the show happening. The voice over directed the attention away from the clothes by talking about who was modelling and there was a particular focus on the models.
What still amazes me every time I attend a Fashion Show at Canary Wharf, is that it is all completely free for the audience to watch and attend. How the managers manage to create such a great show all free still awes me.
Another thing that was different to most of the fashion shows I have attended, is that all the models at this show looked very happy, and were all smiling which is unlike the fashion shows I have seen before where all the models looked quite neutral or not smiling at all. This brought the mood up even more at the show.
I took away that a great fashion show does not need to be expensive to be great, but however a lot of practice, organising and effort needs to go in to it.
Overall, I thought that this fashion show was really well organised and enjoyable and I cannot wait for the Spring/Summer Fashion Show to take place.
London Fashion Week Festival Review:
I went to the London Fashion Week Festival on Saturday the 23rd September 2017. The fashion festival was held at the Store Studios located in the Strand. I saw two catwalks, one designer and the other one based on the upcoming trends of the season and I also got to listen to a fashion talk led by industry experts, at this event. After witnessing all of this there was a choice of going shopping around the building with temporary shops set up, which I of course did not hesitate on going to.
The first event of the day on my schedule was to attend the designer catwalk at 10:30 to see the work of Fyodor Golan. I had never seen the work of this brand before so it was really interesting to see all of their ideas come together to form the particular collection I saw. Their collection was colourful and crazy and really out there. None of these features I would personally chose to buy or wear but however their clothes did really call my attention and it was a fun experience to watch.
The second event on my schedule was to see a fashion talk led by industry experts. The talk was about careers in fashion and it was very interesting to hear all the questions on everyone’s minds about the truth about working in the fashion sector led by our host and answered by three of the industry experts. The whole talk had a very friendly atmosphere and there was an open Q&A taken at the end with some very interesting questions asked by the audience.
Straight after the careers in fashion talk, we had to rush to the last catwalk to see the upcoming fashion trends of the season. Personally, I found the trend catwalk more enjoyable because the collection was much more wearable and I also felt that it was a bit more relaxed in general. One of the main trends I saw featured again and again in this particular catwalk was a lot of patterns such as florals and chequerboard patterns.
The art forms involved were definitely the use of drawing for the designing stage of the clothing collection, quite a lot of filmmaking for the short videos shown before the catwalks started, and for the making stage, a lot of sewing.
I have attended the London Fashion Week Festival before last year but however it was held at the Saatchi Gallery instead of the Store Studio. I have also attended other fashion shows since the time period of this year to last year, which were quite similar to this particular fashion show.
The similarities between all these fashion shows are the obvious ones such as, in order to create these obscure collections, there must be a lot of planning and designing behind it in all.
The designer collection was very unexpected with all the bright colours, patterns and shapes used. However I am not that surprised that the collection was so bold as I even remember how the collection last year was so out there and I am not so sure that it was very wearable either. But this is a good tactic as its very unforgettable and memorable.
The Fashion Festival in general was very well organised and I cannot wait to go again next year. The catwalk staging and choreographing was clearly very well thought out and although there was a very vast audience, there was very good views from all over.
I also really liked how the host of the catwalks introduced the show very well and was very interactive and also went to some of the audience members and asked for their views and opinions and was so friendly.
However if I could change anything it would be very minor details such as to have more space for the shopping area as I found it slightly cramped to browse and also to move around in general. However it was very well placed in general as there was a limited amount of space in the first place, so the producers did what they could.
I learnt a lot from the careers in fashion talk which was very interesting. Some of the things I learnt is that most of the industry’s workers started working in other sectors such as in business or even law and moved onto the creative side in the fashion industry. So I learnt from them that it is completely fine to do that and other industry insights such as that the hours are very long but as long as you get all the work done, the free time is very flexible and the trips abroad make up for it.
I took away quite a lot of ideas such as some inspiration on my future clothes I want to make and to experiment with colours, shapes and patterns for a bold outfit as shown to me by the designer catwalk.
Overall, I found this particular event very enjoyable and would definitely recommend.
London Fashion Week Festival Review:
On the Saturday 22nd September 2018, I went to the Strand Studios to attend the London Fashion Week Festival. I saw both catwalks; the upcoming trends this autumn/winter season, and the designer catwalk. After going to see the catwalks and before, there was opportunities to go shopping at the temporary shops set around in the building. These stalls included a variety of clothes, bags, shoes and accessories from a variety of designers, whether it was a very known brand such as Chanel or less known brands.
The first thing I went to see at this London Fashion Week Festival was to see the designer catwalk at around 1:30pm. The designer who showed his collection had some very distinct designs and very abstract accessories in particular. For example, his bags that he designed were teddy bears that hung from a chain, as it was a cross body bag. I have seen this design in Topshop, so his designs are quite successful and distinguished in big chain shops. His designs overall were very abstract and used a lot of layering which is a trend currently. His designs I found very fun and creative, but again not something I would personally wear or purchase myself.
The second thing to do on my schedule was to see another catwalk, but this time it was the trend catwalk. The trend show was a lot longer than the designer, as the designer catwalk only has one collection, whereas this trend show had various collections from different designers. The trend show was split into five different sections with five different trends. For example one of the trends was called “Prints Charming” which was a play on words with prince charming and what the actual trend was. The trend “Prints Charming” was all about prints and patterns which are in trend currently. These prints included leopard print and various different animal prints, as well as florals.
The arts forms included in this event were definitely film making for the short clips shown before each catwalk show, as well as a lot of designing, drawing, sewing and making.
I have attended a few London Fashion Week Festivals before such as last year and the year before. The one last year was held in the same venue as in this year; at the Store Studios, but the very first one was held at the Saatchi Gallery, which is my favourite venue. I have also attended several other fashion shows such as the Canary Wharf ones.
All these fashion shows are quite similar as they all have the same set up inevitably. And that the fashion shows all include the designer’s newest collection which requires a lot of time, designing and making on the designers behalf.
This Fashion Week Festival was very well organised and planned out and I cannot wait for next year’s fashion week again. They are always such successful events and held at high standards. The numbers of people attending this event has massively increased every single year and the amount of people coming from abroad to see this specific London Fashion Show Festival has increased so much.
The difference between this years and last years, is that they no longer have a host who introduces the collections and catwalk shows. I honestly thought that this was a shame as the hosts previously were all so interactive and friendly, and made the experience more enjoyable.
If I could change anything, I would add the hosts back. As well as changing the venue maybe, as it is getting a bit small for the large masses who attend the festival. This would mean that there could be more space for shopping and so it would be less cramped in the rooms.
I definitely was inspired after this event, as the short videos about the fashion industry were definitely very moving and made me think that this is what I would like to do as a career.
In general, I found this festival very entertaining and inspiring, and will definitely try to attend the following year as well.
Research into Fashion:
Jobs and Careers in Fashion:
The industry of fashion is very big and diverse, which means that there are so many types of different jobs available. However there are more obvious careers in fashion such as being a designer, model and fashion journalist. But there also many unobvious careers in fashion such as being into fashion merchandising which is to be working in the sales and marketing aspect of fashion. There are also jobs such as working in production management where they have to supply and buy the textiles and clothing made at the manufacturing level. And lastly being a stylist but there are many more careers in fashion as well.
In fashion related jobs, there are many places to work, such as in warehouses and in offices.
These people can display their work in fashion shows where the clothes, accessories and shoes get modelled to a vast audience, to showcase to potential buyers.
Their work can also be exhibited in art museums such as my personal favourites which include the Victoria & Albert Museum and the Fashion and Textiles Museum.
I will be looking in more detail into more examples of specific types of jobs available in the fashion industry and what is required to achieve that role as a career.
Visual Merchandiser:
What they do – visual merchandisers usually design in-store displays to show off their products such as clothes and accessories and advertises what the shop offers.
What is required – successful visual merchandisers need to know how colours, patterns and designs work together, be creative and have a lot of attention to detail, so that all the components of their work go well together and can stand out to the public to attract them to their store. However a degree is not needed for this job.
Salary – when a visual merchandiser starts out, their salary is around £15,000 annually, but once fully qualified, their salary can rise to about £24,000.
Buyer:
What they do – a buyer selects a range of products to sell in retail shops, bearing in mind the costumers buying habits, price, quality and up-coming trends. Buyers need to keep their buying choices as relevant and on-trend as possible.
What is required – a buyer should have a great knowledge on trends and the commercial aspect.
Salary – an assistant buyer or junior buyer can make about £14,000 when they start off. This can go up to £30,000 and up after experience and especially if they are working for a big brand.
Fashion Designer:
What they do – fashion designers design clothes and collections, starting off with the first sketches and seeing it through to the end which include making the product and managing the logistics and production.
What is required – originality is key as designers want their designs to set them apart from competition and other brands. Designing skills such as pattern cutting and sewing are also needed.
Salary – Small or boutique brands can pay around £24,000 but can easily go up to £50,000 and over hundreds of thousands of pounds with experience and success.
Marketing Agents:
What they do – their main goal is to sell the products of the shop. This can mean having to write articles, organising shows and managing social media accounts to gain popularity for the shop.
What is required – a degree in marketing or advertising is crucial. Apart from this, successful marketing agents, should be very open and friendly.
Salary – once marketing agents have started, their salary is around £18,000 but this will rise especially after making a lot of contacts of people in the industry and working alongside them.
Fashion Journalism:
What they do – fashion journalists write up about fashion, this can range from product reviews, about catwalks to interviews with designers.
What is required – a journalism or creative writing degree is best but not compulsory for the job. A successful fashion journalist needs to be good with words and original.
Salary – the starting salary would be around £15,000 to £20,000. However, they can charge per article for hundreds of pounds each, this depends on the size of the employer and how many words are written.
Research into an Advanced Practitioner:
I emailed a designer called Miss Libby Rose, who has taught me before about sewing and designing, so I could not think of a better person to interview about how to get into the fashion industry. Below are the questions I asked and her answers:
Q- How did you get inspired?
A- My mother was a fantastic seamstress, and I would help her after school, which inevitably led me to experimenting with making and designing myself.
Q- Where did you get the skills from? (self taught/lessons/school)
A- After Design & Media Studies at school, I went on to study fashion which led to my working in the textile industry both in Australia and London.
Q- What made you pursue fashion as a career?
A- As I grew, so did my love for all things design related so I knew I wanted to do design.
Q- Did you get or need any fashion qualifications to get where you are now?
A- Yes, I went to Fashion School.
Q- Have you ever opened a designing shop with you designs in it? If so how did you do it/how did you get people interested/what did you sell? And if not do you believe you will in the future?
A- Starting out at a market stall in Greenwich Market to exhibiting at Fairfield Halls in Croydon, where I met the amazing Karen Gilbert and set up a shop and design studio together 'Elegantly Waisted' inevitably leading me to Camden Market 'The Lock' which started my wholesaling into shops.
Q- What are your plans for your fashion future?
A- I run after school clubs for kids, adults evenings and weekend classes for adults at Mycenae House and Gardens (which is a community hub in South East London). I also do knitting and stitching shows at the Twisted Thread. I also do half term workshops at the Ottie and the Be a -which is a fabulous children's shop in Blackheath Standard - where I do kids sewing, making and designing workshops.
After interviewing Miss Libby Rose, I learnt a bit more about what kind of qualifications you need for getting a career in fashion. I also felt more equipped with knowledge about how she worked her way into fashion and I had an insight into the industry. I was really inspired after our interview as I felt as if I knew more on what the next steps were, i.e. what kind of qualifications were needed/what to do after.
Research into Art Organisations:
Museums that incorporate fashion:
Victoria & Albert Museum:
The Victoria & Albert Museum in London is the world's largest museum of art and design. It was founded in 1852 and named after Queen Victoria and Prince Albert.
Victoria & Albert Museum holds an extensive amount of art and as I am focusing on the fashion aspect overall, I mainly focused at what the V&A offers in terms of fashion.
As part of the fashion area in the V&A, they have a costume collection which is the most extensive in Britain and contains over 14,000 outfits and accessories. Some of these pieces date all the way back to the 15th century and to now. The V&A also holds many costume sketches and design notebooks on display.
Also they began a series of live catwalk events, hosted at the museum, which they called 'Fashion in Motion' which featured items from several fashion collections. Their first show ever in 1999 featured Alexander McQueen, from there they host shows every year. They featured from the likes of Jean Paul, Missoni and Anna Sui.
A couple years later, the museum got ahold of some Vivienne Westwood costumes for display. Several famous designers worked in this collection, featuring the likes of Coco Chanel, Christian Dior and Cristobal Balenciaga.
The museum still continues to add to their fashion displays very often, to have a larger collection of modern fashion.
Fashion & Textiles Museum:
The Fashion & Textiles Museum in London is committed to display developments in modern fashion and even providing support and training for those who work in the industry. This museum was founded by a British designer called Sandra Rhodes, and has been open since 2003. This museum shows temporary displays unlike most which hold permanent displays. Some previous displays include; Art Textiles, Liberty in Fashion, 1920s Jazz Age Fashion & Photographs and many more.
I have visited this museum several times, both for workshops and to see the displays. I really enjoy visiting this museum as the displays are always being updated and there is always something new to see.
The fashion and textiles museum is part of the Newham College of Further Education which is one of Europe's largest further education colleges.
Fashion Space Gallery:
This Fashion Space Gallery is in Oxford Circus and is a part of the London College of Fashion. It is a very modern exhibition space which showcase various changing displays over time. It opened to the public in 2010 to display work by leading artists in the fashion industry. The gallery also includes several performances and installations.
This gallery space also can provide for the London College of Fashion students and graduates to use this gallery as a platform to show off their work and as a step up for them into the fashion industry. It is also easier for their students to get spotted and more known about.
This exhibition space is free to visit and is supported by many events, artists industry talks, lectures and various different performances.
Somerset House:
Somerset House is a large building in central London, that was originally a Tudor Palace but from then was extended with further wings for more space. It was then used for exhibition space to display several different types of components, including fashion.
Somerset House frequently displays different fashion exhibitions, usually in the East wings. The latest exhibition that they held was titled 'North: Fashioning Identity'. This was about people living in the north of England and how their fashion changed since the 1950s.
This exhibition tried to incorporate modern fashion as well as having pieces from the past. As well as being a fashion exhibition, it featured modern photography and multimedia work. There was also a documentary film featuring videos that were captured in the late 1960s.
Alongside this exhibition they display many other fashion exhibitions, that are always held at a big scale.
Fashion Organisations:
British Fashion Council:
The British Fashion Council is a Fashion Organisation that is not profitable and it tries to look into designer businesses and sharing experiences and resources in the fashion industry. This organisation is based in London and was formed in 1983. It was funded by industry experts, commercial sponsors and the government. They are even funded by the Mayor of London and the European Regional Development Fund. The British Fashion Council leads the industry through artistic influences and is trying to reposition the British Fashion namesake higher and more popular in the global fashion economy.
The British Fashion Council shows off the best of British fashion design to a global audience, which include potential buyers and the press. Their displays of work happens every February and September, as they organise London Fashion Weeks for the public. This is an event done to a large scale for the purpose of displaying designers' work and for the public to shop the latest trends.
They also organise show rooms in London every season, that takes emerging designers to Paris. This gives them the opportunity to get more popular and well known overseas, as well as in England. The British Fashion Council also takes these designers to international markets including destinations to LA, New York, Brazil and Hong Kong.
This organisation also organises the Fashion Awards, which is the UK's annual celebration to show off all the progress in fashion over the year.
The British Fashion Council also helps designers at different stages of their businesses. This includes the Colleges Council which offers MA scholarships and facilitates connections between the fashion industry and fashion graduates.
The BFC also runs and owns several charities, these include the BFC/Vogue Designer Fashion Fund, the BFC Fashion Trust, the Fashion Arts Foundation and the BFC Education Foundation. The British Fashion Council also has published the Designer Fact File, an online handbook for designers and a statistic based report of the fashion industry.
UK Fashion & Textile Association:
The UK Fashion & Textile Association is a very inclusive British network for fashion and textile companies. They unite designers, manufacturers, retailers and agents to promote their work, both nationally and internationally.
To access the resources and help from the UKFTA, you require a membership. This allows companies in the fashion industry to access a wide scale audience through using the UKFTA's contacts in the fashion and textile system.
This association believes that communication is key, so therefore they produce monthly e-newsletters on breaking news and business opportunities that are available for their members.
They also offer many frequent seminars on subjects in the fashion industry, and even offer access to be part of oversea markets.
The UKFTA frequently host various line ups of events including; network opportunities, seminars and discussions. This association is now the Sector Skills Body for the fashion and textiles industry.
The UKFTA has dedicated workers and HR experts to provide help, advice and support to fashion companies of all sizes, whether it is a new business or even large retailers.
One of the most exciting events held by the UK Fashion & Textile Association in my opinion was an exclusive event at the Houses of Parliament to celebrate the Graduate Fashion Week's 25th anniversary. This event hosted guests such as the MP; Damien Collins, who is the chairman of the 'All Party Parliamentary Group for Fashion and Textiles'. There were also many leading figures from the fashion industry who attended the event to unite with the aspiring designers of the industry. This event included a welcome reception to all the guests as well as hosting a large scale fashion show.
Alternative Arts Organisation:
The Alternative Arts Organisation specialises in the art industry, and they invest in new artists emerging into the industry. They also create highly accessible mixed cultural experiences.
They direct and produce programmes of diverse arts events, which include a variety of mixed media, such as; photography, fashion, literature, music, dance, theatre, art exhibitions and various festivals.
Throughout this art organisation's history, they have successfully helped to regenerate West Soho, Covent Garden, Marylebone High Street, Spitalfields and East London. Their aim is to continue to help and consult on the arts development and urban regeneration.
The Alternative Arts Organisation has directed and hosted major projects in the art industry. These projects include; the Covent Garden Street Theatre, Alternative Art Gallery pop ups shops and the Open Dance Festival with performers from all over the globe. These projects are very diverse and all focus on a certain sector in the arts industry. However, they also focus on fashion, which I will be looking more into.
One of their major projects that focuses on fashion is their 'Alternative Fashion Week' which focuses on discovering new and emerging designers in the fashion industry.
This Alternative Fashion Week event is very different to most other fashion weeks as it is open to absolutely everyone and it is even free to the designers to participate. This event runs for a full week with 15 shows every day. This event attracts over 10,000 people from all over to watch these shows and to visit the diverse fashion market to shop the latest wild and different accessories and trends.
Their target is to show how imagination and resourcefulness can be possible even without having to use a lot of money and how everyone can have a future in the fashion industry without necessarily having to come from a very high economical background. This organisation wants to promote sustainability in the arts and to regenerate certain areas through art.
For example, in 1993, Spitalfields was a deserted, run down area with a big empty market building. However today it is a cultural area in London with several markets, art galleries, shops and much more. These attract millions of visitors every year.
The Alternative Fashion Week has played a major part in regenerating the area by raising its profile to a worldwide audience and promoting hundreds of new designers and new models. This fashion week has worked on building an international reputation with world wide press coverage.
Every year this Alternative Art Fashion Week has had a major amount of young designers that wish to establish their business from all over the world. This unites graduate shows with the more mainstream fashion industry.
Their biggest aim through their Alternative Art Fashion Week is to raise environmental awareness and they actively support recycling and ethical sourcing. Every year, there is an ever growing number of collections put on show that support these very important topics.
The Alternative Arts Fashion Week has hosted shows for over 20 years now and they hope to continue to produce more shows.
Further Education in Fashion:
University of the Arts London: London College of Fashion
The London College of Fashion is one of the few colleges that are part of the University of the Arts London which are all based in London as the name refers. They offer many courses and degrees such as; undergraduate, postgraduate, short courses, study abroad courses, business training in fashion, make up, beauty therapy and lifestyle industries.
It is the only college in Britain to focus only in fashion education, research and consultancy.
They have a patron called Sophie who is the countess of Wessex. Their current head of the college is Frances Corner who is also the Pro Vice-Chancellor of University of the Arts London.
They offer over 70 undergraduate and postgraduate degrees, and 165 short courses.
The main college building is situated in John Prince's Street which is in Oxford Circus. They also have other campuses which are located in Lime Grove (which is in west London) and Mare Street (which is in east London).
One of the courses I looked more into which was the BA Fashion Design: Womenswear, looked specifically at building on creative, technical and professional skills needed that a fashion designer would need to be successful in the competitive womenswear market at the moment.
Nottingham Trent University:
Nottingham Trent University offers a BA degree for Fashion Designing and this course is internationally recognised for its industry ready graduates.
The aim of this course is to develop creative skills in fashion drawing and illustration, creative pattern cutting, garment manufacture, market awareness and learning on the latest digital technologies and how to apply these to fashion.
They have connections within the industry as a university which gives graduates very useful opportunities to develop professional skills by entering competitions, working on briefs and going to lectures from visiting professionals.
They are ranked 4th overall in the UK for Fashion and Textiles. Their course has an excellent graduate employment rate with 100% of all graduates in fashion being employed or in further study within the first six months of graduating.
They also get involved in a variety of competitions and projects with successful shops such as the likes of; Oasis, Boohoo, ASOS, River Island and even Burberry.
Central Saint Martins:
Central Saint Martins is a public art school located in London. It is one of the few colleges along with London College of Fashion to part of the University of the Arts based in London. They offer full time courses at foundation, undergraduate and postgraduate levels. Along with a wide variety of short and summer courses available.
At Central Saint Martins, the teaching and courses are organised into nine programmes, these include; acting, design, art, graphics, jewellery, textiles, as well as fashion.
Central Saint Martins moved to a converted warehouse building located at King's Cross in Granary Square, however even though most of the college is situated there since the move in 2011, they also use the previous buildings which are located in Holborn, Elthorne Road and Archway.
This art university offers collaborations with professionals and sponsors in the industry, these include the likes of; L'Oreal Professional, Christian Dior, Louis Vuitton, Liberty, Paul Smith and the Victoria & Albert Museum.
There is an opportunity to take a break from your course after two years full time study to do a work placement and qualify additionally for the Diploma in Professional Studies.
Their previous graduates work across a wide variety of jobs in the fashion industry including working as company designers, freelancers, consultants, journalists, stylists, photographers, illustrators, editors and retailers.
Workshop Reviews:
Digital Textiles Course Review:
I attended a course at the V&A on the Saturday 14th of October 2017. The aim of the course was to teach the students present how to use Photoshop for textiles purposes, such as how to create patterns to then put on fabric and how to create repeat patterns.
At the course we firstly learnt a basic understanding of Photoshop and how to actually use the program. Examples of what we looked at specifically were things such as how to use threshold and colour correction.
After this basic introduction to Photoshop to everyone, we visited an exhibition at the V&A itself to examine patterns for inspiration. Our group was there for about 20-30 minutes and in that time we looked around the exhibition individually as we were all attracted to different pieces of art such as I was really drawn in to a massive, intricately detailed sheet of fabric hanging on the wall and it was really fascinating to see so much nature based imagery used in that one particular piece of wall art in the exhibit. In that time at the exhibition, I also looked at more interesting pieces of art and drew several of these patterns that I saw to use as inspiration going into the course after the exhibit.
After the exhibition, we went back to the computer lab and got pieces of paper to draw our own patterns. However we only had to draw one singular thing as we would transfer it onto the computers by scanning it, in order to create repeat patterns using our drawings. As I finished early, I got the chance to draw more singular objects to transfer to the computer and I could then experiment and chose which repeat pattern I found the nicest and ended up using that one. I went for a more natural side in my drawings, using the inspiration that I saw at the exhibit. However, I ended choosing my drawing of the bee as I thought it was the most appealing looking drawing I had done and it was also quite detailed.
I then evolved and adapted my designs, especially my bee design, and created a final product based around my bee motif, which we could keep for future uses and we also got a chance to put our pattern on a couple outfits to see how it would look.
The art forms used were mainly just designing.
I have not done anything like this since I have not used Photoshop before this course. So it was very helpful and beneficial to me as I learnt something completely new and I learnt a lot about the program.
Something similar from this course to some other courses I have done before is that at the V&A, when I usually go to the workshops, they take the participating students to visit their exhibitions which they did at this particular course, which is good to find inspiration and to get our minds thinking about art.
It was a good course because I learnt a whole new aspect of textiles and pattern/fabric making. Which I will use again, most likely in my art GCSE lesson to make actual fabrics using our own patterns printed on using methods such as foiling the fabric using our patterned stencils.
The only thing I would change would be that I felt that it was quite rushed so I would either suggest to make the course longer or to do less things as it over ran anyways and some students were unfortunately not available to finish their work.
I learnt a lot from this course such as new knowledge and a Photoshop file of my work which I could use in the future if I wanted to.
Draw Like a Fashion Designer Workshop Review:
I went to a course at the Fashion & Textiles Museum on Wednesday the 25th of October 2017. The course was designed to aid students to develop their drawing skills, specifically looking at drawing our own outfit creations towards the end but there was also a major focus on how to draw an average model/mannequin with the proportions correctly drawn to then use as a guide to draw our creations on top of them.
The first thing we did at the course was introductions and examined some detailed examples which were drawn by the tutor herself before the session. Then using her work we took inspiration and drew our own interpretation of her drawing. This aimed to show the tutor our drawing skills so she knew where we all were at. Then she took out a full real-sized mannequin with a long, polka dotted dress on it, and we got told to draw it out using colours. This proved challenging as the bottom of the dress was complex to draw as it was not straight but not extremely flowy so we had to find and figure out the exact balance to draw it.
The main art forms involved were drawing, designing and colouring.
I have not done anything quite like this course before, because I found this course required everyone to be practically completely independent, probably because the class size was so big and the tutor would only come around to help only so often. This was unlike the courses I have done previously as there was always a lot of help available there. Being independent was not a big issue at this particular course however as everyone got really into the drawing and developing their own styles so not a lot of help was needed anyways, just the use of the resources which were provided to us at the course.
The similarities to other courses compared to this one that I have just done is probably that our tutor was very talented and experienced in what she was doing, just like the tutors back at the V&A Museum.
The fact that it was so independent was unexpected because looking back on it, when I arrived at the creative studios at this museum, I thought we would receive much more help but then I realised we did not need a lot of guidance anyways since were just drawing. However when the tutor came around occasionally, I felt it was very helpful personally when she critiqued everyone’s work to make us think what we needed to do and change in order to improve our drawings and also our drawing skills too.
In my opinion the course was quite enjoyable and helpful to me, because I definitely think that I have developed my drawing skills especially with drawing the model/mannequins as I think I have improved drawing the proportionality right with them. I also begin to understanding how to draw a bit more like a designer.
However I would have wanted it to be even slightly longer as compared to other courses I have done before, this course was only about an hour or two, which is incredibly short compared to the courses at the V&A museum, where the courses run on a full day so from early on in the morning till about 4/5pm. Drawing is also such a vast topic of area so to it all have been compacted into one or two hours is not the best thing in my opinion and it was very enjoyable in the short time I was there so I definitely would think we could have learnt more and covered more about drawing like a fashion designer if we had a longer time with the tutor and the resources.
I learned various things such as how to draw the proportionality of an average model/mannequin in order to draw outfits on top. This skill is particular helpful to me because I did not know exactly how to draw the proportions of the mannequin/model in the first place properly to then draw my designs on top.
Overall, in my opinion, I think that the course was helpful personally as it taught me to improve my drawing style and shaped me into using less sketchy lines and much more defined lines which as my tutor said, improved clarity of the design.
Fabric Design Workshop Review:
I attended a course on Saturday the 21st of October 2017 at the V&A to learn more about fabric designing.
I arrived at the course and there was a couple of introductions of what we would be doing throughout the day and introductions to the other students there and of the tutor.
Then we went to visit the Indian exhibit to get inspiration from the objects and art there, in particular to look at all the intricate patterns and designs there. I drew a couple of patterns for inspiration for later use throughout the day.
Once everyone had looked at the whole exhibition, we were led back into the room we were in originally and were shown around and were all the equipment was and how to use it.
Then we were allowed to experiment on scrap pieces of cotton to use acrylic paint with several different paint brushes and sponges or using special pens to draw on the fabric. After this experiment, I had an idea of a pattern so I got given a bag to design and make.
In the end, a bit more than an hour after I got given the bag to design, I had a finished product of a black bag which I had painted with very subtle chequerboard patterns on the back and gold flowers painted on top of everything. I was very happy with what I had created thanks to some help and directions from the tutor.
The art forms involved were designing and painting.
I have done workshops slightly similar to this certain one, for example I did one last year which had to do with painting using acrylics as well. So it extended my knowledge on what to use acrylic paint for.
The thing that was unexpected in my opinion was the amount of all the fabrics that were laid out in the beginning for us to look at and examine. All these fabrics were examples of the tutor’s work that she has done before and I was surprised how original and different the designs were and how many different patterns she had.
The good part of this workshop in my opinion, was how at the very end all of the students hung their work up on the wall and we could look at all the work as a collective and as a mini exhibition made by us.
If I could change anything, it would be that we did not spend enough time in the exhibition and I would have wanted to spend a longer while looking and drawing some objects and patterns I saw there.
I learnt quite a few things from this workshop such as how to make and design patterns using just a few materials and the versatility of using different shaped sponges.
I will take away that I can always make the pattern of the fabric in my future designs instead of just buying the patterned fabric straight away.
Overall, I have to admit it was not the best organised workshop as it all felt a bit rushed but it was still very enjoyable.
Jewellery Workshop Review:
I attended a workshop on Saturday the 7th of October 2017 at the V&A Museum to learn a bit more about the jewellery making process and make some jewellery.
I arrived at the workshop and immediately was welcomed by the jeweller herself and she invited me to look at all the equipment, materials and examples she had made before. All the equipment had nice, big labels next to them to help us learn the names of important equipment used in jewellery making, such as chain-nose pliers and the milling machine.
After this, the jeweller showed us a presentation so we could understand the designing process a bit more and what she does on her day-to-day life working as a jeweller. Then she showed us how to use every piece of equipment which was very helpful for when we got to our making time.
After this we had a couple of hours to investigate and experiment all the equipment and I found out that I really liked using the milling machine and a pin vise in my creations.
In the end I created three rings, a couple of bracelets and a necklace.
The art forms involved were designing and making.
I have not done anything much like this so it was nice to do something different for a change. I have done workshops at the V&A before but nothing quite like this with a lot of equipment and freedom to choose what to do and using what and when.
However some similarities to this workshop to some I have done before in general and at the V&A is that it was laid out in the same format. For example, in other workshops I have done, we also got a demonstration on how to use everything at the beginning.
However the fact that we got such a lot of freedom with using all the equipment was a very good surprise.
It was a very good course to go to as the atmosphere was very friendly and the tutor was so friendly and welcoming as well. I really liked how she brought some of the equipment from her own studio to give us a full proper experience on jewellery making.
There was not much I would change because it was pretty satisfactory but if I had to change something it would probably be the fact that we did not get a chance to visit an exhibition at the museum as the V&A usually organises for people doing their workshops to find inspiration and the chance to view and draw some of the art and objects found in their exhibitions. This is usually done after the introduction to the course and before the designing process and creativity starts.
I learnt a lot from this course such as all names of the four main type of pliers and their uses, such as bent-nose pliers, chain-nose pliers, crimping pliers and flat-nose pliers. I also learnt how to use the milling machine along with other different bits of equipment.
I learnt how to hammer down a piece of wire or copper using a mould to create a circular shape to make a ring or a bracelet.
I took away a lot from this course as well as connections to the jeweller, and the basis I need to know on making jewellery. I also took away a lot of jewellery that I made myself and that I was very proud of making, which I will be definitely be using especially the rings as I took a particular liking to them.
Overall, I thought this course was so well done and has been one of my favourite courses I have done to date. I also plan on attending this course again next season to make even more jewellery.
Sketchbook Workshop Review:
On Thursday the 26th of October 2017, I attended another course located at the Fashion & Textiles Museum. This workshop aimed to help the students participating to channel their creativity into developing their sketchbook work.
When I arrived at the creative studios in the museum for the course, it just so happened that the tutor had already taught me before at a different museum at the V&A. We recognised each other from the fabric designing course that had happened a couple weeks prior to this event.
After some talking, we decided to crack on with the task ahead of me and the rest of the students at the event which was to create our own sketchbooks with filled in pages. We got an immense ton of support from our tutor which I was really grateful for and a lot of resources available to us which I can admit all of us had a good rummage through. As the tutor had plenty of experience at her job related to design, she admitted to collecting a lot of these resources from 50 years back so there was for example stamps dating back from the time the world was at war for example which was truly very interesting for me.
We had two hours to work on our creations, which looking back is not a lot of time compared to the courses I do at the V&A which take up the whole of the day. However much to our disbelief we all managed to finish our work off and we managed to create a final piece in the end so our hastiness was not done in vain.
I used some old Christmas cards that I found in the scrap drawer of card for my first try at making a sketchbook and some Christmas themed sequins that I also happened to find around the resources table and put that all together to create the first sketchbook. Also using some of the old unused stamps, I completed the look.
However for my second and last sketchbook idea, I had a pink theme and I looked into several fashion magazines such as Vogue and Harper’s Bazaar and teared out some pages from the magazines which in fact went my pink theme. I also added some other small things I had found at the resources table which linked to my theme.
The art forms involved were mainly just designing.
I have done several courses a bit like this such as the one I had done the day before this course, where the course was aimed at drawing like a fashion designer, they were both similar in the sense that they were both quite compact courses in the sense that we got so much done in such a small time frame.
The fact that we were given so many resources to use was really unexpected and really helpful at the course. This was what made the course very enjoyable because we knew that we had an unlimited amount of supplies.
I would have preferred if the course was longer again just like the one I had done the day before. I find that usually the courses at the Fashion & Textiles Museum are usually quite short and compact and I would have preferred them to have been longer sessions.
I learnt a lot from this course about how to be more quick thinking with my ideas and how to improvise with the resources available to me.
Overall I thought this course, although compact was quite relaxing and very fun. I took away that it does not matter what resources are available, just like as in this course as we had quite a random range of resources and in the end it all came together and tied up neatly.
Reflection on Research:
All this research made on the fashion and textiles industry has influenced me vastly as a practitioner. Firstly, the research on different arts organisations such as the British Fashion Council, definitely gave me more of an insight on how different organisations operate in the fashion industry and what they do, alongside most importantly, who they are and the purpose of them. Then the research on different universities and courses definitely gave me more of an insight on what further education options and possibilities there are available, which gives me more of an idea of what course and universities I would like to visit and explore and find out more on when thinking of my further education choices, which is something I have to figure out and think about very soon. I also felt incredibly immersed in the amount of workshops, exhibitions and events I attended and definitely was very inspired through all these experiences and they specifically inspired me in particular to keep working hard on my textiles skills and I learnt so many different and new techniques and skills, alongside with new knowledge of the industry and how it all works.
Essay:
How is the fur industry killing off the environment?
The fur industry takes advantage of animals on a daily basis and uses their fur for our leisure which has already become a huge problem in our current world and society.
Animal fur has been used as a part of fashion for many centuries now, the usage even dating as far back as the Stone Age, when materials were scarce and temperatures low and thick clothing was a necessity to survive.
However as our society has developed, many more materials discovered and are so easily accessible to all, why is fur still being used in the name of fashion?
Using fur means skinning animals in unimaginable cruel ways, making them go through a whole painful ordeal for the sake of our clothes. This is all completely morally wrong and apart from this, harms the environment in which we live in.
I have chosen this particular topic to discuss because I am very against using animal products for our leisure. It is not fair that another living being is tortured for another beings looks. It is completely immoral that this issue still takes place today.
Over the last few years, the fur industry has received more and more backlash over the use of fur in the products and items of clothing. More people are now realising how much abuse animals are going through daily for the sake of fashion. This has turned some people into becoming animal activists to raise awareness for these animals and the rise of animal activists have risen quite steadily over the years to hopefully end animal cruelty one day which has inspired me to talk about this highly important issue we are facing today. By writing this essay I hope to raise a bit more awareness on this matter.
The first key issue caused by the fur industry is how it harms the environment. About 85% of the fur used in clothing comes from the suffering animals which live on fur factory farms. These farms can contain thousands of animals facing very bad living conditions. These farms as well as other factory type farms are built in mind to collect as much profit as possible without the environment or animals’ welfare in mind.
Each animal which is skinned by fur farmers makes about 20 kilograms of waste in their lifetimes. Which adds up to about 450000 kilograms of animal waste made by US fur farms each year. This waste has dangerous components inside such as having 1,000 tonnes of phosphorus which pollutes and destroys wildlife in rivers and streams. For example, a fur factory farm in Washington was charged with polluting a stream nearby as the waste and pollution levels measured in the water were about 5,000 more times more than the legal limit.
This process is all completely unnecessary as there are other available alternatives instead of using animal products, for example, using faux fur which can be locally sourced and is cheaper than animal fur.
A fur industry publication that I looked into, Sandy Parker Reports, says that “tougher anti-pollution rules and stricter enforcement by government agencies are causing increasing problems for fur farmers in parts of the US. Nitrates, phosphates and other substances running off with rainwater and polluting local water supplies are increasingly coming to the attention of environmental protection agencies.” This means that this problem has been recognised and action is being done but a lot more has to be done to stop this issue.
Raising these animals for their fur, pollutes the nearby area but also heavily pollutes the air. For example, in Denmark where over 14 million animals are killed for their fur annually, more than 3,000 kilograms of ammonia is released into the atmosphere each and every year.
PETA also published an article and a video which claims that the animals which are trapped from the wild by the hunters suffer for days on end and suffer from “blood loss, shock, dehydration, frostbite, and gangrene”. These animals may be caught in “steel-jaw traps that slam down on their legs” which more often than not cut these suffering animals right to the bone. Another common way of killing these animals for their skin are by using “conibear traps which crush their necks with 90 pounds of pressure per square inch” which will put these animals in agonizing pain before their deaths. And lastly, “water-set traps, which leave beavers, muskrats and other animals struggling for more than nine agonizing minutes before drowning” are used, too. All these cruel ways of murdering animals for their fur are slow and immensely painful, which just goes to show how inhumane the hunters and workers in the fur industry must be, as they do not even show the slightest remorse to kill these animals quickly and painlessly.
According to cryoftheinnocent.com, 100 million animals per year in total, are slaughtered all around the world for the sake of the fur industry, not including the 1 billion rabbits killed annually for their skin.
Thankfully some big brands such as Gucci, have taken note of these figures and have therefore ditched using fur in their high end products to reduce these numbers and to encourage other high profile brands to do the same.
Along with the obvious underlying issues of the negative impact the fur industry has on the environment, there are also many health risks caused to humans from wearing the fur.
Various hazardous chemicals are used in the process of bleaching and dying the fur, and after tests made all over the world, results prove that these chemicals are extremely toxic to humans and pose a very serious threat to human health.
Chemicals such as formaldehyde and ethoxylates are used in big portions and are found in the majority of fur trims which cause health problems ranging from minor issues such as allergies to severe health risks such as cancer and hormonal imbalance.
The toxics found in fur are absorbed very easily through the air or skin and these toxics remain in the body for over 20 years, damaging the body.
Studies based in countries in Europe such as Italy, the Netherlands and Germany, have found significant harmful amounts of toxic substances in fur clothing in childrens clothing in popular brands such as D&G and Nickelson.
In conclusion, clothing should not be made from animals’ skin or fur as this is cruel and causes too much suffering in an animals’ life. Adding to the suffering and deaths of millions of animals annually, using fur for clothing contributes a number of problems towards pollution, water contamination, land loss and climate change. After reflecting on my research, I can say that my view on fur production is that it should not happen as it has more negatives than positives and should be stopped.
However, using fur is still an issue today, the use of it even dating back to the Stone Age. So why are the public still using it to this day?
I was reading an article on ‘BoF’ which according to the director of the British Fur Trade; Frank Ziberkweit, fur is not only “beneficial for the business of fashion, but also for the environment”.
Ziberkweit claimed that by producing faux fur, “you are making a petrochemical product that is not biodegradable” and that the fashion industry is “about raising animals in a natural way”. However, the latter statement can be argued to be false as there are reports of animals experiencing “death by anal electrocution” and “days long torture” for the sake of fur in fashion. Which reinforces the point I am trying to make.
Nevertheless, it can be argued that using fur is no different to eating animals for their meat or using leather for fashion. They all end in animals being farmed and killed as well.
Which brings me onto my next point about using leather in fashion. Leather can be argued to be more ethical due to it being a byproduct of the meat industry, but it also contributes dangerous toxins into the environment. For example, the Buriganga River which runs through a leather production zone in Bangladesh has been declared to be “ecologically dead”. This shows that using any animal in the name of fashion has devastating second hand effects on the world and the environment in particular.
Although the use of fur has devastating effects, it can be argued that the good trumps the bad, in some cases. For example, in some remote nations, some people have to wear fur to keep warm and to keep healthy, due to the weather and lack of resources surrounding them. This is reflected through the Stone Age, where people had to wear fur due to the immense lack of possibility to wear anything else.
Overall, I believe that the animal use in the fashion industry should be prevented due to the shocking and horrifying treatment towards animals, and the damaging effects on the environment. However, in certain cases such as in remote nations, the people there should be permitted to wear fur as it is for their own survival and they have no choice.
Feedback for my essay:
To share my essay and to collect feedback on what people thought about my essay, I used the site: 'Survey Monkey'.
Link to the survey site I used to collect feedback for my essay:
https://www.surveymonkey.co.uk/r/BHRJS7V
Screenshots of feedback I received through 'Survey Monkey':
Sources I used for my essay:
https://www.businessoffashion.com/articles/video/the-great-fur-debate
http://www.furisgreen.com/renewable.aspx
https://fashionista.com/2018/04/real-faux-fur-sutainability-ethics-debate
http://www.debate.org/opinions/should-people-wear-animal-fur
https://www.theguardian.com/environment/2010/oct/19/fur-coat-recycle-ethical-dilemma
https://www.theguardian.com/environment/2015/feb/15/is-wearing-leather-less-moral-than-wearing-fur
http://www.ad-international.org/fur/go.php?id=17&ssi=19
http://thefurbearers.com/the-issues/fur-farming/what-is-wrong-with-fur-farming
https://www.peta.org/features/nine-shocking-fur-facts/
https://www.peta.org/issues/animals-used-for-clothing/fur/environmental-hazards-fur/
Reflection on Research:
Through writing this essay on fur, and researching so much around the subject, I learnt so many new pieces of information which I would not have done so if I had not done so much extensive research leading up to write this essay. The information which I have learnt about the subject of using fur in fashion, definitely has shocked me and I am more educated on the chemistry, ethics and processes that go on behind the fur production trade which I did not know prior to doing my research. Finding out about the fur industry, has definitely encouraged me not to wear any fur products myself and also not to use any fur in my designs or work as the fur trade is not something which I stand for or wish to support, which I would be doing so if I wore or used the fur, and promoted it in my fashion. If I was to use fur to wear or in my designs, I will only use faux fur so that it is friendly to the planet, environment and animals themselves. This essay and research behind it has most definitely influenced my views as a fashion enthusiast and will definitely be using my newfound knowledge when planning on my next collections and fashion choices.
Risk assessment for operating the tiered seating in the school theatre building, where the fashion show event and rehearsals will take place in. The assessor for this health and safety check will be Rob Ryan. The date that this was assessed was the 10th of July 2017, and the re assessment date which has been booked is on July 2018. I am writing up in regards to this health and safety risk as it is a very key factor of the fashion show event as the school theatre is the location of the event so it is incredibly important that the venue itself is safe for all those involved in the fashion show and all the audience members coming to watch.
Hazard | Why is this a hazard? | Who is at risk? | Severity 1= Insignificant 2= Minor 3= Moderate 4= Major 5= Catastrophic | Existing control measures | Likelihood 1= Improbable 2= Conceivable 3= Likely 4= Probable 5= Certainty | Risk Rating Severity x Likelihood | Acceptable Tolerable Action required (9+) Prohibited | Improvements / Action Required | Residual Risk |
Tiered seating is not operated safely. | An untrained person operates the mechanism. | Pupils, staff, visitors. | 3 | 1. Only people trained to operate the tiered seating are to operate it. 2. When not in use, the controls are kept secure. | 2 | 6 | 6 | The people trained to operate the tiered seating are the Premises Team. | 2 |
Seating and side up- stands can cause injury. | Sharp edges, heavy weights and risk of finger trapping. | Staff, pupils to a lesser extent. | 3 | Care is taken when preparing seating for closure or re-opening following closure. Only trained staff are involved in the procedure. | 2 | 6 | 6 | The people trained to operate the tiered seating are the Premises Team. | 2 |
Person / props / furniture / equipment, becoming trapped under the tiered seating, when it is being close or opened. | There is room for people and equipment to go under the tiered seating. | Pupils, staff, visitors. | 4 | 1. Before closing up the tiered seating: Make a sweep of seated areas and a sweep under the seating, to ensure that there are no people, props or equipment trapped on or under the seating area. Remove all hanging cables. Ensure nobody goes underneath. 2. Before opening up tiered seating: ensure floor space in front of the seating is clear. | 2 | 8 | 8 | The room is kept secure and empty. | 4 |
This risk assessment was signed and carried out by R J Ryan.
Aside from the risk assessment carried out for the tiered seating in the school theatre, I also had to check the health and safety policy statement of the facility for our school. This health and safety policy statement for facilities in Blackheath High School was published on the 28th November 2018 under the H&S Oracle in the H&S Policy section. This policy is reviewed annually by Andrew Merryweather. The purpose of this policy document is meant to record the responsibilities for implementing the policy in the facilities and caretakers department. The general aims of the policy are so that the facilities department staff are aware of what their duties and responsibilities are in school facilities. This policy statement is very important and links with the health and safety checks I need to explore for this section, as I have to know and identify what health and safety risks there are and what responsibilities specific people have in the school to make sure that everyone is safe, especially during the night of the fashion show event and during rehearsals. The duties of all the facilities department staff (all school staff, which most will be present on the night of the show and there will be several during rehearsals to supervise and make sure that everyone is safe) are as listed: they have to be familiar with, implement and promote both the schools and the facilities department's health and safety rules and procedures first of all. They also have to ensure that all parts of the school are safe for pupils, staff and visitors at all times by looking out for hazards, for example; slipping and tripping hazards, damaged or defective equipment, and taking prompt and appropriate action to prevent accidents. Such as by remedying defects or making the area or equipment safe and reporting the hazard to the person who can arrange for it to be replaced or repaired. This is important as if there are any slipping or tripping hazards in the theatre, I know what the protocol is and which people are in charged of doing what. If there is any damaged or defective equipment in the theatre such as the steps are broken or there is any lighting that is broken, there are certain people in charge to go for to make sure that everyone remains in a safe environment. It also the responsibility of the facilities staff to take reasonable care of their own health & safety and anyone else, particularly pupils, who may be affected by their acts or omissions. They also have to co-operate with other members of staff to ensure good standards of health & safety are maintained, and departmental activities do not put anyone at an unacceptable risk of injury, harm or ill health. This is important and if anything goes wrong on the night of the fashion show or during rehearsals, this is who is in charge for me or another person to go to receive help from and there will at least two members of staff present during rehearsals for safety. There are also more health and safety responsibilities, for example the head of the facilities department who is Andrew Merryweather, who has an overall responsibility for the day to day management of health and safety within the department and in particular he is responsible for completing and regularly reviewing comprehensive 'area' and 'activity' risk assessments. For the facilities department they have a responsibility for completing and regularly reviewing comprehensive risk assessments relating to manual handling, use of machinery/equipment, use of hazardous chemicals, lone working, working at height, noise and vibration. Risk assessments have already been made for the theatre so this would not be a problem. There will be no issue with handling equipment and machinery or chemicals so this section does not particularly relate for the fashion show health and safety, however, the technical team will be using some machinery in the back room but there will be at least one staff member of the tech team present to supervise the student tech team. The head of the facilities department, Andrew Merryweather, is also responsible for ensuring that staff within the department receive appropriate health and safety training which is refreshed on a regular basis including: emergency procedures, first aid arrangements, accident reporting, fire safety, personal safety including lone working, hazard spotting and defect reporting, risk assessment, manual handling, use of specialist equipment including personal protective equipment, use of hazardous chemicals, working at height and keeping appropriate records. This is important as this shows that all staff in the school have had this training and do know exactly what to do in case first aid is needed and how to report it effectively for references and record in school. This also shows that in case of a fire happening in the event, there is an exact protocol of who is in charge in case of this happening. There is also going to be a short but important health and safety announcement right in the beginning of the show made by the hosts of the show, to make sure everyone knows what to do in the event of a fire and where the fire exits are. This is incredibly important because it is very key that all the guests know exactly what to do in case of an emergency happening to know exactly where to exit as well. Another responsibility of the staff is to ensure all equipment, including electrical equipment, used in the facilities department is safe by completing regular in house safety checks. This does apply for the fashion show because there will be a lot of technology involved in the fashion show such as the use of lighting for spot lights, flashing lights and lighting on the steps. There will be lights installed in the steps of the theatre so when the models walk down the steps, the lights on the steps light up accordingly. This will be monitored by the staff tech team but the student tech team for the fashion show will be implementing it through learning from the staff. It is important for any safety equipment, such as; guards, emergency cut off devices, alarms, rescue equipment, signs and warning notices are available, in good working condition and are used when necessary to protect people from harm. This is key as the most important thing in the event is to keep everyone safe, this will mainly be carried out through these alarms to alert the audience and us (the students and staff behind the scenes) if there are any issues and if we need to evacuate the site, so it is imperative that they are all working in order. The policy also states that the facilities department, have to investigate all accidents that occur in the department, or as a result of departmental activities, and ensuring measures are implemented to prevent, where possible, incidents recurring. In the many years, of the school theatre site being present, there have not been any recorded accidents so this is not such an important aspect as there are no immediate hazards and no past history of anything happening as a result of this, the chances of such an event occurring during the fashion show, are close to nothing.It also a bug responsibility in school that all accidents and significant near misses that occur in each department, are recorded in line with the school's accident / near miss reporting procedures. The art department are the department who put on the show and organise the show, and in all the years of the fashion show being held, there has not been a single reported incident or accident or near misses of accidents, so once again this shows that the chances of any accidents happening this year in the fashion show are very slim to none. This shows that the school theatre is very safe and has all the adequate risk assessments needed to prove this. These responsibilities that I have listed above have been delegated to specific members of the staff which I will list below with the name and position of the person that they have been delegated to.
Task: | Name: | Position: | |
1 | Completing regular safety checks on all equipment used in the department. | Dave Greyson | Senior Caretaker |
2 | Completing regular checks on all safety equipment used/available in the department. e.g. first aid kits. | Dave Greyson | Senior Caretaker |
3 | Checking the condition of personal protective equipment used by pupils and staff on a regular basis. | Dave Greyson | Senior Caretaker |
4 | Organising regular servicing, maintenance and inspections of equipment by specialist engineers or examiners. | Andrew Merryweather | Facilities Manager |
This table above shows who is in charge and who has been delegated the most responsible for the safety of everyone present. They have signed off the routine checks which deems the theatre to be safe for use.
Through these risk assessments, health and safety checks and by checking through the official health and safety policy handbook for the school, and from what I observed, the theatre is a very safe place where the fashion show event can happen without the threat of any serious incidents, and for the show to take place in for the audience to enjoy.
Practical Issues:
Through this research, I have looked into the practical issues regarding health and safety such as using the theatre for rehearsals and rehearsing on the catwalk staging in the theatre. The theatre has had frequent checks to ensure the highest safety possible, this leads me to believe that the theatre will be safe for rehearsing. However, if an accident was to occur, there would be at least two adult teachers present during the main after school rehearsals to ensure it is safe. However the more smaller rehearsals organised by designers would not be supervised by a member of staff, so to ensure the safety of these, students must be responsible and sensible during these rehearsals, and these are during school hours such as in break or lunch time, so if a problem were to occur then a member of staff could be consulted and found in school for help. In the theatre, there are two main catwalk aisles with steps so this might be a potential safety hazard so students have to take extra care when walking on the stage. However these will be well light up to ensure that students are able to see the staging properly when walking and rehearsing so the risk is reduced.
When rehearsing after school, the main issue is making sure that models attend all or at least the majority of rehearsals. In order to make sure that the models and designers all come to rehearsals, there will be a lot of messages in assembly and emails and letters sent out to ensure that everyone is very clear on the dates on when to come to rehearsals.
The cost for the fashion show would be covered through members of the audience buying their tickets, which would need to be priced at a fair price so that it would not be too expensive for potential audience members and would attract more people. The pricing of the tickets would also have to be enough so that the event could be budgeted and so that costs would be covered. As this is an in school event, most resources are readily available to use for the event with permission. Things such as using the school theatre for the location of the event, and the school's "Wollstencraft"room for the after drinks and nibbles, would not need to be included in the cost as these locations are free to use for our in school event. All that needs to be done with these halls themselves are to be decorated and set up accordingly. The staff needed for the technician team for example, and all the lighting and equipment needed would be school equipment so again we would not have to pay for these resources and would not need to be included in the budget. However, resources such as refreshments and dinner for the models before the actual event starts on the night of the show, would need to be paid for using the budget as the school would not cover theses extra costs. Refreshments for the after gathering would need to be covered through our budget but of course some of these drinks will be alcoholic so our team is mainly made out of under 18s so we would not purchase these drinks, a member of staff or member of the school's kitchen staff would have to make an order and supply this. However the cost will come out from the budget. The nibbles for the audience members and the after gathering, would be supplied by the school's kitchen staff and they would be making these delicacies themselves, so it will not have o be included in the cost, aside from the things that are not made by them. For example, some of the snacks for the show itself, are things like crisps, popcorn and those type of snack foods so we would have to place an order and cover the cost through the budget.
It was decided that the prices would be priced at £8 for an adult ticket and £5 for a children or student ticket. These ticket prices are reasonable as the show is quite a substantial amount of time and it is raising money for a good cause. It was chosen to have a difference in prices for both adult tickets and children or student tickets because in the majority of public events, there is always a discount for children and students as they are studying and will not have as much money as their parents, and do not have jobs etc. It is also fair to give the students at the school be able to have the experience of watching the show for less to get inspired and maybe even sign up to do it in the next year.
It was estimated that there would be about two hundred paying guests coming, as that was shown through statics of the previous shows and the average was calculated of how many guests came each year. The number of guests always increases as the show becomes increasingly popular and more well established in school. With this information, the minimum raised would be £1000 raised from the one night show, assuming that everyone bought £5 children tickets. Of course this number is too low as there will not be three hundred students coming, but instead a mixture of parents, staff, other family members and students.
With these numbers, the budget for the model's dinner would be around £200-£300 in total. The other nibbles would have a maximum spending amount of about £80-£100. There would also be around another £100-£200 dedicated to drinks. Of course, spending less would mean that there would be more money raised for the sixth form ball and art department but it is better to estimate the spending to higher than to estimate the spending to be less and exceed the spending limit and get muddled and wrong calculations. This would come to about £600 in total of spending money maximum on food and drinks. If this was the case then there would still be a massive £400 in profits from the show. Of course bearing in mind that the budget is over estimated and the ticket numbers and total revenue from ticket sales is underestimated.
Other resources such as printing tickets and posters would be free and the school would cover those expenses and print them out for us in the school office. All the people involved would not be paid (staff involved would obviously receive their normal salary but with no extra payment for the extra work), the models, designers, performers, host, hair and makeup, technicians and anyone else involved are doing it for free so there is no need to budget around this.
The last thing needed to add into the budget would be the flowers and presents for the art department for hosting the show and for inspiring all the students at the school in textiles and fine art. The flowers would have a budget of £25 for one bouquet of flowers for the head of textiles.
After making my project plan, I have started to get to work on the organising aspect of the fashion show. The first step was to help to organise and finalise the list of who was planning on making a collection to be able to do an individual catwalk in contribution to the show. In this stage, I also asked to have my own individual catwalk to be able to put forward my collection to be shown during the event. I had to submit my designs and drawings, along with my title of the collection, concepts and annotations to Mrs Gilbert (textiles teacher). Once this was approved, I was able to start thinking more on choices of fabric to use and further designing. The list for the other catwalks were also submitted and written up into a list. In the end there were about seven catwalks for the show.
After the individual catwalk organisers were finalised and decided, it was time for the model casting. The model casting is usually held in a lunchtime slot where potential models from all year groups in the school are invited and are selected by both Mrs Gilbert and the catwalk organisers. This year, it is also going to be held in a lunchtime slot in the textiles art room space. This event was publicised in school assemblies to all year groups and also a message was sent out through the school office to both parents and students to make everyone aware that this was happening. The school office was asked by us (the fashion show committee) if they could pass on the message and produce a message to be sent out to both parents and students.
After the event was publicised and the message was sent out by the school office administrator team, the team decided to pass out one final message for a final reminder on the day of the auditions just to remind everyone who wanted to audition to attend that lunchtime.
Catwalk organisers and fashion show committee were asked by Mrs Gilbert to get there a bit earlier just to discuss and confirm how many models were needed for each walk and what "looks" organisers were looking for in their collection and to chose models that went accordingly. The models then arrived around 5-10 minutes later and were signed up and registered to see who turned up and so that we had all their names and form classes listed in case catwalk organisers would want to get in contact with them for them to model for their collection. After the registration aspect was covered, the potential models took it in turns to walk up and down in front of everyone for catwalk organisers to see what their "look" was and what walk they had. Then catwalk organisers wrote several names down of who they wanted their models to be and handed this list in. After all those who auditioned had presented their walk, they were all told that we would make final decisions regarding who was chosen and for what walk, and then put it onto a list printed and pinned on to the door of the textiles room. All the designers/catwalk organisers had given their lists in on who they would want to model for the collections, so it was time to draw up the drafts on who was modelling for who and who unfortunately was not going to be given a role to model. There were so many students who auditioned to model for the fashion show so it was impossible to be able to say yes to everyone and we knew that a lot of people would be disappointed if they did not get a chance to model, so we did try to strategise who we would accept to model and who we were to say no to. The strategy was to take in as many year 7s as possible as they would be the ones in general to be more likely to be disheartened and they are brand new to the senior school so it would be nice to include as many of them as possible in this event which would also be very new to them too. The plan was also to favour those students who had never modelled for the fashion show before as it would be unfair to always pick the same models over and over again every year. Of course there are students modelling this year who have done it before, but it is only fair to branch out from previous models and give new people, new opportunities. This list was then finalised with a few drafts needed to work out the final number of models needed for each designer. As a collective, most designers needed around four to six models as that was the number of garments they were going to make in their collections.
We then put up the final list of models on to the door of the textiles room for all students to come see who made the cut. Of course there were such a vast number of students who came to model so a lot of them had to be declined and said no to. This was probably the hardest part as everyone seemed so excited and passionate about modelling for the fashion show. We did add a small message on top of the model list to congratulate everyone and to say that if we could, we would have chosen everyone and accepted everyone to model, but due to the restricted numbers of models needed for a certain amount of catwalks, we were not able to say yes to everyone.
We also added the designers' emails on to the list of models so that the models could be proactive themselves and get in touch with the designer that they were modelling for and let them know their own contact information so that the designers could get in contact with them. The designers were then responsible to carry out fittings to get the measurements of the models so that they could start making their collections for the show.
The next thing that needed to be done was to book and confirm dates and times. The initial idea was to do the last Friday after school in the evening for the show, however it came to us that it was highly likely that at least a few students would have plans to go on holiday and may have gotten flights and started travelling after school or even missing that day of school. So then the Wednesday on that same week was considered. That way it would be a date where most would be able to do and be in school for. Then the issue of timing had to be discussed and was planned to start at 7pm on the Wednesday till 8:30pm due to parents having to come from work and models needing to rehearse and get their hair and makeup done. So 7pm was an ideal time as a lot of the working adults in the audience would have to leave work and still have to commute to the school to watch the show. The ending time was decided to be 8:30pm meaning that the show would last an hour and a half so that there was time for the hosts to give their mini speeches and all the catwalks to show their walk and the performers to have their time to perform too. If it were to end earlier that would be better than over running the show, and giving the audience a false ending time just in case they were to have plans for example after the show or to make any arrangements. This information was then passed to the senior leadership team of the school for them to discuss and approve (or decline) the date and timings. This was approved very shortly after giving them the information and then we had to pass this on to the school office administration team so that they could input this into the school system and to show up on the school calendar and important event dates. The rehearsal times and dates also had to be decided, so it was decided that the Friday before the fashion show event, there would be a rehearsal from 4pm till 6pm, another rehearsal on the next day on Saturday at 10pm till about 12/1pm, then two more rehearsals on both Monday and Tuesday from 4pm till 6pm, and finally a last rehearsal before the show on Wednesday. The first rehearsal is meant to introduce everyone into the real running of the show and give a feeling of the next couple of days. This is also to see how everyones walks fit in and how well choreographed and rehearsed everyones walks are. The running order will need to be decided before this so that rehearsals would run as if it was the real event. This first rehearsal is also to see which catwalks need more individual rehearsals as all the catwalks will show their walks off and those that were lacking will go out of the theatre and into another location and rehearse individually their own walk and then come back to show for approval. The Saturday rehearsal is mainly a technical rehearsal, because everyone should know roughly the drift and routine that will happen, so it is then time for the technician team to attend the rehearsal to experiment with lights and music and the whole technical side of the show. This is mainly a rehearsal to see how the tech ties in with the show and to make sure that it is all working under control and working out for both sides of the show. Then there is two dress and technical rehearsals on Monday and Tuesday to make sure that there are no problems with the collections themselves as for example, someone might have ripped a garment trying to get it on to model for the way and that would give the designer two whole days to fix the issue rather than one night if it were only to be a dress rehearsal on the Tuesday after school. The final rehearsal on the day of the show is just to give everyone a feel for exactly what is to come and to give a reminder and recap to everyone modelling so that everyone knows what is going on.
After sorting out the dates and times, it was then time to book the theatre itself, which was relatively straight forward, all that needed to be done was to input the date and time that the theatre was being used into the school system to let anyone else know that it was being in use on those dates and times. The theatre was booked for a total of five slots for both rehearsals and for the real event so that the location was definitely secured.
After all this was organised, we then arranged a meeting closer to the date for all catwalk organisers to attend as there were two more things that they (and I) had to work on as the designers of our own walks. The aim of this meeting was to set various deadlines and to see how everyone was coming along with their work for the show. The two things that the designers needed to work on were a small description of their walks to then send to the hosts so that they could learn prior to the show so that they could recite and tell the audience exactly what the concept of each walk was and all the ideas and messages that the garments were trying to communicate. This was the first thing needed from catwalk organisers to give in which there was a week to do that small blurb about their collections before needing to hand into the hosts so that they could got on with learning. The next thing to set the designers to work towards was for them to create a video to go in the background of their catwalks. The point of the video is for there to be several clips edited in the video to communicate the theme and concept of each collection. Each individual catwalk was given about 2 minutes 30 to 3 minutes for the amount that they should choreograph the walk for and for the duration of their whole walks in general. The video had to run for as long as the choreography and the walk went on for, so the maximum duration limit was three minutes for each walk and video. The video is meant to run in the background on the screen whilst each walk is going on. The video is meant to be filmed and made, as well as edited by each designer which was the second thing that they had to work on, which the deadline of giving in and submitting was two weeks after this meeting so that the tech team could watch the videos and figure out what lighting would go best in each individual catwalk.
The next steps now after booking everything and organising the majority of everything needed in preparation for the event, were to promote the event itself and to organise the selling of the tickets. Therefore, the promoting and advertising needed to be organised for the show. The initial title for all the walks was "Deconstruction", this title was decided at the very start of the show in a brief meeting with the art department to choose what umbrella term to fit the show under. After the title was given out, all designers would interpret the title as they will and morph their ideas to fit under this broad title. Therefore in terms of the publicising of the event aspect, we decided that a poster had to be designed as it was the most effective way of promoting this event as it would be put on almost every, if not all rooms and corridors of the school. The poster had to include the title, date of the event, timing of the event and location. Aside from these key pieces of information, there was not much else that needed to be added aside from images and collages to make it aesthetic and to draw attention from people walking by the posters. The poster was designed and drawn up with a rough idea of what was going to be done, but from there it was mainly experimentation on working on the poster and producing several drafts to see how the poster evolved and got better, till the final design was chosen. With the title "Deconstruction", the main idea for the poster was to look at deconstruction in an out of the box concept rather than looking at it as deconstructions of buildings for example which is the most obvious example. The poster was designed to look more at the deconstruction and construction of various elements such as in society and in cultures. All these images were collated together into the poster as a whole and then the key information was added on top of the poster along with the title. This was then printed out and hung up around the school for everyone to see. The tickets were also very similar to the posters so designing that was fairly straightforward as the tickets were basically the smaller version of the posters except they were printed on to A5 card instead of A3 paper. These tickets were then printed out and handed to the office for the selling process.
More advertising of the event included messages in whole school assemblies and in form times before lessons. There was also a letter sent out for those students involved in the fashion show with all the dates and timings of every rehearsal and for the actual event and all the other information needed so that everyone is familiar and knows what will happen at the event and in preparation for the event. There was also a message sent out by the school office administration team, sent out to parents, students and staff regarding the event and ticket buying to remind everyone to purchase the tickets.
Timeline of events/meetings and key deadlines:
Team meeting to discuss the overall plan of the event and delegate tasks. Eve was chosen to design the poster for the show and advertising. Theatre was officially booked. Rehearsal dates and times were discussed and date of show was discussed. I, Ana and Eve, alongside Mrs Gilbert attended this meeting. (From here everything else was emailed back and forth to arrange and organise the event.) | Monday 3rd December 2019. |
Deadline for designers to sign up to put forward their collections for the fashion show event. | Wednesday 9th January 2019. |
Deadline for designers to present their designs and ideas for their collections for approval. | Thursday 10th January 2019. |
Open casting for finding models for the designers. This casting will be happening in the textiles room at 1:10pm at lunchtime. | Friday 11th January 2019. |
Models are confirmed and chosen by this deadline and the final list goes up on display on the door of the textiles room for everyone who auditioned to come check if they made it and secured themselves a spot. | Monday 14th January 2019. |
Whole team meeting of all designers at 10:35am (break time) in the textiles art room to discuss more deadlines that need to be met and to discuss collection videos and further details. Members who attended meeting are as follows: Myself, Ana, Mabel, members of fashion show society, Honor, Alex and Eve, alongside Mrs Gilbert. | Friday 18th January 2019. |
Deadline for choosing and selecting the hosts of the show. There will need to be two main hosts. Two hosts chosen were Poppy and Olivia. | Monday 21st January 2019. |
Deadline for submitting a short paragraph outlining the story and inspiration behind the designer's collections. These paragraphs might include references to imagery that designers have worked from, social issues you are addressing or it might describe the colour palette, textures/prints and forms that designers have explored. This will need to be sent directly to the two hosts of the show so that they can personally work on it and learn the paragraphs in preparation for hosting the show. | Friday 25th January 2019. |
Deadline for designers to be submitting their videos of their collections. There will be a folder entitled "VIDEOS' which can be found on the school's pupil shared area, in the sixth form section and then in the fashion show folder so that it is easy accessible by all; for designers to save their videos and for the committee and the art department themselves to check that all the videos have been submitted and to check through them. These videos should be in the region of two minutes and thirty seconds to three minutes long. It will be very important to meet this deadline as the main technician (staff) Mr Arrowsmith will have a lot of work to do in regards to organising and programming the lights alongside the video. It was then part of Eve's role to go to Mr Arrowsmith and check that he had received all that was needed and discuss the plans for lighting. | Thursday 31st January 2019. |
Individual catwalks will have to come to the art textiles room to show their choreography in advance to the main rehearsals in the theatre. | Week beginning 28th January 2019. |
First run through rehearsal of all catwalks, there will be no need for performers to attend, and neither for the hair and makeup team. The technician team will have to attend to start to programme and experiment with lighting. (4pm-6pm) | Friday 8th February 2019. |
Date of the technical rehearsal needed to make sure that the technician team know what they are doing and for them to practice with lighting etc. (10am-1pm) | Saturday 9th February 2019. |
This will be the date for the next whole team rehearsal, which will also be another technical rehearsal and the first dress rehearsal. This is a very key rehearsal as it shows the outfits that the designers have created and it also makes the designers aware if they have to make any last minute alterations. (4pm-6pm) Ana will then order the pizzas (20 margarita pizzas, and 1 gluten free pizza, and also 1 dairy free pizza). | Monday 11th February 2019. |
This will be another technical and dress rehearsal but this time it will be for everyone involved with the show, including the hair and makeup team so that they can go round to the designers and double check the looks that they are going for with their collections. (4pm-6pm) Eve and Ana will then go to buy and collect the flowers for Mrs Gilbert to thank her for all the help she has given in contribution to the show and helping the designers. | Tuesday 12th February 2019. |
This will be the date for the real event happening and there will of course be rehearsals before the show starts. Everyone will arrive at the school theatre for rehearsals at 3:45pm to have a full run through of the show, before getting ready, eating dinner and before the actual show starts. The show will finish at around 8:30pm. | Wednesday 13th February 2019. |
From the 30th of January, this is the key deadline for advertising to be planned and approved by the committee. As mentioned before, the advertising will consist of making posters to be hung up around the school, aside from this there will be a message sent out to all students, staff and parents through the school office. The tickets for the show will also have to be designed and printed. This will be on sale in the office from the 5th of February latest. This will just over a week of sales of tickets to made, there will also be an option to buy on the night of the show on the door before entering the event.
The poster has been designed around the title "(De)construct" so has images of fabric, different colours and the deconstruction of clothes. As already mentioned, this poster has been designed around the idea of deconstruction in textiles approaches and in fashion terms. The tickets will also be a replica but a smaller card version of the poster. A photo of the ticket and poster will be uploaded below. There will also be a programme made for the audience members to follow through the show, and know who is coming up and when they are coming up. It also gives them an idea of what the structure of the whole show is and also gives the student credit for their work.
Photo of the fashion show ticket and the fashion show poster:
This is an image of the fashion show ticket which is printed on to A5 card so that it is easy to carry and accessible to all guests and audience members of the fashion show. The fashion show poster is exactly the same but printed off on to A3 sheets of paper to be hung around the school. It has the title of "(De)construct" on the top of the ticket to remind the audience of what the concept of the show is. It also has the title of: Fashion Show 2019, to have a copy of this ticket in the school records and remember this particular year of the fashion show. There is also a `'where" and "when" section to let the audience members know when to arrive and where to actually arrive for the show. There is also concession prices on the design to let the audience members know exactly how much each ticket is. The pricing model is £8 for adults and £5 for students. These prices have been decided so that enough money is raising to cover all the costs of the show and also to fundraise for the sixth form ball to happen for the sixth formers after their exams. There is also a little note at the end to let people know where to buy the tickets from. On the tickets, there is also a small number on the top right corner, to let us (the fashion show committee) and the school office know exactly how many are sold.
Screenshot of the message from the school office to promote event:
This is a screenshot from the message sent out to all parents, students and staff about the fashion show event. This was the next step in promoting the show. This message was sent out through the school communication system. The message is split into three subcategories for a clearer message. The first subtitle is the "Title", then it says; "05/02/19: Winter Fashion Show - 13 February." This is to show that a fashion show is happening and what the date of the event will be. This will let parents, staff and students know when the show is to hopefully save the date and to remember to buy tickets. The next subcategory title is: "Message", this then goes on to say; "Winter fashion show - 13 February. Please see the attached letter from Mrs Gilbert and Mr Branch. Kind regards, Jeanie Smith." (Jeanie Smith is the school's office lady who sent out this message for the potential audience members to see.) There is also an attached link to a letter promoting the show and letting parents know what the responsibilities of their children are, who are involved in the show, as that is what the letter mainly covers. The letter also covers when the show starts and the date of the show, as well as the location of the show. This will let parents know to attend the event as of course, students and staff are in school every day and will see the posters hanging around school but the majority of parents are not in school grounds so will not have seen these posters. The next title is "Location", which tells parents, staff and students where to access this letter from.
To evaluate my leadership, I will self assess at the very end of the event, so I will self assess how I think I managed the project planning, the rehearsals and the execution of the event. I will also ask for feedback from the other participants, including those on the fashion show committee team. I will make a survey on SurveyMonkey.com and will be asking for participants to go on the website through the link I give them and just to fill out the survey. I will make sure to have as many participants answering from different sections of the show. It is better to have participants answering anonymously through this online survey as some might be "too nice" if I asked them to complete a survey in person. And I do want participants to give me 100% honest feedback and to say a critique on what I could have done better in their opinion.
As mentioned, the plans for the public showing is for audience members to arrive at 7pm and to get given a programme booklet with all the details of the structure of the event. Then the hosts will introduce the show, catwalks will be shown, performers will perform their individual performances, there will be a finale of all the catwalks and speeches given. Then there will be refreshments and nibbles offered in another of the rooms in the school premises.
Consideration of Legislation:
It is obligatory by law for the hosts to state and tell the audience where the fire exits are and what the fire safety protocol is before the event starts. This important piece of information will be incorporated into the speech of the hosts. Another important piece of legislation that needs to be incorporated in the show is that a certain number of audience members by law are allowed to attend. There is only about a maximum of 200-250 external audience members allowed to attend because otherwise the venue becomes too crowded and is a fire and health and safety hazard, as in the event of a fire, there would be too many people to evacuate at one time and would cause a delay in evacuation.
Reflection On Developing Skills:
During the fashion show committee meetings, I have developed on key leadership skills, such as being more confident and organised. I have become more confident in leading and presenting ideas to further improve the event, for example, I suggested that there should be a few more rehearsals specific to different walks so that when it gets to the real rehearsals, no other walk has to wait excessively long for their turn in presenting their walk if a previous walk made lots of mistakes. I thought that this was really unfair, especially if that certain walk was placed last in the running order and had the in initiative to rehearse before already and knew what they were doing and still had to wait a substantial amount of time due to another catwalk being under rehearsed. That was a key issue last year that caused a lot of bitterness between catwalks, so I definitely did not want a repeat of the mistakes so I did set this idea out. I also developed organisation skills, which again as I have said before, is the skill that I feel the most confident in already, but I did feel as if I had to be turn it up a notch and be even more organised during the planning and execution of the event, because if I did not do a task on time, everything else was delayed, so it was imperative to keep on top of the planning. I also feel that I improved on my emotional intelligence and motivational skills. According to online sites such as thebalancecareers.com, some of the most important leadership skills are as followed;
1. Communication
2. Motivation
3. Delegation
4. Creativity
5. Emotional Intelligence
The fact that emotional intelligence was in the top five really struck me and I wanted to find out a bit more on the meaning so that I could apply it into my role in organising the fashion show. According to globalleadershipfoundation.com, half of emotional intelligence is down to your own self, so self awareness, emotional self awareness, accurate self assessment, self confidence, along with self management; self control, transparency, adaptability, achievement drive and initiative. The other half of emotional intelligence is down to social and everyone else that you have to work with. Those skills are social awareness; empathy, organisational, awareness, service orientation, along with relationship management; inspirational leadership, developing others, influence, change catalyst, conflict management, building bonds and teamwork and collaboration. I really did want to improve on this really key leadership skills through my role as an organiser, designer of a walk and fashion show society helper, in preparation for the event itself. First of all, I focused on the self aspect of emotional intelligence, so I made sure that I was aware of what I had to do and the role that I needed to play in this part. I also needed self confidence when explaining to the models the routine along with when putting my ideas and suggestions across as I had to stand with the ideas and be confident whilst presenting so that other people would also be confident in what I was trying to put across and to accept my ideas. If I did not seem confident with the routines of the walk or with my ideas, it would be basically impossible for others to believe and have good faith in how my plans and ideas would turn out. I also had to have a lot of self control to make sure that myself as an organiser, helper and designer was doing all that I could be doing leading up to the event. There needed to be a constant chain of work and effort being produced from my side or the things I needed to do in relation to the team would not work out. I also had to take initiative when ordering the pizzas for example, as to how many to order and what to actually order. This might seem as a little thing, but if the models and people involved in the team, don't all have enough pizzas or don't get any at all, when other people did get more than them, these people will not be happy. It was also important to order gluten free pizzas and most, if not all be vegetarian as that would be inclusive to the majority of people. It was also important when working out things like the budget and how much could be spent on the pizzas and also the flowers for the teachers in the art department.
I then developed on the social aspect of emotional intelligence and made sure to incorporate everyone involved and to help those who needed it in preparation to the fashion show and even during the event. For example, I motivated the models during rehearsals to get them to see and envision what the final product would be and how amazing the catwalk would look if it was well rehearsed. There was quite a few rehearsals to attend to make sure that everything went smoothly in the real performance, so it was imperative to keep the models very motivated to actually even attend these rehearsals in the first place, and to not drop out after figuring out the amount of work even as a model would require in preparation for the event. I had to build bonds with these models, most who I had never spoken to before, and it was really important that I got on with them so that we could work together as a team to produce the best catwalk possible. Communication skills were imperative when building bonds as it was also important to transfer the ideas to the models.
It was very important to inspire and motivate these models so that they could produce the best possible walk as I said and so that they would feel good with themselves with the work they put in. The catwalks were a very two sided thing, both models and designers played important roles when trying to get the best possible catwalk, as the designers actually designed and made the physical clothes but then the models were the ones going out on the stage and displaying and showing off these garments. If the models themselves did not look confident or comfortable when walking around the stage during the show, it would come across as though the clothes themselves aren't good and comfortable. I tried to do everything in my power to make sure that the models were inspired and motivated with the show, by congratulating them after each rehearsal, trying to get them to envision what the end product would look like after all the endless amounts of work of them rehearsing would look like, and how to be more confident with their walks on stage. There was one rehearsal where it was really close to the actual event and everyone was particularly more nervous and it was more of a talk rather than a rehearsal to try motivate the models to just do their best and that this event is just for fun and even if someone trips over, no one in the audience would be nasty or remember it. There was also a rehearsal aimed at one singular model who was in my catwalk, who did look really miserable and not confident when rehearsing our walk, so this rehearsal was not about making her be a target or make her feel bad, but more about getting her to be confident in herself and enjoy the process. This was about a twenty minutes trying to rehearse with her separately and to motivate her into confidence. There was also another rehearsal which was solely on getting everyone more confident in their walks which seemed beneficial as the end result was worth it.
Along with inspiring other models, I also tried to motivate those participants involved in fashion show society who were making their own garments in contribution to the fashion show society catwalk. I helped with the actual making and designing (most were more than capable of designing amazing garments, but however just needed help when actually making the garment) with these younger students, but I also encouraged them to push their ideas and designs more so that they could get the best version of their work that they could possible achieve. It was very important to encourage these participants to actually get them to continuously come to fashion show society club every week and to turn up and get on with their work. This fashion show society club started in the middle weeks of September until the week of the actual fashion show itself. This was a whopping six months in total of having to attend one lunchtime every week and just working on their designs and garments, so it was imperative that they all stayed fully motivated to carry on with their designs so that it was the best representation of work to show off in the fashion show. When helping out with these students and their making of garments, I did ask them when I helped them, how they were feeling about modelling their own pieces and how they felt about the fashion show as a whole. I did get a lot of students saying how nervous they were for modelling itself or not finishing in time and I did all I could to try eliminate these fears and focus on what they could be doing instead. I thought that it was so much more important to show them that instead of stressing for the show, that they should just enjoy the process or it really is not worth doing if you don't enjoy it. It is also much more productive to get on with the workload rather than thinking of how much there is to do. There are only 24 hours in a day and it just isn't possible to do more than what is possible to do in that time scale. It was little things like that which I kept trying to motivate them to keep going with the show and not to worry about it.
Messages & Communication:
When it came to messages and communicating with all the participants involved with the show, the most easiest ways to communicate and to get messages across to all participants, was to send messages out in assemblies, emails and to give out messages in set form times in the mornings. In my school's assemblies, the protocol is to write a message on a piece of paper or print it out on to a piece of paper and just before the assembly starts, you hand the piece of paper to the head girl of the school who sits on the front row of the assembly. At the end of the assembly, she then reads out all the pieces of paper she has received that day to all the students and staff before everyone leaves to go their lessons. There is also a chance for staff to give out any other messages in case they forgot to write a note or if they want to address the whole school. There was several assemblies where notes were written and given to the head girl about the fashion show, for example there was a reminder every assembly when there was a rehearsal after school and who needed to attend that day, as tech team did not need to attend every single day for example, so it was important and very convenient to let everyone involved know what was going on. As the textiles teacher at my school, Mrs Gilbert also gave out messages when it was the staffs turn to say any messages so again this could be more about the rehearsal itself or any other messages such as getting the organisers to make sure to tell the hair and makeup team what hair and makeup they want the models to have. If there was not an assembly on that specific day and a message needed to be communicated, it was also our responsibility to print out the messages and place the message into each forms' form folder so that the form captain could read the message out to their form in the morning during their form time. Another key way of getting messages across about the fashion show that we used especially was email. There was a lot of emails sent out from us to other organisers, to Mrs Gilbert herself and other participants. I also sent out messages on social media sites to my models, as did many other designers as this way the models would reply quicker or see your messages quicker than if I sent them an email which they only checked during school hours. This was an effective way to communicate with all the other participants when it was out of school hours.
Resources:
When it came to dealing with resources, it was fairly easy to manage everything needed as that was something that I looked very closely at under the "Implementing" section of my Gold Arts portfolio. Once again, the main resources we needed were the actual place we could hold the event, which we booked the school theatre for, the models, tech team, hair and makeup team, designers and any other participants needed to run the show were very crucial aspects for the show. This was easy enough to get as many messages in assemblies and form times were given to encourage people to sign up to this. The rest of the resources we mainly needed were the technology, which was already available through the school lending it to us, the food and drinks were also needed. This would have to be bought and budgeted by the team which is something we had to manage which I have already explained previously.
Challenges:
When dealing with challenges and bumps in the road, it was very important to realise that there was always a solution to whatever the problem was. There was always Mrs Gilbert to ask as the main person in charge of the fashion show and also as being the main qualified member of staff involved, which we could ask if we needed help or her input with something. As the fashion show committee, it was also very important to discuss with the team if there was a challenge and how to find the appropriate solution for it. The main challenge we had was on the day there were about two people who were meant to be modelling who were off really sick for that entire week, which was an issue as the models were a crucial aspect on the day of the show. So there was now two outfits which were tailor made for their size which now had no model to actually wear it. The solution we found for this problem, was that we found two other people with a very similar sizes to those models off sick so that they could step in and model instead. It was just the issue of finding models willing and that would fit into those two outfits, along with learning the whole choreography and making arrangements with home and parents on how they were getting home later on and who was coming to watch etc. The other challenge was trying to order the pizzas as it was difficult to pick out which site to order from that was; of a really good quality, was reliable so we knew that we could trust that everything would come in time and of a good quality, along with which had the best price and reviews accordingly. We figured which site to use after quite a bit of research into the local places to the school as if anything went wrong, we could send someone and delegate the task of running down the street (if we chose a local restaurant) and picking up everyones orders, if worst came to worst. In the end we chose to go with Pizza Hut as it was local, was a name brand that is known to be reliable and is of as best quality that fast food can possible get. Another main challenge we faced was turning down lots of models who really wanted to do it but there was just not enough spaces for every single one who came to the casting to actually use, so it was a big challenge to tell those who didn't get the role that they didn't make it. There was definitely a lot of disappointed people but we turned it around to say that they would probably get it next year and that they could volunteer on to the hair and makeup team, or as a runner, or even on the tech team. Another challenge was designers not making the deadlines set, for example if videos were handed in late or the blurbs for the catwalks handed in late. This caused a delay on the time scale and delayed the tech team from actually seeing the videos and seeing what lighting goes best with it and getting on with their duties and roles. With the blurbs delayed having received some late, it caused the hosts of the show to delay writing and learning their scripts till they have received everyones blurb. This was quickly fixed by chasing up those designers with emails and at school to see why their videos or blurbs were late and what the next steps were. Those designers that handed it in late, were mainly due to technical issues when uploading as the videos could not upload as the file was too big, so to fix this, they airdropped the video so that there was a record on the school system so that the tech team could easily find it and open it. The last main challenge that we faced as a whole was that it did not look like enough tickets were being sold. Early in the morning on the day before the fashion show event, I went to ask how many tickets had been sold and there was only about a hundred tickets sold which is about half of what we were expected especially in terms of budgeting around this. However there was a massive turn around and during the day there were about sixty more tickets purchased and late comers on the night were able to purchase tickets at the door, so it was a very good turn around in the end and all the seats were completely full.
Ongoing Feedback:
To collect feedback of how people thought the project was going (planning/rehearsals etc) and how they thought my leadership abilities were during this process, I made a questionnaire on Surveymonkey.com, to see how I could actually improve for the next rehearsal or for the next meeting. It was instant feedback and I used an online questionnaire so people could feel like they could be 100% honest as it was completely anonymous. This would mean that I could try to improve with their feedback even during the process of planning and organising.
I created the online questionnaire early on in the beginning of the project and after a meeting or rehearsal, I asked those who I had an encounter with to answer my questionnaire to see how I was doing and what I could improve for the next meeting etc. I made a short questionnaire of about six questions in total, five of which were rating out of five stars and one had a comment box. The idea was for it to be a quick, short questionnaire so that people could answer it really quickly and motivate them to spend about two minutes doing me a favour of answering. If this questionnaire was longer, I truly believe that I would not have received as many responses as I did. These questions were mainly based around how I was doing in a position of leadership and about my leadership skills, this was to show me what I needed to work on and what other people actually thought of how I was doing. There was also a question on how people viewed the project as overall and their ideas on input on it. Below I have added some of the responses that I received from my questionnaire and I have then added my own thoughts on the feedback and how I moved on from there. I titled this survey money questionnaire; Ongoing project and leadership feedback survey as I wanted to differentiate what stage this survey monkey was as I knew that I was going to make another survey after the fashion show was over to get everyones responses and feedback to see what worked and didn't work so well. The link to my survey: https://www.surveymonkey.co.uk/r/SFXRF6X.
The questions which I chose to incorporate in my questionnaire are as follows:
1. Out of 5 stars, please rate my communication skills based on any meetings/emails/rehearsals or any other encounters related with the fashion show that we have had. If not 5 stars, please let me know what I could do to improve for the next time.
2. Out of 5 stars again, could you please rate the level of my organisation skills that you could observe from any meetings or rehearsals etc. If not 5 stars, do you have any suggestions on what could be improved?
3. Out of 5 stars again, what would you rate my level of motivation to other team members and participants in the fashion show? If not 5 stars, how could I be more motivational or inspirational to other participants and team members in your opinion?
4. Out of 5 stars again, could you rate my teamwork skills as a whole, whether it be when listening to other peoples ideas or completing my side of the work. If not 5 stars, could you please explain what I could do next time to improve.
5. Overall, how would you rate my leadership skills, whether in rehearsals or during fashion show society club? If not 5 stars, what could be improved next time in your opinion?
6. Overall, how do you think that the fashion show planning and organising is going and how the project is going as a whole?
Below are screenshots of the average ratings out of five stars to the first five questions.
1. Out of 5 stars, please rate my communication skills based on any meetings/emails/rehearsals or any other encounters related with the fashion show that we have had. If not 5 stars, please let me know what I could do to improve for the next time.
For the first question regarding my communication skills, I got an average of about four stars in total, which I am very pleased with. I received mostly five stars but I did receive four stars too from some people so the average went down to four stars. However I did receive a few comments from those that did give me four stars on what I could do to improve. I added about ten quotations directly copied from the answers and suggestions I received from participants from the fashion show that replied. I did receive around the twenty mark of replies but I thought it was more beneficial to pick through ten of them and display as some of them were quite repeated points so it was helpful to read through these comments and notice and pick out what other people thought of my leadership skills.
"I think listening to other peoples suggestions a bit more and incorporating those ideas more."
"Maybe suggest more ideas?"
"You do listen to everyone but maybe add the ideas you've listened about."
"I think you do a really great job on emailing everyone and keeping everyone on the right track but there is always a chance to improve."
"I think sometimes when you are explaining ideas, you don't always go about explaining them in the most clearest way, so maybe try think of ways when explaining something in a short easier way."
"I think maybe raise your voice when there is group rehearsals as people do make noise and talk and it is sometimes hard to hear when people sitting behind me are whispering."
"I think your ideas are great but maybe also really more on other peoples ideas."
"I like how you are really friendly to all of us in fashion show society but maybe talk a bit less when we know what we are doing. Don't get me wrong I think you are lovely and so helpful, but there is not a lot of time to work so sometimes it can be a bit distracting, but I only speak for myself I don't know if it is distracting for anyone else."
"Suggest ideas in a more straightforward way."
"Hi! I'm from fashion show club and I just think that you could talk more to me but other than that I have nothing else to suggest."
Looking at these quotations, I can definitely see what I need to work on more. I can definitely tell that I need to be more clearer with my ideas, so to try do this, I think that I will plan my idea more before the meeting and see what the shortest way of explaining it will be so that when there's the next meeting, it can be clearer for everyone as that was the main point I got. Incorporating more peoples ideas was another comment that I received a few times, so I think that I will actively ask everyone for their own opinions, ideas and thoughts and make sure to incorporate all of them or as many as possible. I think the last point that I am going to try to improve on is to talk to everyone equally at fashion show society club, which I did think I did but the feedback suggests that I spent a bit too long with some and too little with others, so the next fashion show society club meetings, I will try to be more equal with who I spend time with. This is something I was not aware of myself so it was very helpful to hear this feedback.
2. Out of 5 stars again, could you please rate the level of my organisation skills that you could observe from any meetings or rehearsals etc. If not 5 stars, do you have any suggestions on what could be improved?
I received a full five stars for my organisation skills so there was no comments left on what I could do to improve this aspect of my leadership. I know that I still have to be consistent with my organisation skills and to not be too confident with this now that everyone has rated five stars. I have to keep working hard at organising so that people still think that there is a constant five star of organising throughout the whole project.
3. Out of 5 stars again, what would you rate my level of motivation to other team members and participants in the fashion show? If not 5 stars, how could I be more motivational or inspirational to other participants and team members in your opinion?
For motivational skills, I received an average of four stars, which again I am very pleased with but I really do want to improve and will try to take onboard all the comments I received as a whole. The majority of votes were a four but some were a five star but it rounded to about four stars in total. The main comments I received were about how I spent too long focusing on motivation or not enough, which really makes it harder to see if people want me to continue trying to motivate them in the way that I am currently or if I am being almost "too" motivating and encouraging and spend too long on that. I added some comments of direct quotes that I received below to show what the majority of comments consisted of and so I had a record of what I could try to do to improve from the feedback.
"Really motivating girl but some people need it more than others."
"Have more of those encouraging little talks with us."
"Pick out certain people to motivate more."
"Find it really helpful but there are times when it is better to just leave it in a sense?"
"I really struggle with modelling and I really find the mini speeches helpful so maybe you could do a one on one with me. I'm sure you can tell who I am."
"Maybe less motivational chats."
"Spend more time on rehearsing."
"I deffo think to have more of those talks I really find them beneficial."
"Me and my friends really like when you try to encourage us and make us feel good about our modelling skills."
"In fashion show club, we aren't really that stressed about finishing the work, so maybe don't encourage us as much because we know that we can do it."
I think that these comments are 50-50 so some people want me to be more motivational and encouraging, whereas the other sort of half of participants want less of my encouragement. I can definitely see from this that in fashion show society club I should focus less on encouragements and more on helping out when making. I also can see from these comments that a few people think that there are certain individuals who are struggling with the modelling side and they should receive more help instead of them. Now this is harder to do as I do not want to make anyone feel targeted and ask them to stay behind. The last thing I want to do is make someone who is already insecure about their modelling, feel even worse about it. However it is noticeable who is more confident and who is less confident so I do know which individuals need more help. I was trying to give everyone the same level of support to make it fair, but I do think that maybe even the participants know that I should spend more time and energy on those certain people who need more help. In the next rehearsal with the models, I will try to specifically try to help those who are less confident to try feel more confident.
4. Out of 5 stars again, could you rate my teamwork skills as a whole, whether it be when listening to other peoples ideas or completing my side of the work. If not 5 stars, could you please explain what I could do next time to improve.
For teamwork skills in general, I received an average of four stars, however the majority of ratings I did receive were five stars but there were a few four stars which did bring the average to four stars. The majority of comments that I received on this question was again about listening to everyone but apart from that, it looked like my team work skills were relatively good. I am glad that I did this survey so that I knew exactly what I needed to work on and what to do about it from the direct feedback from everyone involved who answered my survey. Below are some of the comments I got in regards to this question and what to improve on, along with what I am lacking in.
"Really good team player and does work on time every time. Maybe you could check in with how everyone else is doing with the work sometimes."
"Listen to other peoples suggestions more like I mentioned before in this quiz."
"Get everyone involved."
"Everything can be improved slightly but you are doing very well."
"Ask for everyones thought when you explain a new idea."
"Sometimes a few peoples ideas clash, maybe try break it up a bit. I know you did that that one time but there was another occasion when those two didn't see eye to eye and you could have tried to resolve it?"
"Negotiating what ideas to use could improve."
"Listen more."
"I think when we have group decision making, maybe listen a bit more to everyones ideas but that's the only relatively bad thing I can think about."
"Add more ideas in."
Overall, there was quite a mix of what different participants thought on my teamwork skills. In a generalisation, they were all relatively good but I do see that a few people think that I should listen a bit more and involve every single person a bit more. I find this a bit challenging sometimes because the committee has such different people in it who don't usually mix so sometimes there can be someone who doesn't really want to get involved, so I try to make up for it. I do know now that people just think that I should just maybe try to get these individuals more involved, so that is what I will try to do for the next time.
5. Overall, how would you rate my leadership skills, whether in rehearsals or during fashion show society club? If not 5 stars, what could be improved next time in your opinion?
Overall I got a mixture of both five and four stars but it did round down to about four stars. Most of the comments I did receive on what I could do to improve were mostly the same as I have received before as this question asked about my leadership in broader terms whereas the other questions covered more specifics of my leadership skills. This question was mainly to see how all the participants felt about my leadership qualities as a whole and in general. Most of the messages of the comments were kind of repeated and reiterated in this question so for that reason, I will add fewer quotes of comments that I have received for this question as it is quite repetitive and from the feedback, I can see what I need to work on more. I have added about five comments below which I received for this question.
"Be more harsh and stricter so that everyone does what they are meant to do."
"Involve everyone in the group."
"Listen more to everyone."
"Talk louder when there is a large group of us."
"Get everyone to join in and participate more in the meetings."
Most of these comments again as mentioned before were about actively listening more to every single participant. So I definitely know to do that next meeting or rehearsal and to get everyones ideas in the mix even more. Another key point that I received a couple of times was to get everyone to actively take part in things like the meetings and rehearsals but it is hard to motivate those people who really don't want to input but I do try to encourage these people and remind them that this is their choice of being there and they did volunteer and sign up to do the fashion show. Again in these cases it is reminding them that they are a huge help to the whole fashion show in a larger picture and to get them motivated again. The first comment that says that I should be stricter with participants, I personally don't agree with. I do respect the comment made and I respect their opinion but personally I believe that people work best if they are in a friendly environment and that works if I am friendly with them and am encouraging. I personally don't think that it will be beneficial to participants if I take an angry or stressful approach at them.
6. Overall, how do you think that the fashion show planning and organising is going and how the project is going as a whole?
Again this question was quite vague as I really just wanted to know anything about what people thought about the fashion show planning stage and to really see how people interpreted this question and what they picked out that particularly stood out to them about the whole process of the project. Below are about ten quotations that I have picked so that there is a bit of variety in terms of the responses.
"It seems really organised."
"It looks like it is a well planned event and that it will run smoothly on the night."
"Looks like a lot of work from the committee but well done with organising the walks."
"Appears very stressful but you all look so calm."
"The fashion show is such an amazing experience and I love modelling! Never done it before but it is a lot of fun."
"Working with fashion show club, it helps a lot and thanks for helping plan the rehearsals with us."
"I don't really know what is going on with the organising as I am part of the tech team but it seems in order."
"Well done with everything so far!"
"Seems like a lot of work but it all seems like it is doing good."
"Deadlines which have been planned are a bit tight especially the blurb and video hand in deadlines but I do understand that it holds everyone up on the other side if they are delayed more than those dates."
Overall with this feedback I received looking at the whole questionnaire, it was very helpful to see what participants think I can improve on and what they believe can be changed. It is now easier for me to pin point what I need to do next in regards in my leadership role and how to be better in the role. This has been a very useful experience in finding out what everyone thinks works well and what could be improved. Moving on with the project I will keep this all in mind.
Details of how the project will be shown publicly:
The project will be shown publicly at the fashion show event as I have mentioned before. The plan is to show this fashion show publicly at the event. The show will start at 7pm and then end at around 8:30pm where the audience members will then be invited to have drinks and nibbles in the Wollenstencraft Room (which is a fairly large room/hall) in the school, where there will be enough space for all the guest members and participants to relax and eat. Most of the details of how the project will be shown publicly, I have mentioned before in my project plan in the planning section, so if you are interested in finding more about that, then head over to the planning section.
Your responsibilities in relation to the public showing/sharing:
As mentioned before, most of these details are on the planning section, but I will briefly summarise the answer to this question. I am responsible for organising my own models for my own walk, along with other models and more of the planning section. I will be doing more behind the scenes work leading up to the show, so helping out with budgeting and coming up with ideas for example. Along with helping out at rehearsals, and also helping out younger students make their own outfits to contribute to the fashion show event showing.
Details on how you have organised people and resources:
I have helped organise in meetings and I have also helped organise in the Fashion Show Society club weekly. I have had to voice my opinions and thoughts on other peoples ideas and also voice some of my own. In terms of resources, I have helped organise the budget; which entails from the food to the flowers on the night, and also helped assist setting up the theatre in preparation for rehearsals.
Delivery of the public showing:
I have added pictures and footage from the event, which is on the photo gallery section of my website under the unit two section. Here you will be able to see the full extent of the fashion show event from videos from the catwalks themselves, to the photoshoots of each catwalk, to behind the scenes and the after gathering. Overall, I thought that the event was a massive hit and as I left the Theatre, I received so many compliments on the show along with on my personal collection. If anything could be improved, I would suggest that perhaps having a bigger budget for the flowers, to show the art department how grateful we are for all their constant work in helping and inspiring the girls, especially leading up to the fashion show event.
Reflection on where and how I was developing and applying my leadership skills while managing the event:
On the actual night of the event, I had to help make sure that everyones collections were photographed and it was quite difficult to get all the members of one collection all together in the same place to get them to come to one of the art rooms to take the photographs in the photoshoots. There were set rooms where catwalks were allocated to go to, and this was between three rooms, but of course a model or designer could have been in one of the toilets in school or downstairs at the very bottom of the school having dinner, so that is where it was more complicated to find people, especially as there was a limited amount of time. However there were runners that their jobs were to find models or designers and they had headsets to communicate to other runners, next time I think there should be more as its was still quite difficult to find these runners in the first place, so I definitely think that for next time, they should have allocated rooms each and a few more of them so that everything runs smoothly in preparation to the show and on the night of the show. I was applying some of my leadership skills on the night of the event, and particularly using my organisation skills to find the models so that they could have their photos taken. After a certain time, the photographers would not take any photos as they would have to go to set up their equipment in the theatre to photograph and film the real event. This certain time was about 6:30pm and this was also about the time that models and designers had to make their way to one of the rooms near the theatre to wait for the event to start and so that the runners could easily find all of us to start the show. I also developed my communication skills and confidence when speaking to a large amount of people, when trying to get everyone to go to their photoshoots before the show. This was definitely the most stressful and nerve wracking part as it was hard to see who was yet to be photographed, but in the end everyone managed to be photographed, both in their collections and with a pair/group/individual. I also applied my organisation skills on the night, when I had to tell all the models and designers to go outside for the grand finale. After individual walks had been done, these models and designers had to make their way to the top of theatre area to sit down and watch and support the rest of the show. However there was a certain time that we all had to make our way down for the grand finale of the show and to wait and organise what side to get on to the stage from while waiting outside. After the second to last catwalk happened, and the audience was clapping and cheering, I stood up and motioned for everyone to get up and leave the theatre. This meant that I had to be organised to know when to evacuate the top area so that the grand finale would be on time.
Feedback from participants and audience members after event:
Again, I made an online questionnaire on SurveyMonkey.com, to collect feedback from participants and audience members alike, to find out what they thought of the event as a whole, and what they thought could be improved, among other questions. As the questions and feedback that I wanted to find out from both participants and audience members was different, I created two different questionnaires for each section. Participants had the knowledge of what happened in rehearsals, behind the scenes and what it was like in preparation for the actual night of the show. However, the audience members only saw the final result, so both participants and audience members had very different experiences, so I wanted feedback on both sides.
The questionnaire for the participants was slightly longer than that of the audience members, as the participants had nine questions to answer and the audience members only had five questions. This was mainly to do with the participants being a lot more involved with the show obviously so there was more sections that I wanted their feedback on.
I wanted to keep this survey brief so as to not to take up a lot of the models and designers, and everyone else involved's time. Everyone was absolutely knackered after the night of the show, so I wanted to make the survey as easy to do and as less time consuming to do so that more people would be more likely to do it. The questions I asked are as follows:
1. How do you think that the Fashion Show went this year?
2. What was your favourite part of the event?
3. How do you think the organisation of the planning of the show went?
4. What do you think could have been improved (in terms of planning and the execution on the night)?
5. What do you think was the most organised part out of the fashion show?
6. Overall could you rate my leadership skills (whether on my communication or on my organising and planning)? 1star being really poor, 2 stars being could have been improved, 3 stars being average, 4 stars being good and 5 stars being excellent. I also asked follow up question; if you did not think I was five stars, how could it have been improved in your opinion?
7. As a participant, what do you think worked well in preparation for the show?
8. As a participant, what do you think could have been improved in preparation for the show?
9. Last question, overall how would you rate your experience as a participant on a whole (looking back at rehearsals/meetings/experience on the night etc) 1 star being bad, 2 stars being could have been better, 3 stars being average, 4 stars being enjoyed it and 5 stars being really loved participating. Again I asked a follow up question; if your answer was not five stars, could you let me know how it could have been improved below.
The link for the participant focused survey questionnaire is: https://www.surveymonkey.co.uk/r/RVH5XW8. I will also add screenshots of the questions below to how they are presented on the site. In addition to this, I will also add a number of answers from participants below and a brief summary of all the feedback I received.
These screenshots above are from each individual question on the online survey participants, I will add a few of the responses down below of the feedback to get a range of answers so that I know what worked well and what could have been improved. There were about over thirty participants who answered this questionnaire in total, so I will add a few of the responses, ranging from the best to the average answer to the most critical responses, as it will be more beneficial and easier to see and analyse the responses rather than having every single response up.
Answers for the Feedback from the Fashion 2019 (Participants Edition) questionnaire:
1. How do you think that the Fashion Show went this year?
"It continues to evolve every year."
"This is my first year ever being part of it and I really thought it went better than I thought it would be when I signed up. I didn't realise how big the event was considered in school till the week before when the stage was starting to get set up."
"I've done it every year since year 8 and I am in year 12 right now and I always really enjoy it. Can't wait for next year!"
"Just joined BHS this year in year 7 and I really liked being a model."
"Want to do a bigger role next year but for my first year, I really liked being a runner."
2. What was your favourite part of the event?
"When I was walking down the stage and I could see my parents and younger brother in the audience cheering me on."
"The photoshoot definitely!!!!"
"Being part of tech because I want to work in computing when I'm older."
"I liked being part of fashion society as it felt like a family at the end and everyone was really supportive of everyone else."
"I preferred the event itself when it was happening but it was really nerve wracking."
3. How do you think the organisation of the planning of the show went?
"I wasn't involved with organising so I can't say specifically but from what I could see, the whole event ran quite smoothly."
"Was part of meetings and I think everyone's voices got heard which was really good."
"I think it was really organised everyone knew what they were doing basically."
"Can't say from experience as it is my first time but everything seemed organised."
"Bit hectic towards the end especially on the night of the fashion show and I think the finale bit could have been rehearsed more as I wasn't sure when my cue was."
4. What do you think could have been improved (in terms of planning and the execution on the night)?
"I think that the final part could have been rehearsed more because we only rehearsed it a few times."
"More pizza ordered!"
"As I said before, the finale as I did not know when my cue was to come on stage."
"I think we could have had more meetings in prep for the show."
"Making the videos and submitting was a really tight turn around."
5. What do you think was the most organised part out of the fashion show?
"Everyones choreos as everyone knew what to do."
"The videos! They were all so good and made in time before the rehearsals!"
"The show itself like when we were showing the clothes instead of the after event as my parents did not really know where the room was as they haven't really visited the new school before and got a tour of it."
"All of it I thought it was all really organised."
"Tech team because they knew all the lighting cues and what to do."
6. Overall could you rate my leadership skills (whether on my communication or on my organising and planning)? 1star being really poor, 2 stars being could have been improved, 3 stars being average, 4 stars being good and 5 stars being excellent. I also asked follow up question; if you did not think I was five stars, how could it have been improved in your opinion?
I received an average of four and a half stars from all the participants who answered this survey on rating my leadership skills. So this rating was halfway between good and excellent. Overall I was really happy with the responses on this question as most of the ratings were really high from a 5 star which I labelled excellent, and a 4 star which I labelled good. However there was one response that was a three star rating and the comment was that: "I think maybe you could have engaged with every single participant more, including us in the technician team as we could have been directed a bit more. Just being harsh, but this is my honest opinion." That was probably the harshest rating but I totally agree with the comment, I definitely focused more on the designers and models rather than the technician team for example, as to me I thought that they knew what they were doing and were given requests from each catwalk on the lighting and given the music and videos to play. From this feedback, I have learnt that I need to spend more time with each section as a whole and just finding the balance between every section.
7. As a participant, what do you think worked well in preparation for the show?
"Having so many rehearsals."
"Getting so much time to get ready before the show."
"I think we got a lot of handouts and letters and messages which was good to remind we when everything was happening."
"Doing extra rehearsals if we were unsure on the walks themselves."
"I think the meetings were really helpful as well as emailing info to each other."
8. As a participant, what do you think could have been improved in preparation for the show?
"Practising the final bit more."
"I think we should have done more rehearsals."
"More meetings!"
"Having rehearsals start sooner instead of a few days before the show."
"I think we could been more prepared by doing more rehearsals but some people told me they wanted less but I really think more next time."
9. Last question, overall how would you rate your experience as a participant on a whole (looking back at rehearsals/meetings/experience on the night etc) 1 star being bad, 2 stars being could have been better, 3 stars being average, 4 stars being enjoyed it and 5 stars being really loved participating. Again I asked a follow up question; if your answer was not five stars, could you let me know how it could have been improved below.
Again, much like the other rating question, I received an average of four and a half stars again, which was halfway between to what I labelled; "enjoyed it" and "really loved participating". So I thought this was really good, the lowest rating I received was four stars which was "enjoyed it" which shows that out of all the participants who answered, they all enjoyed it and valued the experience. I received a lot of five stars on this question on how they rated their experience as a participant as a whole, but of those who gave four stars, the additional comments they added on why they did not give it a five were as follows: (again I will only add a select few to get the overall sense of the answers and feedback added):
"There was enough pizzas for everyone but some people got more than others so I think making sure everyone gets the same amount."
"Tickets for our parents or friends could have been cheaper."
"More rehearsals as everything was a bit last minute, but I really enjoyed being included and I enjoy getting involved more each year."
The answers above (for question 9) are probably the harshest I received and I do accept all these responses but I do think that the tickets were priced really reasonably, and are always priced at around the same prices every year anyways. The price is due to the budget and trying to cover the costs whilst also getting a profit for both the Art Department resources and also the Sixth Form Ball. There was also a mix of responses regarding the rehearsals, some responses said more (such as the one above) and a lot said less, so again it really just is about personal preference, so I think we had a fair amount of rehearsals overall.
In general, looking back at the responses, I think that all the feedback was really fair and I take it all on board. I am most pleased with the rating I got from my leadership skills as I really did try to develop my skills overall in this project. I think that there is a range of responses so some said more rehearsals for example and others said less, so again as I have said before, it is really hard to find the balance on making everyone happy and pleasing everyone when there is quite a large number of people involved.
The link for the audience member focused survey questionnaire is: https://www.surveymonkey.co.uk/r/R7XTQYL. Again, I will also add screenshots of the questions below to show how they are presented on the site, along with some of the answers from audience members themselves.
The questions for this audience questionnaire are as follows:
1. Overall, out of five stars how would you rate the event as a whole? (from the show to the after gathering)?
2. How good did you think the organisation of the show was? There was also a follow up question; if your answer was not five stars, how would you suggest it could have been improved in your opinion?
3. What was your favourite part of the whole event?
4. What was your least favourite part of the event?
5. What could have been improved in your opinion?
Asking audience members to fill out the questionnaire and actually receiving answers and feedback from audience members was a lot more difficult compared to getting feedback from participants. This was mainly due to the fact that there was no set guest list so I didn't know who attended the event and who to ask and send the questionnaire to. I asked several people who were students watching as audience members and then asked some students if they could send their parents or family the link to the questionnaire to answer it, and overall I got just about twenty responses back and who filled out the questionnaire survey. So again I will add a few direct quotes from what some audience members wrote down in the survey so that it is easier to analyse and compare feedback responses. The answers are as follows:
1. Overall, out of five stars how would you rate the event as a whole? (from the show to the after gathering)?
Overall for this question, there was a full five stars given, which shows that all the audience members, or at least those who answered the questionnaire, all thoroughly enjoyed themselves, which was really pleasing to see. There were no other scores aside from five stars given, which shows that the audience members as a whole enjoy the event and the after gathering.
2. How good did you think the organisation of the show was? There was also a follow up question; if your answer was not five stars, how would you suggest it could have been improved in your opinion?
There was a full five star rating given once again on this question, which shows that from an audience members point of the view, they thought the event ran smoothly and was well put on. And even though audience members who did this questionnaire survey did as a whole rate five stars for this question consecutively, some also did write a small comment in the comment box provided which I gave a follow up question title in it so that it was clear what the purpose of that specific comment box was so; if your answer was not five stars how would you suggest it could have been improved in your opinion? However these comments were really helpful and motivating especially after all the work that was put into making and organising the show, and it was so nice for audience members to leave me little comments when they did even have to. One of the comments was: "The fashion show ran so smoothly and I thoroughly enjoyed my experience as part of the audience. I really liked seeing my daughter get involved, especially considering that this is her first year at Blackheath High after moving schools." Another comment was: "I really liked going and supporting my friends and there was no hitches! Well done to all of you!"
3. What was your favourite part of the whole event?
For this question, I received a few comments that were again so motivating and uplifting after all the amount of work put into it. The answers were as follows:
"Definitely seeing my two daughters on the stage! So proud!"
"I totally enjoyed seeing the diversity in the clothing made by the girls."
"It was so interesting to see it all come together as my daughter was working on making the collection at home."
"Watching and supporting my friends who walked and modelled on stage."
"Watching the show!"
4. What was your least favourite part of the event?
"Witnessing the stress that my daughter was under when preparing for the show. It was all worth it in the end!"
"Nothing, I can't name any."
"Being sat in the last row and not being able to see all the clothes up close."
"None."
"I came as an audience member to support my friends and I auditioned to be a model but I did not get chosen but I did get offered to be a runner, on tech or on hair and makeup, but I just wanted to be a model. So my least favourite part was not getting picked but I will try again next year."
5. What could have been improved in your opinion?
"There could have been more vegetarian food in the event after the show."
"More non alcoholic options for the girls after the show."
"The girls could have walked on stage longer so that we could all appreciate the clothes more."
"Definitely more Prosecco!"
"I have several food intolerances, so maybe more allergen friendly food at the after show?"
Project Report:
What happened on the project?
Myself, along with other students organised a very successful fashion show event to be shown to a large amount of audience members of around 200 people. This consisted of several catwalks from students who designed and made their own collections, performances from students which consisted of displaying music and videography, alongside the two main hosts hosting the event and a small after "party" gathering at the end of the night after the public showing of the event. The evening went according to the original plan; so the event started off with a small reception to then audience members took their seats and then the show started which was hosted by both Poppy and Olivia. Then the catwalks commenced and there were small intervals in between every few catwalks where there was a musical performance by Ellie and a video shot by Hana shown. After the catwalks and performances were done, then the small speeches for congratulations were made by the hosts and the head teacher to thank the organising team and also Mrs Gilbert for working so hard alongside everyone and helping everyone to be able to make the show such a success.
What was produced?
An event which exhibited the work of students' textiles capabilities in the school and musical/videography talents. There were collections produced from about 7 different students in total, alongside the two year 11 classes and fashion show society. There were a diverse range of art forms shown in the event but these mainly focused on the textiles aspect, naturally due to the nature of fashion shows.The youngest student who contributed their own work to the event was in year 7 (11 years old) and then the oldest was in final year of ALevels (18 years old) so there was a range of ages between the students working alongside each other in this large scale project.There were very different types of clothing made for the exhibition so it made a great show as everyone made something very unique and different to one another. There was also a running theme of (De)Construction so every designer took this in a completely different way and moulded their ideas to fit this title.
What did you enjoy the most and why?
Definitely seeing the whole event come together as a whole after all the work that was put in; designing, making, rehearsals, planning. I also enjoyed getting to know other students who I don't usually see or talk to around school, so it was very nice to meet and assist other students who are in different year groups or who have even just joined the school. I also enjoyed working as a team and how everyones roles were crucial in getting the event to such a success as it was on the night. I really liked designing and making my own collection in contribution for the showing part of the fashion show, aside from the planning and organising.
What was the most challenging thing and why?
Actually just starting with the actual planning because it was hard to know where to actually start. It was also hard to get everyone to be quiet and to listen when rehearsals had to start as students tended to come into the theatre usually about ten minutes early so naturally everyone was talking but when it came to the time that the rehearsals needed to start, it was really important to get everyones attention so that they knew what they needed to do and what was coming up. Also on the day of the event, two models were unable to come as they were really sick, so then two year 7 students were found who were the same size as the original model so that the clothes did not have to be altered last minute, and was less stressful on the designer. It was also challenging at first to speak and address such a big crowd during rehearsals and give orders on what was going to happen and what everyone needed to do.
How did the public event work?
The event was put on by the art department at the school but organised by some students at the school (me, Ana and Eve), so anyone was free to attend but had to buy a ticket beforehand ideally although there were the last few remaining tickets being sold at the door if anyone needed to get any last minute. Audience members ranged from family members to family friends to close friends of the students to other students and teachers. The public event involved catwalks, live music, a short film viewing, nibbles and drinks.
What have you learnt about leadership?
That when leading (especially a large group of other students) it is important to be very confident and to speak loudly and clearly. It is also so important to be able to communicate all your ideas in a simple manner so that your ideas are very clear to everyone and can easily be followed. I also learnt that teamwork is incredibly important during leadership and that even though you might be leading something in the way you believe is the best way, it is always crucial to be open to receive feedback to know what to improve on for the next time, this is why the online questionnaires that I made during the event planning was so crucial, as I instantly knew what to improve on.
What have you learnt about communication?
As I mentioned before, it was so important to communicate all my ideas in the simplest manner so that everyone understood and could follow through with these ideas and know what to do. I also built on the fact that communication is not just about talking, it is also about listening and is so important to do so and to see other peoples' perspectives on the same situation and to get more ideas as a result. It was also quite important to adapt my communication skills to different people depending on their age, as with the older students you could be slightly more harsh and tell them truthfully how it is and they would be able to handle, but with the lower years, they were (as a whole) very nervous and timid, so it was important to be more gentle with them.
What have you learnt about planning?
That it takes a whole team to organise such a large scale event and that no one individual could do it all alone, and that working in a team is so crucial in a project like this; during the planning stages especially to filter through all the ideas and combine the ideas. The plan we had in place did follow through with no major hiccups so the plan in our case did work out and the event was a success but we also had to consider what could go wrong and what our solutions would be if certain scenarios happened. Planning was so important as it seemed to motivate everyone for the end result and everyone knew what they were working towards and what needed to be done to end up with the best result possible that we all wanted; whether models or designers or anyone else involved.
What have you learnt about your art form?
That there is so much work done behind the scenes compared to what audience members just see on the catwalks. The planning behind fashion events takes an army and so much work is done that doesn't get seen, so next time I attended a fashion show, I will be more aware of this factor and be more grateful that a team of people have put so much work in to make that event possible. I also learnt more techniques when sewing my own collections, and that initial designs do not always follow through, as I changed my designs very often so that the ideas and collection would work aesthetically as a cohesive.
What would you do differently?
Looking at the feedback that I received, I could have perhaps organised more rehearsals, but it is difficult as some said that they felt that there should have been less rehearsals and others felt as though they wanted more, however, additional "support" catwalk rehearsals were also organised for any catwalks that were under performed or felt as if they needed the extra rehearsal time. I also learnt that with these events, it is better to have extra food and drink as opposed to not enough, so we could have ordered more food and drink, but we just did not want this all to go to waste, but there were a few comments regarding food and drink, so we should have ordered more just in case it was needed.